times. The day before Lady Day, an open court was proclaimed. In an enclosed space in the great Imperial Hall, the Schöffen took their elevated seats; a step higher, sat the /Schultheiss/ in the midst of them; while below, on the right hand, were the procurators of both parties invested with plenipotentiary powers. The /Actuarius/ begins to read aloud the weighty judgments reserved for this day: the lawyers demand copies, appeal, or do whatever else seems necessary. All at once a singular sort of music announces, if we may so speak, the advent of former centuries. It proceeds from three pipers, one of whom plays an old /shawm/, another a /sackbut/, and the third a /pommer/, or oboe. They wear blue mantles trimmed with gold, having the notes made fast to their sleeves, and their heads covered. Having thus left their inn at ten o'clock, followed by the deputies and their attendants, and stared at by all, natives and strangers, they enter the hall. The law proceedings are stayed, the pipers and their train halt before the railing, the deputy steps in and stations himself in front of the /Schultheiss/. The emblematic presents, which were required to be precisely the same as in the old precedents, consisted commonly of the staple wares of the city offering them. Pepper passed, as it were, for every thing else; and, even on this occasion, the deputy brought a handsomely turned wooden goblet filled with pepper. Upon it lay a pair of gloves, curiously slashed, stitched, and tasselled with silk, – a token of a favor granted and received, – such as the emperor himself made use of in certain cases. Along with this was a while staff, which in former times could not easily be dispensed with in judicial proceedings. Some small pieces of silver money were added: and the city of Worms brought an old felt hat, which was always redeemed again; so that the same one had been a witness of these ceremonies for many years.
After the deputy had made his address, handed over his present, and received from the /Schultheiss/ assurance of continued favor, he quitted the enclosed circle, the pipers blew, the train departed as it had come, the court pursued its business, until the second and at last the third deputy had been introduced. For each came some time after the other, partly that the pleasure of the public might thus be prolonged, and partly because they were always the same antiquated /virtuosi/ whom Nuremburg, for itself and its co-cities, had undertaken to maintain, and produce annually at the appointed place.
We children were particularly interested in this festival, because we were not a little flattered to see our grandfather in a place of so much honor; and because commonly, on the self-same day, we used to visit him, quite modestly, in order that we might, when my grandmother had emptied the pepper into her spice-box, lay hold of a cup or small rod, a pair of gloves, or an old /Räder Albus/.3 These symbolical ceremonies, restoring antiquity as if by magic, could not be explained to us without leading us back into past times, and informing us of the manners, customs, and feelings of those early ancestors who were so strangely made present to us by pipers and deputies seemingly risen from the dead, and by tangible gifts which might be possessed by ourselves.
These venerable solemnities were followed, in the fine season, by many festivals, delightful for us children, which took place in the open air, outside the city. On the right shore of the Main, going down, about half an hour's walk from the gate, there rises a sulphur-spring, neatly enclosed, and surrounded by aged lindens. Not far from it stands the Good-People's-Court, formerly a hospital erected for the sake of the waters. On the commons around, the herds of cattle from the neighborhood were collected on a certain day of the year; and the herdsmen, together with their sweethearts, celebrated a rural festival with dancing and singing, with all sorts of pleasure and clownishness. On the other side of the city lay a similar but larger common, likewise graced with a spring and still finer lindens. Thither, at Whitsuntide, the flocks of sheep were driven: and, at the same time, the poor, pale orphan children were allowed to come out of their walls into the open air; for the thought had not yet occurred that these destitute creatures, who must some time or other help themselves through the world, ought soon to be brought in contact with it; that, instead of being kept in dreary confinement, they should rather be accustomed to serve and to endure; and that there was every reason to strengthen them physically and morally from their infancy. The nurses and maids, always ready to take a walk, never failed to carry or conduct us to such places, even in our first years; so that these rural festivals belong to the earliest impressions that I can recall.
Meanwhile, our house had been finished, and that too in tolerably short time; because every thing had been judiciously planned and prepared, and the needful money provided. We now found ourselves all together again, and felt comfortable; for, when a well-considered plan is once carried out, we forget the various inconveniences of the means that were necessary to its accomplishment. The building, for a private residence, was roomy enough, light and cheerful throughout, with broad staircases, agreeable parlors, and a prospect of the gardens that could be enjoyed easily from several of the windows. The internal completion, and what pertained to mere ornament and finish, was gradually accomplished, and served at the same time for occupation and amusement.
The first thing brought into order was my father's collection of books, the best of which, in calf and half-calf binding, were to ornament the walls of his office and study. He possessed the beautiful Dutch editions of the Latin classics, which, for the sake of outward uniformity, he had endeavored to procure all in quarto; and also many other works relating to Roman antiquities and the more elegant jurisprudence. The most eminent Italian poets were not wanting, and for Tasso he showed a great predilection. There were also the best and most recent Travels, and he took great delight in correcting and completing Keyssler and Nemeiz from them. Nor had he omitted to surround himself with all needful aids to learning, such as dictionaries of various languages, and encyclopædias of science and art, which, with much else adapted to profit and amusement, might be consulted at will.
The other half of this collection, in neat parchment bindings, with very beautifully written titles, was placed in a separate attic. The acquisition of new books, as well as their binding and arrangement, he pursued with great composure and love of order; and he was much influenced in his opinion by the critical notices that ascribed particular merit to any work. His collection of juridical treatises was annually increased by some volumes.
Next, the pictures, which in the old house had hung about promiscuously, were now collected, and symmetrically hung on the walls of a cheerful room near the study, all in black frames set off with gilt mouldings. It was my father's principle, to which he gave frequent and even passionate utterance, that one ought to employ the living masters, and to spend less upon the departed, in the estimation of whom prejudice greatly concurred. He had the notion that it was precisely the same with pictures as with Rhenish wines, which, though age may impart to them a higher value, can be produced in any coming year of just as excellent quality as in years past. After the lapse of some time, the new wine also becomes old, quite as valuable and perhaps more delicious. This opinion he chiefly confirmed by the observation that many old pictures seemed to derive their chief value for lovers of art from the fact that they had become darker and browner, and that the harmony of tone in such pictures was often vaunted. My father, on the other hand, protested that he had no fear that the new pictures would not also turn black in time; though whether they were likely to gain any thing by this he was not so positive.
In pursuance of these principles, he employed for many years the whole of the Frankfort artists, – the painter Hirt, who excelled in animating oak and beech woods, and other so-called rural scenes, with cattle; Trautmann, who had adopted Rembrandt as his model, and had attained great perfection in enclosed lights and reflections, as well as in effective conflagrations, so that he was once ordered to paint a companion piece to a Rembrandt; Schutz, who diligently elaborated landscapes of the Rhine country, in the manner of Sachtlebens; and Junker, who executed with great purity flower and fruit pieces, still life, and figures quietly employed, after the models of the Dutch. But now, by the new arrangement, by more convenient room, and still more by the acquaintance of a skilful artist, our love of art was again quickened and animated. This artist was Seekatz, a pupil of Brinkmann, court-painter at Darmstadt, whose talent and character will be more minutely unfolded in the sequel.
In this way the remaining rooms were finished, according to their several purposes. Cleanliness and order prevailed throughout. Above all,
An old silver coin.
