A Feminist Urban Theory for Our Time. Группа авторов
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Providing insights into the ways in which the urban is produced through the distribution of social reproductive labour across transnational circuits of care and labour migration, Chapter 6 by Faranak Miraftab and Chapter 9 by Esguerra Muelle, Ojeda and Fleischer demonstrate that at a transnational scale processes of social reproduction are organized through the legacies of historical colonial relationships, as well as racial divisions of labour in contemporary imperial formations. Miraftab analyses the transnational circuits of social reproduction that come to serve crises of capitalism in this latest era of global capitalism, enabling, amongst others, the revitalization of the United States ‘rustbelt’ town of Beardstown, Illinois. She explores the global restructuring of social reproduction, through the place-making practices of migrant workers from Central America and West Africa, and how social reproduction work is made invisible not only through its gendered normalization but also through its spatial fragmentation, both across the globe and within existing postcolonial racialized urban hierarchies. In doing so she challenges the racialization and criminalization of these migrant populations in nationalist discourse to render visible the transnational contributions of their labour. Esguerre Muelle, Ojeda, and Fleischer explore the multiple forms of violence that connect internal displacement in post-conflict Colombia, resulting from war and rural dispossession, with the re-enactment of colonial gendered and racialized labour relations in transnational care migration networks between cities in Colombia and Spain. Through a collaborative multi-sited ethnography conducted in four Colombian cities – Cali, Cartagena, Bogotá, and Medellín – and two Spanish cities – Madrid and Barcelona – they explore how Columbian women in Spain become trapped in a cycle of migration-return, effectively disposed to sustain uneven processes of urban production and, how in Colombian cities, madres comunitarias (communitarian mothers) conduct a form of underpaid care work sustained mostly by women of rural origin who have been forcedly displaced. Their work shows how the intertwined dynamics of war and globalized capital have forged a problematic geography of urban-based care work through which colonial power is constantly re-enacted.
The task of imagining a feminist urban theory that is capable of both analysing these recursive colonial logics and of envisioning possibilities for decolonization returns us to the political conjuncture of the epistemological, the methodological, and the ontological at the core of feminist philosophy. Given the deep imbrication of knowledge systems in the proliferation of colonial power, decolonization necessitates an interrogation of knowledge creation processes in terms of who generates theory, how, and the ends that theory serves (Jazeel 2019). The creation of possibilities for decolonization within the academy through privileging the ‘singularity of indigenous, southern and subaltern narratives’ (Jazeel 2019, p. 11) is contingent on meaningful attempts to pluralize and heterogenize the bodies and voices that constitute the epistemic communities of the academy. As Tuck and Yang (2012) have reminded us, ‘Decolonization is not a metaphor.’ Rather, it is a radical and transformative political practice that belongs outside the confines of the academy. In this context, the decolonization of knowledge frameworks within and beyond the academy serves as an aid to political efforts to end colonial domination, from the dismantling of racist epistemological frameworks that underpin Eurocentric power, to Indigenous campaigns for the radical restructuring of relationships to land, resources, and the environment (Esson et al. 2017). As Indigenous scholars have long argued, the impulse to render legible and explicable, which is inherent in intellectual cultures of subsumption, may militate against the ontological possibilities proliferating from attempts to reach for a decolonial horizon (Hunt 2014; see also Santos Ocasio and Mullings, Chapter 2 and Fedoruk, Chapter 3). May we go so far as to ask whether an analysis of the creative and insurrectionary energies of decolonial praxis requires that we question and disinvest from the framework of social reproduction?
In the ongoing quest for locating ‘new geographies of theory’ in urban studies (Roy 2009), for example, Jazeel’s recent call for a focus on ‘singularity’ as a way to open up to difference in knowledge production provides a useful epistemological intervention that begins by rendering visible disciplinary cultures of subsumption, which serve to reduce ‘examples and cases to exchangeable instances, or conceptual givens, for the benefit of a disciplinary theory culture located in the EuroAmerican heartland’ (2019, p. 11). If we were to privilege singularity, we may have to contemplate that decolonization as praxis may fall outside of any one overarching explanatory framework, including that of social reproduction, and may indeed exceed our known epistemological grids of representation (Jazeel 2019). For example, Santos Ocasio and Mullings’ chapter on the role of expressive musical practices in enabling the reconstruction of relational community infrastructures in the event of natural disaster, and in asserting critiques of ongoing imperial and colonial dispossession, offers a compelling example of urban praxes that manifest ‘affective and grounded alternatives to economies of dispossession’ (Byrd et al. 2018, pp. 11–12). Santos Ocasio and Mullings conclude their analysis by casting doubt on the transformative potential of the expressive arts to effect material change in the world. It might be worth asking could we gain more in dwelling in the space of the unspeakable evoked by the Haitian song leader they cite in their article, who says: ‘If you don’t have this reaction instilled in you, you cannot understand it; it’s inexplicable!’
Following ‘fragments’, translation and untranslatability, and poetics, are amongst the tactics put forward by Jazeel (2019) for working towards singularity. In Chapter 3, Emily Fedoruk traces the poetics of urban space through fragments of text and in so doing reflects on the role of illegibility in rejecting settler colonial regimes of recognition of Indigenous people in Canada. Juxtaposing it with another poem that also appears on the same building (by architect Graham McGarva), which adopts a colonial voice, she articulates some of the complexities of authorship. Ruminating on the space between translation and untranslatability, the written and unwritten, Fedoruk examines the potential of a fragmented poem in a public space to reclaim the survival of Indigenous people against the genocidal processes of colonial place-making. Fragments are also present in Chapter 8, with Natasha Aruri’s call to reclaim the ‘antispaces’ resulting from colonial logics of spatial dissection in Ramallah, and to re-imagine the possibilities of these forgotten spaces for grounding a politics of communal regeneration and, ultimately, decolonization in a context of ongoing military occupation. Such readings of fragments and untranslatable utterances map ‘decolonial geographies as constellations in formation’ (Daigle and Ramirez 2019, pp. 79–80), which evince tactics of refusing and resisting racialized economies of containment, displacement, and interconnected violences against lands, spaces, and bodies.
Methodologies
Positionality and reflexivity have been key methodological strategies in feminist scholarship since the mid-1980s, foregrounding the unequal power geometries of knowledge production (Harding 1986; Haraway