Fall’n on the inventors’ heads: all this can ITruly deliver.
Fort.
Let us haste to hear it,
And call the noblest to the audience.
For me, with sorrow I embrace my fortune:
I have some rights of memory in this kingdom,
Which now, to claim my vantage doth invite me.
Hor.
Of that I shall have also cause to speak,
And from his mouth whose voice will draw on more:
But let this same be presently perform’d,
Even while men’s minds are wild: lest more mischance
On plots and errors happen.
Fort.
Let four captains
Bear Hamlet like a soldier to the stage;
For he was likely, had he been put on,
To have prov’d most royally: and, for his passage,
The soldiers’ music and the rites of war
Speak loudly for him.—
Take up the bodies.—Such a sight as this
Becomes the field, but here shows much amiss.
Go, bid the soldiers shoot.
[A dead march.]
[Exeunt, bearing off the dead bodies; after the which a peal of ordnance is shot off.]
THE END
ROMEO AND JULIET
By William Shakespeare
PERSONS REPRESENTED
Escalus, Prince of Verona.
Paris, a young Nobleman, kinsman to the Prince.
Montague,}Heads of two Houses at variance with each other.
Capulet, }
An Old Man, Uncle to Capulet.
Romeo, Son to Montague.
Mercutio, Kinsman to the Prince, and Friend to Romeo.
Benvolio, Nephew to Montague, and Friend to Romeo.
Tybalt, Nephew to Lady Capulet.
Friar Lawrence, a Franciscan.
Friar John, of the same Order.
Balthasar, Servant to Romeo.
Sampson, Servant to Capulet.
Gregory, Servant to Capulet.
Peter, Servant to Juliet’s Nurse.
Abraham, Servant to Montague.
An Apothecary.
Three Musicians.
Chorus.
Page to Paris; another Page.
An Officer.
Lady Montague, Wife to Montague.
Lady Capulet, Wife to Capulet.
Juliet, Daughter to Capulet.
Nurse to Juliet.
Citizens of Verona; several Men and Women, relations to both houses; Maskers, Guards, Watchmen, and Attendants.
SCENE.—During the greater part of the Play in Verona; once, in the Fifth Act, at Mantua.
THE PROLOGUE
[Enter Chorus.]
Chor.
Two households, both alike in dignity,
In fair Verona, where we lay our scene,
From ancient grudge break to new mutiny,
Where civil blood makes civil hands unclean.
From forth the fatal loins of these two foes
A pair of star-cross’d lovers take their life;
Whose misadventur’d piteous overthrows
Doth with their death bury their parents’ strife.
The fearful passage of their death-mark’d love,
And the continuance of their parents’ rage,
Which but their children’s end naught could remove,
Is now the two hours’ traffic of our stage;
The which, if you with patient ears attend,
What here shall miss, our toil shall strive to mend.
ACT I.
SCENE I. A public place.
[Enter Sampson and Gregory armed with swords and bucklers.]
Sampson.
Gregory, o’ my word, we’ll not carry coals.
Gregory.
No, for then we should be colliers.
Sampson.
I mean, an we be in choler we’ll draw.
Gregory.
Ay, while you live, draw your neck out o’ the collar.
Sampson.
I strike quickly, being moved.
Gregory.
But thou art not quickly moved to strike.
Sampson.
A dog of the house of Montague moves me.
Gregory. To move is to stir; and to be valiant is to stand: therefore, if thou art moved, thou runn’st away.
Sampson.
