In Praise of Poetry. Olga Sedakova

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In Praise of Poetry - Olga Sedakova

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narrow ladle of legends.

      2. BEGGARS WALK THE ROAD

      O, how I want to love the Lord,

      just as His paupers do.

      I want to walk the towns

      and plead in His name true,

      to learn it all and then forget,

      to start to talk like the dumb or dead

      of His sweet beauty too.

      You think a candle stands here,

      and that Lent is a quiet garden?

      But if it is a garden, they will enter

      and perhaps won’t find any faith within,

      and candles spin no happiness here

      but ruefully hang down.

      And therefore you must close your door

      and bury your clear mind:

      it will spring up if alive,

      whilst you must lie and wait behind.

      And follow or bring inside

      whoever wants to enter.

      Don’t pick or choose between them:

      a horrible sight they all are,

      like worms on a wheel they all are.

      And what if they kill me?

      Then let that be too:

      you’ll be given your medicine—

      a few drops of blue.

      And if my home is burned?

      —So let it fall

      for it isn’t your home at all.

      3. A SHEPHERD PLAYS

      In a heraldic garden small

      vines begin to bloom.

      “Here we come!”

      from a window they call,

      and fourteen merry goat kids

      leap over a flute.

      Yes, they leap over a flute,

      or they bound over a pipe,

      no animals more charming

      has anyone ever seen.

      The Lord stinted the rest.

      Their fur is the best,

      as bold as a youthful abyss—

      looking, breathing and stirring,

      filling the heart with bliss.

      Yet in every living man

      the heart is dark and poor,

      he is a cripple all inside:

      come what may—who cares,

      he will not sit down with us

      dressed in proper clothes

      to serve the blooming vines

      to his merry goat kids.

      Just as the Lord bids.

      4. SON OF THE MUSES

      Strange images and pictures

      will enter through closed doors,

      will find their own names

      and something for me to do.

      They’ll pour my simple reason

      just like sand onto the shore,

      rock it like a cradle,

      or weave it into a basket.

      And they will ask:

      what do you see?

      And I shall say:

      all I can see

      are waves beating the shore.

      Waves beating without end,

      for a lofty wave is a chest

      for the best and most beautiful ring

      and a cellar for wine, the best.

      Let the deep swallow its visions

      or let it rumble like a furnace,

      it will carry us out—

      But where?

      Wherever we happen to go,

      wherever we are told.

      But where, my spirit, but where?

      O, how should I know?

      The abyss is better than a shepherd

      at tending its own flocks:

      visible to no one

      they climb all over the hills

      and play there like the stars.

      Their constant ringing,

      their milky way,

      scatters like mercury far away

      and then comes back to us:

      For poor are folk, and scant is our tale,

      for all end here, and the world has long forgotten us.

      As Policrates threw his ring

      to whatever was meant to be—

      whoever was poor,

      whoever was rich,

      whoever waged wars,

      or tended calves—

      the most precious

      of

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