Terra Incognita. Alain Corbin

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the period under study, which I highlighted in a previous work: the physico-theology of Oxford’s Protestant scholars, underpinned by the regular Anglican practice of reading the Psalms daily. This school, known on the continent as ‘natural theology’, studied at length by Henri Brémond,6 considered the earth as a marvel corresponding to God’s plan. It was to be exalted for its beauty, overlooking the brutality it sometimes displayed. This sense of wonderment gave rise to the Providentialism celebrated by the Abbé Pluche and Bernardin de Saint-Pierre.

      Anne-Marie Mercier-Faivre has argued that from 1755, or roughly mid-century, on, disasters were no longer mere signs, but events in their own right: ‘It progressively became a concept that made for a brand-new way of thinking about the world and about mankind.’9 Stripped of their religious frame of reference, disasters were now open to analysis. Thinking about and trying to understand catastrophes was no longer the sole preserve of the church. That said, a degree of caution was still required. The idea of divine punishment, the fear of everlasting damnation, and the primary goal of salvation had by no means faded from people’s minds. Disasters may now have been considered suitable material for analysis, but they were still a reminder of the transience of life, the gift of a merciful God.

      On All Saints’ Day, 1 November 1755, Lisbon was shaken by four major tremors in nine minutes, starting at twenty to ten in the morning. Clouds of sulphurous vapour darkened the sky. A few moments later, a tidal wave – what we would now call a tsunami – five to six metres in height ploughed across the city, causing devastation in its wake. An aftershock struck at around eleven. Fire ravaged the city for five to six days. Looters caused further panic. The worst-affected areas were the low-lying neighbourhoods in the city centre. It is currently estimated that some ten thousand people died. Few of them were from the city’s leading families, who were on their country estates. The king and the royal family were in residence at the Belém Palace.

      We will now focus for a while on how word of the disaster spread. While the tremors themselves were felt across much of Western Europe, it took around a month for the news to reach gazettes and news-sheets. In Germany, a Cologne gazette was first to break the news, on 21 November. The Gazette de France [France Gazette] printed it the following day. By the end of the month, the news had reached most of the German-language press. Until February 1756, the ‘disaster’ was often described as a ‘dreadful catastrophe’, with articles highlighting the scale of the destruction. On 29 November 1755, for instance, a gazette in Bern recorded that ‘seven-eighths of the houses in the city of Lisbon were torn down in six or seven minutes’. It informed its readers that three volcanoes had caused a fire and that 100 to 130 locals had found themselves trapped in the ruins. The total destruction of trade in one of Europe’s busiest commercial cities was the focus of much interest. News-sheets and almanacs soon followed suit, eager to shed sensational light on the parlous state of the world with many a Biblical reference. Though the term ‘catastrophe’ was widely used in the press in the aftermath of the Lisbon earthquake, the much-discussed news of the disaster does not seem to have profoundly challenged an optimistic world view and the idea of God’s providence, particularly in Germany.

      The mid-eighteenth century saw the rise of subscription libraries and educational and scientific publications. The closing quarter of the century was a golden age of popular scientific debate. In this context, the problem of earthquakes was still widely discussed in fashionable salons at the end of the century. It is no exaggeration to call this the ‘earthquake craze’,12 akin to the fashion for hot-air ballooning. Even the rural population took an interest in the topic. The curiosity and suffering caused by the shortfall in scientific knowledge were still intense in the closing years of the eighteenth century, though curiosity about earthquakes was tending to give way to an interest in volcanoes. Even so, a play about the Great Lisbon Earthquake was still being performed in Paris in the very early nineteenth century. As late as 1878, a set of clockwork figures was shown in Orleans, performing two events from history: Joan of Arc delivering the city – and the Lisbon earthquake.

      What is most interesting is that people were now trying to understand the disaster, to interpret it, protect themselves from its effects and measure its impact on society, quite apart

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