A Feminist Urban Theory for Our Time. Группа авторов

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in which processes of ‘disaster capitalism’ (Klein 2007) and ‘debt imperialism’ (Kim 2018) shape urban dispossession in the wake of environmental disaster in Haiti and Puerto Rico. They commit to what Frantz Fanon (1961, p. 210) terms ‘passionate research’, in order to seemingly recover ‘beyond the misery of today, beyond self-contempt, resignation and abjuration, to some very beautiful and splendid era whose existence’ provides communities battered by disaster capitalism with the tools to rehabilitate themselves and others. In her chapter on spatial politics in Ramallah, Natasha Aruri (Chapter 8) discusses the confluence of neocolonialism and neoliberal modes of urban development in a context of ongoing militarized settler colonial occupation in Palestine. As a primary vehicle through which finance capital feeds into contemporary urbanization, Aruri tracks the proliferation of speculative capital in the real estate market and its deleterious impact on possibilities for everyday social reproduction in Ramallah.

      In the ongoing quest for locating ‘new geographies of theory’ in urban studies (Roy 2009), for example, Jazeel’s recent call for a focus on ‘singularity’ as a way to open up to difference in knowledge production provides a useful epistemological intervention that begins by rendering visible disciplinary cultures of subsumption, which serve to reduce ‘examples and cases to exchangeable instances, or conceptual givens, for the benefit of a disciplinary theory culture located in the EuroAmerican heartland’ (2019, p. 11). If we were to privilege singularity, we may have to contemplate that decolonization as praxis may fall outside of any one overarching explanatory framework, including that of social reproduction, and may indeed exceed our known epistemological grids of representation (Jazeel 2019). For example, Santos Ocasio and Mullings’ chapter on the role of expressive musical practices in enabling the reconstruction of relational community infrastructures in the event of natural disaster, and in asserting critiques of ongoing imperial and colonial dispossession, offers a compelling example of urban praxes that manifest ‘affective and grounded alternatives to economies of dispossession’ (Byrd et al. 2018, pp. 11–12). Santos Ocasio and Mullings conclude their analysis by casting doubt on the transformative potential of the expressive arts to effect material change in the world. It might be worth asking could we gain more in dwelling in the space of the unspeakable evoked by the Haitian song leader they cite in their article, who says: ‘If you don’t have this reaction instilled in you, you cannot understand it; it’s inexplicable!’

       Methodologies

      Positionality and reflexivity have been key methodological strategies in feminist scholarship since the mid-1980s, foregrounding the unequal power geometries of knowledge production (Harding 1986; Haraway

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