and his speaking of him as "versed in the secrets of the French Romance Tongue."[13] In fact the difference of language in the two cases would really be a difficulty in the way of identification, if there were room for doubt. This, however, Paulin Paris seems to have excluded finally, by calling attention to the peculiar formula of preamble which is common to the Book of Marco Polo and to one of the Romance compilations of Rusticien de Pise.The former will be found in English at pp. 1, 2, of our Translation; but we give a part of the original below[14] for comparison with the preamble to the Romances of Meliadus, Tristan, and Lancelot, as taken from MS. 6961 (Fr. 340) of the Paris Library:--
"Seigneurs Empereurs et Princes, Ducs et Contes et Barons et Chevaliers et Vavasseurs et Bourgeois, et tous les preudommes de cestui monde qui avez talent de vous deliter en rommans, si prenez cestui (livre) et le faites lire de chief en chief, si orrez toutes les grans aventure qui advindrent entre les Chevaliers errans du temps au Roy Uter Pendragon, jusques a le temps au Roy Artus son fils, et des compaignons de la Table Ronde. Et sachiez tout vraiment que cist livres fust translatez du livre Monseigneur Edouart le Roy d'Engleterre en cellui temps qu'il passa oultre la mer au service nostre Seigneur Damedieu pour conquester le Sant Sepulcre, et Maistre Rusticiens de Pise, lequel est ymaginez yci dessus,[15] compila ce rommant, car il en translata toutes les merveilleuses nouvelles
et aventures qu'il trouva en celle livre et traita tout certainement de toutes les aventures du monde, et si sachiez qu'il traitera plus de Monseigneur Lancelot du Lac, et Mons'r Tristan le fils au Roy Meliadus de Leonnoie que d'autres, porcequ'ilz furent sans faille les meilleurs chevaliers qui a ce temps furent en terre; et li Maistres en dira de ces deux pluseurs choses et pluseurs nouvelles que l'en treuvera escript en tous les autres livres; et porce que le Maistres les trouva escript au Livre d'Engleterre."
[Illustration: Palazzo di S Giorgio Genoa]
"Certainly," Paulin Paris observes, "there is a singular analogy between these two prefaces. And it must be remarked that the formula is not an ordinary one with translators, compilers, or authors of the 13th and 14th centuries. Perhaps you would not find a single other example of it."[16]
This seems to place beyond question the identity of the Romance-compiler of Prince Edward's suite in 1270, and the Prisoner of
Genoa in 1298.
[Sidenote: Further particulars concerning Rustician.]
42. In Dunlop's History of Fiction a passage is quoted from the preamble of Meliadus, as set forth in the Paris printed edition of
1528, which gives us to understand that Rusticien de Pise had received as a reward for some of his compositions from King Henry III. the prodigal gift of two chateaux. I gather, however, from passages in the work of Paulin Paris that this must certainly be one of those confusions of persons to which I have referred before, and that the recipient of the chateaux was in reality Helye de Bor-
ron, the author of some of the originals which Rustician manipulated.[17] This supposed incident in Rustician's scanty history must therefore be given up.
We call this worthy Rustician or Rusticiano, as the nearest probable representation in Italian form of the Rusticien of the Round-Table MSS. and the Rustacians of the old text of Polo. But it is highly probable that his real name was Rustichello, as is suggested by the form Rustichelus in the early Latin version published by the Societe de Geographie. The change of one liquid for another never goes for much in Italy,[18] and Rustichello might easily Gallicize himself as Rusticien. In a very long list of Pisan officials during the Middle Ages I find several bearing the name of Rustichello or Rustichelli, but no Rusticiano or Rustigiano.[19]
Respecting him we have only to add that the peace between Genoa and Venice was speedily followed by a treaty between Genoa
and Pisa. On the 31st July, 1299, a truce for twenty-five years was signed between those two Republics. It was a very different matter from that between Genoa and Venice, and contained much that was humiliating and detrimental to Pisa. But it embraced the release of prisoners; and those of Meloria, reduced it is said to less than one tithe of their original number, had their liberty at last. Among the prisoners then released no doubt Rustician was one. But we hear of him no more.
[1] B. Marangone, Croniche della C. di Pisa, in Rerum Ital. Script. of Tartini, Florence, 1748, i. 563; Dal Borgo, Dissert. sopra
l'Istoria Pisana, ii. 287.
[2] The list of the whole number is preserved in the Doria archives, and has been published by Sign. Jacopo D'Oria. Many of the Baptismal names are curious, and show how far sponsors wandered from the Church Calendar. Assan, Alton, Turco, Soldan seem to come of the constant interest in the East. Alaone, a name which remained in the family for several generations, I had thought certainly borrowed from the fierce conqueror of the Khalif (infra, p. 63). But as one Alaone, present at this battle, had a son also there, he must surely have been christened before the fame of Hulaku could have reached Genoa. (See La Chiesa di S. Matteo, pp.
250, seqq.)
89
In documents of the kingdom of Jerusalem there are names still more anomalous, e.g., Gualterius Baffumeth, Joannes Mahomet. (See Cod. Dipl. del Sac. Milit. Ord. Gerosol. I. 2-3, 62.)
[3] Memorial. Potestat. Regiens. in Muratori, viii. 1162.
[4] See Fragm. Hist. Pisan. in Muratori, xxiv. 651, seqq.; and Caffaro, id. vi. 588, 594-595. The cut in the text represents a striking memorial of those Pisan Prisoners, which perhaps still survives, but which at any rate existed last century in a collection at Lucca. It is the seal of the prisoners as a body corporate: SIGILLUM UNIVERSITATIS CARCERATORUM PISANORUM JANUE
DETENTORUM, and was doubtless used in their negotiations for peace with the Genoese Commissioners. It represents two of the prisoners imploring the Madonna, Patron of the Duomo at Pisa. It is from Manni, Osserv. Stor. sopra Sigilli Antichi, etc., Firenze,
1739, tom. xii. The seal is also engraved in Dal Borgo, op. cit. ii. 316.
[5] The Abate Spotorno in his Storia Letteraria della Liguria, II. 219, fixes on a Genoese philosopher called Andalo del Negro, mentioned by Boccaccio.
[6] I quote from Galignani's ed. of Prose Works, v. 712. This has "Rusticien de Puise." In this view of the fictitious character of the names of Rusticien and the rest, Sir Walter seems to have been following Ritson, as I gather from a quotation in Dunlop's H. of Fiction. (Liebrecht's German Version, p. 63.)
[7] Giron le Courtois, and the conclusion of Tristan.
[8] The passage runs thus as quoted (from the preamble of the Meliadus--I suspect in one of the old printed editions):--
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