Door in the Mountain. Jean Valentine

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Door in the Mountain - Jean Valentine Wesleyan Poetry Series

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terror of man and horse.

      2. THE BATH

      My sisters walk around touching things, or loll

      On the bed with last month's New Yorkers. My skin, Beaded with bath-oil, gleams like a hot-house fake: My body holds me like an empty bowl. It is three, it is four, it is time to come in From thinking about the cake to eat the cake. My sisters' voices whir like cardboard birds On sticks: married, they flutter and wheel to find In this misted looking-glass their own lost words, In the exhaled smoke.

      There isn't a sound,

      Even the shadows compose like waiting wings.

      I am the hollow circle closed by the ring.

      3. NIGHT

      I am thrown open like a child's damp hand

      In sleep. You turn your back in sleep, unmanned.

      How can I be so light, at the core of things?

      My way was long and crooked to your hand!

      What could your jeweled glove command

      But flight of my stone wings?

      Our honeymoon lake, ignoring the lit-up land,

      Shows blank Orion where to dip his hand.

       Afterbirth

      I loiter in the eye of the Slough,

      Every joint aching for sleep;

      The sky, inhumanly deep,

      Sarcastically casts back the Slough.

      Did my child take breath to cry

      At the slick hand that hooked her out,

      Or cry to breathe? or did she lie

      Still in her private dark, curled taut

      Under her sleep's hobgoblin shout?

      Anesthesia blew me out:

      I gardened shadows in my lost crib

      While they took her from me like a rib.

      Swaddled and barred, she curls in sleep

      At the dry edge of mortality.

      If the sky's side proves too steep

      Who will take up the little old lady,

      Who will call her by her name

      When she's a crumble of bones?

      What logos lights the filament of time,

      Carbon arc fusing birth-stone to head-stone?

      The mud pulls harder: the stepping stones

      Shake in front of my swimming eyes.

      There dear, there dear, here's a pill:

      Sleep, sleep, all will be well:

      Lull-lullaby.

       Sarah's Christening Day

      Our Lord, today is Sarah's christening day.

      I wouldn't build the child a house of straw,

      Teach her to wait and welcome the holy face

      With candles of prayer, or pray, if the wager were all.

      But I have never seen or loved the holy face.

      I don't believe the half of what I pray.

      This world is straw: straw mother, father, friend,

      Per omnia saecula saeculorum, amen. But Lord! it shines, it shines, like light, today.

       Tired of London

      When you came to town,

      Warm bubbling rains came, the teething leaves,

      Steaming spring earth, and the tough, small-footed birds;

      Reckless colors sifted the closed, dense sky

      As we went hand in hand through our larky maze

      In the cultivated stubble of Hampstead Heath:

      Monkshood, Foxglove, Canterbury Bells

      Composed themselves to drink the bovril air

      Thinned by the watery sun.

      You, with no sense of giving,

      Brought all the dangers I no longer dared;

      Netted the wind that roared through my rented bed,

      And, poised like Eros over Picadilly,

      Were always there.

      I cannot find the words to leave you with.

      This way love's conversation, the body and mind of it, goes

       On after love: we shall come to call this love,

      And this roar in our ears which before very long

      We become, we shall call our song.

       CambridgeApril 27, 1957

      Your letter made me see myself grown old

      With only the past's poor wing-dust shadows to hold,

      Dressed in violet hand-me-downs, half-asleep, only half,

      Queer as nines in the violet dust of my mind,

      Leaning in some sloping attic, like this one where I write

      You all night,

      The wet, metaphorical Cambridge wind

      Sorry on the skylight.

      The New England landscape goes

      Like money: but here on Agassiz Walk we save

      Everything we have

      Under Great-Aunt Georgie's georgian bed;

      A knot garden roots through Great-Aunt Georgie's toes

      Three floors below: when summer comes, God knows

      We'll dry the herbs Aunt Georgie grows:

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