The First Ethiopians. Malvern van Wyk Smith
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Marek Kohn, author of The Race Gallery: The Return of Racial Science (1996), has warned that ‘we are ill-prepared to respond to the complex challenges posed by the racial arguments bobbing up in the unstoppable tide of genetic research’ (2006, 9), while Henry Gee is concerned that the fear of confronting the demographic implications of genetic research ‘has emasculated anthropology’ and ‘has denied physical anthropologists access to human variation’ (1994, 19). Kohn concludes The Race Gallery with a thought provocatively out of tune with contemporary non-racial ecumenicalism: ‘It is true that the only certain race is the human race. Perhaps, however, the time has come to explore how biological variation and social constructions are related…. Denial no longer appears to be an option’ (1996, 285).
Included in the undeniable genetic verities that are now emerging is the evidence that while all extant human beings may indeed descend from a single ‘mitochondrial Eve’ who lived about 200 000 years ago, the major migration out of Africa that peopled the rest of the world took place only 60 000 to 80 000 years ago. Before and since that emigration, which stemmed from a fairly confined African source, many other African human groups must have continued to evolve independently, some (such as the Khoisanoid peoples of southern Africa) in deep isolation from the rest of the continent’s peoples (not to mention the world’s), as the ‘text’ contained in human mitochondrial-DNA and Y-chromosome haplogroups is making increasingly clear (Stringer, 2006; Soodyall, 2006; Wells, 2006).
Simply put, the majority of Africans cannot have descended from migrations that left Africa between 80 000 and 60 000 years ago, but have to be the progeny of various (and very varied) human groups that remained in the continent. Chris Stringer speaks of ‘evidence from genetic data of the maintenance of deep and separate lineages during African human evolution’ (2006, 19). If the confident but unexamined mantra of a liberal academy that ‘race is quite literally no more than skin deep’ (Kidd, 2006, 3) should – in the light of such findings – come under renewed scrutiny, we must expect that the popular mind will once again be confirmed in racial ideologies that seek to exaggerate difference. This is not a comforting prospect.
While I return to some of the implications of these revelations in Chapters 2 and 3, the present study cannot hope to resolve the dilemmas glimpsed above. Yet the likelihood of their growing urgency may make my attempt to unpick the beginnings and course of a two-millennia-old discourse of race ever more pertinent. For mine is really a cultural genome project: the tracking of the memetic genealogy of the Western world’s earliest images of Africa and Africans, and of both the tenacity, yet also the great variability, of the resultant icons of race and culture.
When I started this project some thirty years ago, postcolonial Africa was celebrating its achievement of independence from Europe; three decades later, Africa still has to free itself from the bonds of Western corporate and global imperialism, as well as the depredations of venal and dictatorial rulers who simply appropriated the resources, mindsets and exploitative structures surrendered by departing colonialists. My study may help to explain why it is taking such a bitterly long time for Africa to recover from its Eurocolonial past.
The work now before the reader concentrates on the images of Africa and Africans that evolved in ancient Egypt, in classical Greece, Rome and the wider Mediterranean world, and in the early Christian era. Large time scales are involved, and one must resist the temptation to see the human relationships, conflicts and demographic dispensations of north-east Africa in ancient times in terms of information and attitudes that have emerged since. In the words of Henry Ansgar Kelly: ‘The bane of all historical writing is the impulse to retro-fit past events with present-day theories – that is, to interpret past events in the light of later knowledge’ (2006, 2). I confess, however, that my ‘Ethiopia’ is very much an imagined world, despite also being a real (though peripatetic) place; it is a metaphor or iconic node for a range of perceptions about Africa that were held by different observers at different times over many centuries, but that also steadily confirmed views of Africa held by many current observers.
Not only must the earliest Mediterranean and proto-European conceptions of Africa have been mediated primarily through Egypt, but Dynastic Egypt must itself have had both ancient African roots and affinities, yet also evolving perceptions of that African hinterland as ‘different’. The African ancestry and identity of Egypt is nowadays a controversial subject, and in Chapter 1, I survey some of the parameters and implications of a revisionary discourse associated in some minds with Martin Bernal’s Black Athena (1987), concluding that while the Nile Valley ancestors of Dynastic Egyptians were not ‘Negroid’ or ‘Broad African’, they were certainly African.
Chapters 2 and 3 attempt to provide more specific answers to the question ‘Who were the Egyptians?’ by surveying the history of Nile Valley occupation since Holocene times, the emergence of Africa’s four major language families, and the proposition that proto-Egyptians must have belonged to one of the great phyla of pre-Bantu-speaking peoples who once populated the eastern parts of Africa from the Red Sea hinterland to the Cape of Good Hope, and of whom the Khoisanoid populations of southern Africa may be regarded as prototypical.
Arguing that African rock art from much of the continent is redolent with themes, iconographic styles, belief systems, cultural preoccupations and shamanist inflections that in due course would find their echoes in Egyptian tomb and temple art, Chapter 4 confronts the relevant evidence. Chapter 5 explores the ways in which pre- and proto-Dynastic culture adapted the repertoire of eastern-desert rock art, especially as evidenced in artefacts such as ceremonial palettes, mace-heads and funeral vases, to develop an iconography of distinctiveness from and mastery over the very African world from which it had derived. Chapters 6 and 7 explore vestigial elements of African origin in the cosmology, therianthropic divinities, totemic artefacts and symbolic worldview of Dynastic Egyptians that nevertheless eventually resulted in an Egyptian self-image construed in terms that discriminated sharply against other Africans.
A major African encounter that preoccupied Dynastic Egypt over some two-and-a-half millennia was that with the successive civilisations of Nubia, from Kerma on the Third Cataract to Meroë between the Fifth and Sixth. Chapter 8 considers the identity, image, cultural status and legacy of these ‘First Ethiopians’ in the Egyptian and then the early classical symbolic world. Here I argue that by the late pre-Christian centuries, the ruling elites of both Egypt and Meroitic Nubia had adopted a highly discriminatory repertoire of images of ‘other Ethiopians’ (non-Egyptian and non-Nubian Africans, in other words) that would result in stereotypically derogatory depictions of Africans in the Mediterranean world.
Chapters 9 and 10 examine the evidence for such claims in Greek, Ptolemaic and Roman literature and art, from Herodotus to Heliodorus, developing Homer’s conceit that there were two kinds of ‘Ethiopian’, an eastern and a western. Chapter 11 pursues these investigations into the early Christian era, exploring how the contestational development of the early church along the northern littoral of the Sahara from Alexandria to Carthage generated, both doctrinally and socio-politically,