One Man's Dark. Maurice Manning

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One Man's Dark - Maurice Manning

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lived with two or three brothers

      in a railroad rooming house.

      I’ve seen them dancing on the porch,

      unbelievable as ghosts —

      barefoot in overalls,

      and one of them would plink and pluck

      a banjo, forgoing melody

      for the more mysterious sense of sound.

      That house is years away in time —

      it was said the brothers shared a wife.

      By the end, though, they lived in public housing

      without a porch and kept indoors.

      Now all of them are gone from the earth.

      There was no skill in the work we did,

      the work, at least, didn’t ask it —

      clattering down through the warehouse

      with iron-wheeled ancient carts

      to drag them loaded back to the dock

      where the only twentieth-century fact —

      a straight-box truck — waited

      for loading. We’d do it again and again

      until all seven trucks were gone

      to the country stores which now themselves

      are gone: Bottoms’s, Pottsville, Jennings’s,

      Craintown, Redtop,

      even the little towns have gone.

      But some of the men gave skill to the work,

      simply by enjoying it,

      the rhythm and repetition, and then

      they’d interrupt it. Freddie would take

      it out around midday and squint

      with his good one through the glass and say,

      let’s see if I see dinnertime,

      and then in the afternoon he’d fish

      it out again and say, I believe

      I see it, five o’clock! — holding

      the eye before him like a lantern,

      as though he were leading us from darkness.

      One summer Belcher’s machine shop

      over by the railroad tracks

      blew up and burned to the ground.

      It was a long, low, shambling place

      and round — it looked like a feed trough

      turned upside down with a square front

      and the name over a sliding door

      with corrugated metal siding;

      the whole thing had been silver once.

      The morning after it burned we rode

      our bikes over there to watch the smoke

      uncoil and disappear. I suppose

      we were amazed by such destruction,

      how sudden it could be and how

      the shop no longer had a form.

      We figured Lonnie Belcher, a boy

      we knew from school though he was older,

      would become a hero for being close

      to all of this — his grandfather

      and a strange, unsteady uncle ran

      the shop. Lonnie had been the one

      who’d told us about Hobo Town,

      which was a few miles down the tracks

      and farther down a spur that ran

      a ways and ended in the woods.

      It was decided, then, that since

      we’d seen the blown-up shop and that

      had made us brave, we might as well

      continue on to Hobo Town.

      In single file we clattered down

      the tracks; there were three or four of us,

      our wheels rattled over the ties,

      the smell of creosote and pitch

      was thick and every little while

      we’d stop and listen to the rails

      to see if there was any singing.

      Beyond the brief freight-yard, we came

      to a shack that one time might have been

      for a switchman. We looked in the doorway and saw

      a dirty magazine that was torn

      in pieces, but a page had been hung

      on a nail in the plank wall — it was strange

      to see her there, a decoration,

      but she, the woman on the page,

      was someone’s favorite; she’d been chosen,

      her image was elevated, and now

      with sunlight on her, the altar shone.

      Faith is difficult to define,

      but most of us are willing to say

      something we don’t quite know must come before

      ourselves, something

      that isn’t our idea yet

      we hold it higher up and think

      it is the symbol of a secret.

      We found

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