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insignificant to be mentioned, but importance in the Koyukon economy does not assure a prominent place in the stories. Many of the stories about animal origins are like this one:

      When the burbot [ling cod] was human, he decided to leave the land and become a water animal. So he started down the bank, taking a piece of bear fat with him. But the other animal people wanted him to stay and tried to hold him back, stretching him all out of shape in the process. This is why the burbot has such a long, stretched-out body, and why its liver is rich and oily like the bear fat its ancestor carried to the water long ago.

      Distant Time stories were usually told by older people who had memorized the lengthy epics and could best interpret them. But children were also taught stories, simpler ones that they were encouraged to tell, especially as they began to catch game. Doing this after setting out their traps or snares would please the animals and make them willing to be caught.

      Today’s elders can recall the long evenings of their youth, when Distant Time stories made the hours of darkness pass easily. In those days houses were lit by burning bear grease in a shallow bowl with a wick, or by burning long wands of split wood, one after another. Bear grease was scarce, and the hand-held wands were inconvenient, so in midwinter the dwellings were often dark after twilight faded. Faced with long wakeful hours in the blackness, people crawled into their warm beds and listened to the recounting of stories.

      The narratives were reserved for late fall and the first half of winter, because they were tabooed after the days began lengthening. Not surprisingly, the teller finished each story by commenting that he or she had shortened the winter: “I thought that winter had just begun, but now I have chewed off part of it.” Or, more optimistically, “When I woke up in the morning, my cabin was just dripping with water!” In this case the narrator implies that the spring thaw has suddenly begun.

      Distant Time stories also provide the Koyukon with a foundation for understanding the natural world and humanity’s proper relationship to it. When people discuss the plants, animals, or physical environment they often refer to the stories. Here they find explanations for the full range of natural phenomena, down to the smallest details. In one story a snowshoe hare was attacked by the hawk owl, which was so small that it only managed to make a little wound in its victim’s shoulder. Koyukon people point out a tiny notch in the hare’s scapula as evidence that the Distant Time events really took place.

      The narratives also provide an extensive code of proper behavior toward the environment and its resources. They contain many episodes showing that certain kinds of actions toward nature can have bad consequences, and these are taken as guidelines to follow today. Stories therefore serve as a medium for instructing young people in the traditional code and as an infallible standard of conduct for everyone.

      The most important parts of the code are taboos (hutłaanee), prohibitions against acting certain ways toward nature. For example, in one story a salmon-woman was scraping skins at night with her upper jaw, and while doing this she was killed. This is why it is taboo for women to scrape hides during the night. Hundreds of such taboos exist, and a person who violates them (or someone in the immediate family) may suffer bad luck in subsistence activities, clumsiness, illness, accident, or early death. In Koyukuk River villages it is a rare day when someone is not heard saying, “Hutlanee!” (“It’s taboo!”).

      Personalities in Nature

      Stories of the Distant Time often portray the animal-people as having distinctive personalities, and this affects the way a species is regarded today. Often these personalities can be known only through the stories, because the animals do not visibly express them any longer. People sometimes have strong positive or negative feelings about particular species because of the way they are portrayed in the stories.

      The sucker fish, for example, was a great thief in the Distant Time and so it is not well thought of. One man told me he could never bring himself to eat this fish, knowing what it had been and fearing that it would make a thief of him:

       Even in springtime, sometimes we run short of food. But if we catch a sucker in the net, I just can’t eat him.

      People will sometimes characterize someone by referring to an animal’s personality. In fact, Jetté … writes that Yukon River Koyukon may inquire about a person by asking, “What animal is he?” Someone known as a thief may be described as “just like a sucker fish.” When a person talks big, promises a lot but accomplishes little, or gets ahead by trickery, he or she is said to be “just like a raven.” Although Raven is the creator, he is portrayed in the stories as a lazy trickster who usually finds a way to get ahead by the efforts of others. The Koyukon have a kind of jocular respect for ravens, mocking their personality but still awed by their spirit power.

      Animal relationships are also shown by shared characteristics, but usually not those chosen by Western taxonomists. One story of the Distant Time says that all the smaller animals were related as sisters who lived together in an underground house. These included red squirrel, mink, fox, several owl species, short-tailed weasel, ptarmigan, and others. Another related group includes the four water mammals: otter, mink, beaver, and muskrat. Stories also reveal that the raven is mink’s uncle. And in obviously paired species, the larger is considered the older brother to the smaller – brown bear to the black bear, for example, and flicker to the woodpecker.

      The Koyukon people conceptualize a natural order, but its structure and foundation are quite different from our own. No one described to me a system of phylogeny or biological interrelatedness, but I did not probe this matter exhaustively and may have failed to ask the right questions. Such a system might exist, or perhaps the world’s makeup is sufficiently explained in the stories.

      The Place of Humans in a Natural Order

       When Raven created humans, he first used rock for the raw materials, and people never died. But this was too easy so he recreated them, using dust instead. In this way humans became mortal, as they remain today.

      How does humanity fit into the world of nature and the scheme of living things? For the Koyukon, humans and animals are clearly and qualitatively separated. Only the human possesses a soul (nukk’ubidza, “eye flutterer”), which people say is different from the animals’ spirits. I never understood the differences, except that the human soul seems less vengeful and it alone enjoys immortality in a special

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