The Eye of Istar: A Romance of the Land of No Return. Le Queux William

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to the carpet, renewed laudations and gratitude for blessings received emanated from their lips, and from those assembled there rose panegyrical murmurs that Abdullah had decided to visit the Sultan ’Othman as honoured guest instead of arrogant conqueror.

      Thus was the meeting between the two powerful rulers of the Sahara and the Soudan arranged, a meeting destined to mark an epoch in the history of Central Africa. The Khalifa’s curiosity to investigate the extent of the wealthy country which acknowledged ’Othman as Sultan probably accounted for his sudden decision to undertake the long and tedious journey. Although the invitation had been sent with a view to effecting an offensive and defensive alliance between the two peoples, yet, in my new office as chief of the Khalifa’s body-servants, I had ample means of knowing that he still cherished hopes of eventually overthrowing his whilom ally, and annexing the Empire of Sokoto. Two days after the reception of the envoys, Mahaza left on his return to inform ’Othman of his friend’s intended visit, while Khazneh remained to accompany his master’s guest. Being permitted as a favoured servant to approach Abdullah closely, I was fortunately enabled to express to him a hope that the Aga of the Sultan’s Eunuchs would not be made aware of my identity with the hapless victim of his wrath, and it was with satisfaction I found that in my silk robes of bright crimson and gold and picturesque head-dress my enemy failed to recognise me.

      The day was an eventful one in Omdurman when, at first flush of dawn, my royal master seated himself under the thatched rukuba and addressed his Ansar, urging upon them the necessity of loyalty and discipline during his absence. Then, after a great review of seventy thousand troops in the square of Abu nga, the Mahdist chieftain, with a portion of his harem, one thousand male slaves and four thousand courtiers and picked horsemen with banners, moved down the Road of the Martyrs on the first stage of the long journey westward. Prayers for the safety of the Khalifa were at that moment being said by nearly one hundred thousand men and women in the Great Mosque – not a mosque in its usual sense, but a huge yard – and their murmurings sounded like a distant roar as, in the cool hour before sunrise, we rode at walking pace along the winding Nile bank towards the misty hills where dwelt the Jinns.

      Eager as were my companions to feast their eyes on the glories of Kano, none was so eager as myself lo pass the grim, prison-like portals of the great l’ada and rest beside those cool, ever-plashing fountains within the wonderful labyrinth of wide courts and shady arcades. The wheel of fortune had indeed taken a strange turn and was spinning in my favour, for I was actually returning to Azala in disguise so effectual that even Khazneh could not detect me, and as each day brought me nearer to her I racked my brain in vain to devise some means by which I could, on arrival, inform her of my presence and obtain an interview.

      To fathom the hidden secret of the Mark of the Asps I was determined, and on the hot, tedious journey across the dreary, sandy waste, infested by marauders, and known by the ominous name of Ur immandess– “He (Allah) hears not;” that is, is deaf to the cry of the waylaid traveller – I served my capricious master with patience and diligence, awaiting such time as I could seek the woman who had entranced me, and learn from her lips the strange things she had promised to reveal.

      By day the journey was terribly fatiguing, but in the cool nights, when we encamped for our kayf, there was feasting, dancing and merry-making. The night hours were enlivened by Safk (clapping of hands) and the loud sounds of songs. There were many groups of dancing-girls, surrounded by crowds of onlookers. Though sometimes they performed Al-Nahl, the Bee dance, their performances were wild in the extreme, resembling rather the hopping of bears than the graceful dances of the harem, and the bystanders joined in the song – an interminable recitative, as usual in the minor key, and so well tuned that it sounded like one voice, with the refrain “La Yayha! La Yayha!” Through the brief, brilliant night always “La Yayha!”

      Chapter Eleven

      Tiamo the Dwarf

      A whole moon passed ere the sun-whitened walls and minarets of Kano became visible. The sandy approaches of the city were strewn with bones and carcasses that had been disinterred by wild beasts, the remains of camels, horses and asses that had fallen and died in the last stages of the journey. The cities of the desert are invariably encircled by their bones, and the roads across the glaring wilderness are lined by their bodies. The sun had risen about four hours when the advance guard of the Ansar spurred hurriedly back to announce that the town was in sight, and very shortly the details of the distant shape grew clearer, and we espied a body of troops, bearing the green-and-gold standard of the Sultan, riding forth to welcome us. They were gaudily-attired in bright blue, and, as they dashed forward, indulged in their La’ab al-Barut (gunpowder play) while their bright shields and unsheathed swords flashed and gleamed in the sun, as now and then the wind parted the cloud of dust and smoke which enveloped them. The faint sound of trumpets and clash of cymbals came from the distant city, enthroned upon the horizon a dark silhouette, large and long, an image of grandeur in immensity, wherein all my hopes were centred, and as we approached we saw that Mahaza, the Grand Vizier, had been sent by the Sultan ’Othman to give us peace and conduct us into the Fada.

      My master’s retinue, consisting as it did of nearly five thousand persons, was indeed an imposing one, and when an hour later we entered the city gate and passed up the hill to where the well-remembered tower of the Fada stood white against the intensely blue sky, the brass cannon mounted on the walls belched forth thundering salutes, and a cloud of soft white smoke floated up in the still, warm air. Strange it was, I reflected, that the houses of Kano everywhere displayed that essential characteristic of early Egyptian art – the pyramidal form, which represented solidity to those ancient architects. The walls of the oldest constructions had a slight inward inclination, and possessed no windows, or only the roughest sketch of them. Light and air entered through openings cut in the roof. The summits of the dwellings were ornamented by those triangular battlements which may be seen on the palaces of Rameses Meiamoun. The pylon, which is another characteristic of Egyptian architecture, gave access to the dwellings. In short, the effect of the whole, their harmonious proportions, the symmetrical distribution of their ornamental mottoes, and their massiveness, proclaimed the art of Egypt, bearing out the legend that the people of Sokoto came originally from the far east. The multitude was wild with excitement. In their eagerness to catch a glimpse of the Khalifa, world-famous for his piety and his cruelty, they rendered the streets almost impassable, shouting themselves hoarse in welcome. Blatant tam-tams beat a monotonous accompaniment to the roar of artillery, and as the Sultan’s guest, mounted on a magnificent camel at the head of his black Jihadieh, passed onward, the shout of “Alhahu Akhbar!” rose from fifty thousand throats, echoing again and again. Progress was slow on account of the immense crowds, and even the Sultan’s spearmen, who preceded us, had considerable difficulty in clearing a path. Numbers were bruised, kicked by the horses or fatally injured by the long spears, but they were left unnoticed – a mere remark “Umru Khalas,” (It is the end of life) being all the sympathy ever offered. Yet the impetuous populace continued to yell enthusiastic words of welcome, the guns thundered, and the three stately men preceding the Khalifa blew long, piercing blasts on their immense onbeias fashioned from elephants’ tusks.

      At length, on arrival at the great, gloomy portal of the Fada, the iron-studded gates suddenly opened, revealing the Sultan ’Othman clad in golden casque and royal robe of amaranth velvet, with a handsomely-caparisoned, milk-white horse curveting under him, and surrounded by his gaudily-attired bodyguards and mukuddums, who filled the air with their adulations, declaring that their Imperial master was Ma al-Sama (the splendour of Heaven).

      Alone he came forward wishing his guest “Peace” in a loud voice, then adroitly dismounting, embraced the Khalifa. Abdullah, much pleased at this mark of respect and homage, greeted him warmly and ordered him to remount, but the Sultan remained on foot, uttering some rapid instructions to his emirs, who had also dismounted to stand beside him.

      Passing through the archway into the great outer court, the Jihadieh and the Ansar remaining outside, we all dismounted with the exception of my royal master and the ladies of his harem,

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