Seeing Things at Night. Heywood Hale Broun
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Joking with undergraduates we found still more disastrous. After the last Harvard-Yale football game – score Harvard 9, Yale 0, which doesn't begin to indicate the margin of superiority of the winning team – we wrote an article of humorous intent for a New York newspaper. Naturally our job as a reporter prevented us from being partisan in our account of the game. Accordingly, in a temperate and fairminded spirit, we set down the fact that, through the connivance of the New York press, Yale has become a professional underdog and that any Harvard victory in which the score is less than forty-two to nothing is promptly hailed as a moral victory for Yale.
Developing this news angle for a few paragraphs, we eventually came to the unfortunate fist fight between Kempton of Yale and Gaston of Harvard which led to both men being put out of the game. It was our bad luck to see nothing but the last half second of the encounter. As a truthful reporter we made this admission but naturally went on to add, "Of course, we assume that Kempton started it." For weeks we continued to receive letters from Yale undergraduates beginning, "My attention has been called to your article" and continuing to ask with great violence how a reporter could possibly tell who started a fight without seeing the beginning of it. Some letters of like import were from Princeton men.
Princeton is always quick to rally to the defense of Yale against Harvard. This suggests a possibly common meeting ground for Harvard and Yale. Of course, they can hardly meet on the basis of a common language for the speech of Yale is quite alien. For instance, they call their "yard" a "campus." Also, there are obvious reasons why they cannot meet as equal members in the fellowship of educated men. Since this is a nonpartisan article designed to promote good feeling it will probably be just as well not to go into this. Though football is the chief interest at New Haven, Yale men often display a surprising sensitiveness to attacks on the scholarship of their local archaeologists. Nor will religion do as a unifier. Yale is evangelical and prays between the halves, while Harvard is mostly agnostic, if it isn't Unitarian. No, just one great cause can be discovered in which Harvard men and Yale men can stand shoulder to shoulder and lift their voices in a common cause. Each year some public spirited citizen ought to hire Madison Square Garden and turn it over to all graduates and undergraduates of Harvard and of Yale for a great get-together meeting in which past differences should be forgotten in one deep and full throated shout of "To Hell with Princeton!"
Bacillus and Circumstance
IT is evening in the home of Peter J. Cottontail. The scene is a conventional parlor of a rabbit family of the upper middle class. About the room there is the sort of furniture a well-to-do rabbit would have, and on the shelves the books you would naturally expect. Leaves of Grass is there, of course; possibly Cabbages and Kings, and perhaps a volume or two of The Winning of the West, with a congratulatory inscription from the author. The walls have one or two good prints of hunting scenes and an excellent lithographic likeness of Thomas Malthus, but most of the space is given over to photographs of the family.
In the center of the room is a small square table, the surface of which is covered with figures ranged in curious patterns such as 2 × 5 = 10, and even so radical an arrangement as 7 × 8 = 56. At the rise of the curtain Peter J. Cottontail is discovered seated in an easy chair reading the current edition of The New York Evening Post. He is middle-aged and wears somewhat ill fitting brown fur, tinged with gray, and horn-rimmed spectacles. He looks a little like Lloyd George. As a matter of fact, his grandfather was Welsh. The actor should convey to the audience by means of pantomime that he has made more than a thousand dollars that afternoon by selling Amalgamated Cabbage short, and that there will be a tidy surplus for himself even after he has fulfilled his promise to make up the deficit incurred by the charity hop of the Bone Dry Prohibition Union. Now and again he smiles and pats his stomach complacently. It is essential that the actor should indicate beyond the peradventure of a doubt that Peter J. Cottontail has never touched spirituous or malt liquors or anything containing more than two per cent of alcohol per fluid ounce.
As P. J. Cottontail peruses his paper the ceiling of the room is suddenly plucked aside and two hands are thrust into the parlor. One of the hands seizes Mr. Cottontail, and the other hand, which holds a hypodermic needle, stabs the helpless householder and injects into his veins the contents of the needle. It is a fluid gray and forbidding. There is no sound unless the actor who plays Cottontail chooses to squeak just once.
Here the curtain descends. It rises again almost immediately, but five days are supposed to have elapsed. Mr. Cottontail is again seated in the center of the room, and he is again reading The Evening Post. The property man should take pains to see that the paper shall be dated five days later than the one used in the prologue. It might also be well to change the headline from "Submarine Crisis Acute" to "Submarine Crisis Still Acute." It is also to be noted that on this occasion Mr. Cottontail has removed his right shoe in favor of a large, roomy slipper. On the opposite side of the table sits Mrs. Cottontail. She is middle-aged but comely. A strong-minded female, one would say, with a will of her own, but rather in awe of the ability and more particularly the virtue of Mr. Cottontail. Yet Mr. Cottontail is evidently in ill humor this evening. He takes no pleasure in his paper, but fidgets uneasily. At last he speaks with great irritation.
MR. COTTONTAIL – Is that doctor ever coming?
MRS. COTTONTAIL – I left word at Doctor Cony's house that you were in a good deal of pain, and that he should come around the minute he got home. (The door bell rings.) Here he is now. I'll send him up. (She goes out the door, and a few moments later there enters Dr. Charles Cony. He is a distinguished and forceful physician, but a meager little body for all that. He carries a black bag.)
DR. CONY (removing his gloves and opening the bag) – Sorry I couldn't get here any sooner, but I've been on the go all day. An obstetrician gets mighty little rest hereabouts, I can tell you. Well, now, Mr. Cottontail, what can I do for you? What seems to be the trouble?
COTTONTAIL (pointing to the open door, and lifting one finger to his mouth) – Shush!
DR. CONY – Really! (The physician crosses the room in one hop and closes the door.)
COTTONTAIL – The pain's in my foot. My big toe, I think, but that's not what worries me —
DR. CONY (breaking in) – Pains worse at night than it does during the daytime, doesn't it? Throbs a bit right now, hey?
COTTONTAIL – Yes, it does, but that isn't the trouble.
DR. CONY – That's trouble enough. I'll try to have you loping around again in a month or so.
COTTONTAIL – But there's more than the pain. It's the worry. I haven't told a soul. I thought at first it might be a nightmare.
DR. CONY – Dreams, eh? Very significant, sometimes, but we'll get to them later.
COTTONTAIL – But I'm afraid it wasn't a dream.
DOCTOR – What wasn't a dream?
COTTONTAIL – Last Tuesday evening I was sitting in this room, quietly reading The Evening Post, when suddenly something tore the ceiling away, and down from above there came ten horrible pink tentacles and seized me in an iron grasp. Then something stabbed me with some sharp instrument. I was too frightened to move for several minutes, but when I looked up the ceiling was back in place as if nothing had touched it. I felt around for the wound, but the only thing I could find, was a tiny scratch that seemed so small I might have had it some time without noticing it. I couldn't be sure it was a wound. In fact, I tried to make myself believe that the whole thing was all a dream, until I was taken sick to-night. Now