Daughter of the Samuari. Etsu Inagaki Sugimoto

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Daughter of the Samuari - Etsu Inagaki Sugimoto

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life is either the atonement for sins committed in the last existence, or the education necessary to prepare him for a higher place in the life to come. This belief has held Japan's labouring class in cheerful resignation through ages of hardship, but also it has taught us to look with such indifference upon the sufferings of creatures below us in the order of creation that we have become, as a nation, almost sympathy-blind.

      As quickly as possible to be polite, I thanked my grandmother and hurried to beg Shiro's pardon. I found him covered very comfortably with a matting of soft rice-straw suitable to his station. Out in the garden two coolies were engaged in burning the crepe cushion. Their faces were very grave.

      Poor Shiro! He had the best care we could give him, but the next morning his body was asleep under the straw matting and his spirit had passed on to the next state, which I pray was not lower because of my kindly meant mistake. He was buried in the sunniest corner of the garden beneath a big chestnut tree where many an autumn morning he and I had happily tossed and caught the fallen brown nuts. It would never have done for Shiro's grave to be publicly marked, but over it my father quietly placed, on his return, a small gray stone, in memory of his little girl's most faithful vassal.

      Alas! Before the chestnut burrs were spilling their brown nuts over Shiro's grave, my dear father had been laid to rest in the family burial ground at Chokoji, and one more tablet had been placed in the gilded shrine before which every morning and evening we bowed in love and reverence.

      CHAPTER VI

      A SUNNY NEW YEAR

      OURS was a lonely house the winter after Father's death. The first forty-nine days when "the soul hovers near the eaves" was not sad to me, for the constantly burning candles and curling incense of the shrine made me feel that Father was near. And, too, everyone was lovingly busy doing things in the name of the dear one; for to Buddhists, death is a journey, and during these seven weeks, Mother and Jiya hastened to fulfil neglected duties, to repay obligations of all kinds and to arrange family affairs so that, on the forty-ninth day, the soul, freed from world shackles, could go happily on its way to the Land of Rest.

      But when the excitement of the busy days was over and, excepting at the time of daily service, the shrine was dark, then came loneliness. In a childish, literal way, I thought of Father as trudging along a pleasant road with many other pilgrims, all wearing the white robes covered with priestly writings, the pilgrim hats and straw sandals in which they were buried—and he was getting farther and farther from me every day.

      As time passed on we settled back into the old ways, but it seemed that everybody and everything had changed. Jiya no longer hummed old folk-songs as he worked and Ishi's cheerful voice had grown so lifeless that I did not care for fairy tales any more. Grandmother spent more time than ever polishing the brass furnishings of the shrine. Mother went about her various duties, calm and quiet as usual, but her smile was sad. Sister and I sewed and read together, but we no longer wasted time in giggling and eating sweets. And when in the evening we all gathered around the fire-box in Grandmother's room, our conversation was sure to drift to mournful topics. Even in the servants' hall, though talking and laughter still mingled with the sounds of spinning and grinding of rice, the spirit of merriment was gone.

      During these months, my greatest pleasure was going to the temple with Mother. Toshi, the maid, always walked behind, carrying flowers for the grave.

      During these months my greatest pleasure was going to the temple with Mother or Ishi. Mother's special maid, Toshi, always walked behind, carrying flowers for the graves. We went first to the temple to bow our respects to the priest, my much-honoured teacher. He served us tea and cakes and then went with us to the graves, a boy priest going along to carry a whitewood bucket of water with a slender bamboo dipper floating on the top. We made bows to the graves and then, in respect to the dead, poured water from the little dipper over the base of the tall gray stones. So loyal to the past are the people of Nagaoka that, many years after my father's death, I heard my mother say that she had never visited his grave when she had not found it moist with "memory-pourings" of friends and old retainers.

      On February 15th, the "Enter into Peace" celebration of Buddha's death, I went to the temple with Toshi, carrying as a gift to the priest a lacquer box of little dumplings. They were made in the shapes of all the animals in the world, to represent the mourners at Buddha's death-bed, where all living creatures were present except the cat. The good old priest, after expressing his thanks, took a pair of chopsticks and, lifting several of the dumplings on to a plate, placed it for a few minutes in front of the shrine, before putting it away for his luncheon. That day he told me with deep feeling that he must say farewell, since he was soon to go away from Chokoji for ever. I could not understand, then, why he should leave the temple where he had been so long and which he so dearly loved; but afterward I learned that, devout and faithful though he was to all the temple forms, his brain had advanced beyond his faith, and he had joined the "Army of the Few" who choose poverty and scorn for the sake of what they believe to be the truth.

      One evening, after a heavy snowfall, Grandmother and I were sitting cozily together by the fire-box in her room. I was making a hemp-thread ball for a mosquito net that was to be woven as part of my sister's wedding dowry, and Grandmother was showing me how to put my fingers deftly through the fuzzy hemp.

      "Honourable Grandmother," I exclaimed, suddenly recalling something I wanted to say, "I forgot to tell you that we are going to have a snow-fight at school to-morrow. Hana San is chosen to be leader on one side and I on the other. We are to-"

      I was so interested that again I lost my thread and it matted. I gave it a quick jerk and at once found myself in sad trouble.

      "Wait!" said Grandmother, reaching out to help me. "You should sing 'The Hemp-Winding Song.'" As she straightened my tangled thread, her quavery old voice sang:

      "Watch your hand as it winds hemp thread;

       If it mats, with patience wait;

      For a thoughtless move or a hasty pull

       Makes smaller tangles great."

      "Don't forget again!" she added, handing back the untangled bunch of hemp.

      "I was thinking about the snow-fight," I said apologetically.

      Grandmother looked disapproving. "Etsu-bo," she said, "your eldest sister, before she was married, made enough hemp thread for both the mosquito nets for her destined home. You have now entered your eleventh year and should aim to be more maiden-like in your tastes."

      "Yes, Honourable Grandmother," I replied, feeling with humiliation how true her words were. "This winter I will wind plenty of hemp thread. I will make many balls, so Ishi can weave the two nets for Sister's dowry before New Year's."

      "There is no need for such haste," Grandmother replied, smiling at my eagerness, but speaking gravely. "Our days of sorrow must not influence your sister's fate. Her marriage has been postponed until the good-luck season when the ricefields bow with their burden."

      I had noticed that fewer shop men had been coming to the house, and I had missed the frequent visits of tall Mr. Nagai and his brisk, talkative little wife, the go-between couple for my sister. So that was what it meant! Our unknown bridegroom would have to wait until autumn for his bride. Sister did not care. There were plenty of things to be interested in and we both soon forgot all about the delayed wedding in our preparations for the approaching New Year.

      The first seven days of the first month were the important holidays of the Japanese

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