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rowers. And in he galeazza described by Pietro Martire the oars were used only as an occasional auxiliary. (See his Legationis Babylonicae Libri Tres, appended to his 3 Decads concerning the New World; Basil. 1533, f. 77 ver.) (3) The galleys of the 18th century, with their great oars 50 feet long pulled by six or seven men each, had 25 benches to the side, and only 4' 6" (French) gunnel-space to each oar. (See Mem. d'un Protest., p. 434.) I imagine that a smaller space would suffice for the 3 light oars of the mediaeval system, so that this need scarcely be a difficulty in the face of the preceding evidence. Note also the three hundred rowers in Joinville's description quoted at p. 40. The great galleys of the Malay Sultan of Achin in 1621 had, according to Beaulieu, from 700 to 800 rowers, but I do not know on what system. [13] Marinus Sanutius, p. 78. These titles occur also in the Documenti d'Amore of Fr. Barberino referred to at p. 117 of this vol-ume:-- "Convienti qui manieri Portolatti e prodieri E presti galeotti Aver, e forti e dotti." [14] Spinello's works, according to Vasari, extended from 1334 till late in the century. A religious picture of his at Siena is assigned to 77 1385, so the frescoes may probably be of about the same period. Of the battle represented I can find no record. [15] Engraved in Jal, i. 330; with other mediaeval illustrations of the same points. [16] To these Casoni adds Sifoni for discharging Greek fire; but this he seems to take from the Greek treatise of the Emperor Leo. Though I have introduced Greek fire in the cut at p. 49, I doubt if there is evidence of its use by the Italians in the thirteenth century. Joinville describes it like something strange and new. In after days the artillery occupied the same position, at the bow of the galley. Great beams, hung like battering rams, are mentioned by Sanudo, as well as iron crow's-feet with fire attached, to shoot among the rigging, and jars of quick-lime and soft soap to fling in the eyes of the enemy. The lime is said to have been used by Doria against the Venetians at Curzola (infra, p. 48), and seems to have been a usual provision. Francesco Barberini specifies among the stores for his galley: "Calcina, con lancioni, Pece, pietre, e ronconi" (p. 259.) And Christine de Pisan, in her Faiz du Sage Roy Charles (V. of France), explains also the use of the soap: "Item, on doit avoir pluseurs vaisseaulx legiers a rompre, comme poz plains de chauls ou pouldre, et gecter dedens; et, par ce, seront comme avuglez, au brisier des poz. Item, on doit avoir autres poz de mol savon et gecter es nefzs des adversaires, et quant les vaisseaulx brisent, le savon est glissant, si ne se peuent en piez soustenir et chieent en l'eaue" (pt. ii. ch. 38). [17] Balislariae, whence no doubt Balistrada and our Balustrade. Wedgwood's etymology is far-fetched. And in his new edition (1872), though he has shifted his ground, he has not got nearer the truth. [18] Sanutius, p. 53; Joinville, p. 40; Muntaner, 316, 403. [19] See pp. 270, 288, 324, and especially 346. [20] See the Protestant, cited above, p. 441, et seqq. [21] Venezia e le sue Lagune, ii. 52. [22] Mar. Sanut. p. 75. [23] Mar. Sanut., p. 30. [24] The Catalan Admiral Roger de Loria, advancing at daybreak to attack the Provencal Fleet of Charles of Naples (1283) in the harbour of Malta, "did a thing which should be reckoned to him rather as an act of madness," says Muntaner, "than of reason. He said, 'God forbid that I should attack them, all asleep as they are! Let the trumpets and nacaires sound to awaken them, and I will tarry till they be ready for action. No man shall have it to say, if I beat them, that it was by catching them asleep.'" (Munt. p. 287.) It is what Nelson might have done! The Turkish admiral Sidi 'Ali, about to engage a Portuguese squadron in the Straits of Hormuz, in 1553, describes the Franks as "dressing their vessels with flags and coming on." (J. As. ix. 70.) [25] A cross patee, is one with the extremities broadened out into feet as it were. [26] Page 50. [27] The galley at p. 49 is somewhat too high; and I believe it should have had no shrouds. [28] See Muntaner, passim, e.g. 271, 286, 315, 349. [29] Ibid. 346. VI. THE JEALOUSIES AND NAVAL WARS OF VENICE AND GENOA. LAMBA DORIA'S EXPEDITION TO THE ADRI-ATIC; BATTLE OF CURZOLA; AND IMPRISONMENT OF MARCO POLO BY THE GENOESE. [Sidenote: Growing jealousies and outbreaks between the Republics.] 78 31. Jealousies, too characteristic of the Italian communities, were, in the case of the three great trading republics of Venice, Genoa, and Pisa, aggravated by commercial rivalries, whilst, between the two first of those states, and also between the two last, the bitterness of such feelings had been augmenting during the whole course of the 13th century.[1] The brilliant part played by Venice in the conquest of Constantinople (1204), and the preponderance she thus acquired on the Greek shores, stimulated her arrogance and the resentment of her rivals. The three states no longer stood on a level as bidders for the shifting favour of the Emperor of the East. By treaty, not only was Venice established as the most important ally of the empire and as mistress of a large fraction of its territory, but all members of nations at war with her were prohibited from entering its limits. Though the Genoese colonies continued to exist, they stood at a great disadvantage, where their rivals were so predominant and enjoyed exemption from duties, to which the Genoese remained subject. Hence jealousies and resentments reached a climax in the Levantine settlements, and this colonial exacerbation reacted on the mother States. A dispute which broke out at Acre in 1255 came to a head in a war which lasted for years, and was felt all over Syria. It began in a quarrel about a very old church called St. Sabba's, which stood on the common boundary of the Venetian and Genoese estates in Acre,[2] and this flame was blown by other unlucky occurrences. Acre suffered grievously.[3] Venice at this time generally kept the upper hand, beating Genoa by land and sea, and driving her from Acre altogether. + Four ancient porphyry figures from St. Sabba's were sent in triumph to Venice, and with their strange devices still stand at the exterior corner of St. Mark's, towards the Ducal Palace.[4] But no number of defeats could extinguish the spirit of Genoa, and the tables were turned when in her wrath she allied herself with Michael Palaeologus to upset the feeble and tottering Latin Dynasty, and with it the preponderance of Venice on the Bosphorus. The new emperor handed over to his allies the castle of their foes, which they tore down with jubilations, and now it was their turn to send its stones as trophies to Genoa. Mutual hate waxed fiercer than ever; no merchant fleet of either state could go to sea without convoy, and wherever their ships met they fought.[5] It was something like the state of things between Spain and England in the days of Drake. [Illustration: Figures from St. Sabba's, sent to Venice.] The energy and capacity of the Genoese seemed to rise with their success, and both in seamanship and in splendour they began almost to surpass their old rivals. The fall of Acre (1291), and the total expulsion of the Franks from Syria, in great measure barred the southern routes of Indian trade, whilst the predominance of Genoa in the Euxine more or less obstructed the free access of her rival to the northern routes by Trebizond and Tana. [Sidenote: Battle in Bay of Ayas in 1294.] 32. Truces were made and renewed, but the old fire still smouldered. In the spring of 1294 it broke into flame, in consequence of the seizure in the Grecian seas of three Genoese vessels by a Venetian fleet. This led to an action with a Genoese convoy which sought redress. The fight took place off Ayas in the Gulf of Scanderoon,[6] and though the Genoese were inferior in strength by one-third they gained a signal victory, capturing all but three of the Venetian galleys, with rich cargoes, including that of Marco Basilio (or Basegio), the commodore. This victory over their haughty foe was in its completeness evidently a surprise to the Genoese, as well as a source of immense exultation, which is vigorously expressed in a ballad of the day, written in a stirring salt-water rhythm.[7] It represents the Venetians, as they enter the bay, in arrogant mirth reviling the Genoese with very unsavoury epithets as having deserted their ships to skulk on shore. They are described as saying:-- "'Off they've slunk! and left us nothing; We shall get nor prize nor praise; Nothing save those crazy timbers Only fit to make a blaze.'" So they advance carelessly-- "On they come! But lo their blunder! When our lads start up anon, Breaking out like unchained lions, With a roar, 'Fall on! Fall on!'"[8] After relating the battle and the thoroughness of the victory, ending in the conflagration of five-and-twenty captured galleys, the poet concludes by an admonition to the enemy to moderate his pride and curb his arrogant tongue, harping on the obnoxious epi- 79 thet porci leproxi, which seems to have galled the Genoese.[9] He concludes:-- "Nor can I at all remember Ever to have heard the story Of a fight wherein the Victors Reaped so rich a meed of glory!"[10] The community of Genoa decreed that the victory should be commemorated by the annual presentation of a golden pall to the monastery of St. German's, the saint on whose feast (28th May) it had been won.[11] The startling news was received at Venice with wrath and grief, for the flower of their navy had perished, and all energies were bent at once to raise an overwhelming force.[12] The Pope (Boniface VIII.) interfered as arbiter, calling for plenipotentiaries from both sides. But spirits were too much inflamed, and this mediation came to nought. Further outrages on both sides occurred in 1296. The Genoese
