A Companion to the Achaemenid Persian Empire, 2 Volume Set. Группа авторов

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A Companion to the Achaemenid Persian Empire, 2 Volume Set - Группа авторов

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Photo depicts the reconstructed view of the building complexes in the quarter of Ay-ibūr-šabû.

      The ancient classical accounts on the relationship of the Achaemenid kings to the Babylonian temples had an even more profound impact on the historicization of these archeological records than the above. The reassessment presented by Kuntner and Heinsch basically criticizes the previous, biased interpretation, firstly, of the consistency of Neo‐Babylonian religious architecture as an indication of its ephemerality and, secondly, of the absence of building inscriptions after Cyrus the Great as a willful refusal by the Achaemenid kings to act as temple provider. The absence of building inscriptions has also been interpreted as proof for the dissolution of the Babylonian temple institution within the early Achaemenid period.

      The temples at Babylon and Borsippa give evidence of a continuous and strict compliance to Neo‐Babylonian architectural and cult traditions into the Seleucid period. During the Achaemenid period, no significant breaks, let alone violent episodes of destruction, are visible, even though these cities represented the main strongholds in the revolts against Xerxes in 484 BCE. Wherever breaks were identified in the brickwork, they signaled the complete rebuilding of the temple maintaining the existing layout with considerable accuracy.

      In this specific context, the ziggurat Etemenanki of Babylon requires special mention. The poor state of preservation of Etemenanki, and its alleged close connection to the rubble mounds at Homera, have, from the very beginning, animated scholars to take “Koldewey's paradox” as the striking proof for the accuracy of classical narratives; namely, the destruction of the ziggurat by Xerxes and the successive leveling of the ruin by Alexander the Great for his planned but never accomplished rebuilding. Those archeological arguments put forward to advocate this view were based on the preconception that the remains excavated in the plain called Sahn are vestiges of a once entire and intact ziggurat (George 2010).

      Finally, continuity is also reflected by the domestic architecture (Baker 2010). Research continues which is attempting to link changes in the design of dwellings to specific historical events. Predictably, such approaches remain controversial (Heinsch et al. 2011).

      Of far greater interest to the issue of simultaneity, and to considerations of the durability of layouts in Babylonian architecture as a mirror of “social dimensions,” are the results of the excavations at Tell Abu Qubur and Tell Mahmudiyah (Gasche 1995: pp. 207–209). The house partly unearthed at Mahmudiyah maintained a principally traditional Babylonian layout, despite being newly founded between the late fifth and late fourth centuries BCE. This evidence of continuity stands in clear contrast to the examples from Babylon, Nippur, and Ur, where the Achaemenid period architecture evolved from a Neo‐Babylonian precursor. The Abu Qubur building, on the other hand, is characterized by two “salles à quatre pilasters,” situated north and south of the central court, and dating to the same time period as Mahmudiyah. Noteworthy in this context is Gasche's suggestion that the antithetic arrangement of the halls at Abu Qubur might represent a stage of development in said evolution. Basically, this suggestion picks up the introductory remarks on the date and originality of the RS in Babylon. Although the question of originality cannot be conclusively settled, it nevertheless seems to echo the situation observed in the field of religious architecture, where long‐standing building concepts were adapted in Achaemenid times, and developed their own distinctive architectural features.

      Viewed in this light, the archeological evidence for Achaemenid rule over Babylonia is not meager, but hardly unentwineable from the Late Babylonian horizon, since neither the beginning nor the end of the Achaemenid period can be delineated by a stratigraphic horizon. On the other hand, this situation raises the question of whether such a distinction would be at all useful for a better understanding of the development of material culture. The latter has, in fact, so far been described as a gradual change over time, from a more Babylonian to a more Hellenistic fashion, and as marked rather by the accentuation of characteristics than by sudden breaks. Such a situation, it is clear, should not be regarded solely as the outcome of an inadequately understood Late Babylonian stratification.

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