In Praise of Poetry. Olga Sedakova

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In Praise of Poetry - Olga Sedakova

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      is the one smallest grain flying back.

      So take your ring, Policrates,

      you have lived your life in vain.

      Whoever throws out the most

      will be loved by people the most.

      In blackened sores and in his sins

      he is like those smoky hearths

      with the same old fire, the same old glint

      of the heavens’ merry crackle.

      And the waves beat, they know no end,

      for a lofty wave is a chest

      for the best and most beautiful ring

      and a cellar for wine, the best.

      When the deep swallows its visions,

      we will say:

      there’s nothing to lose!

      And the deep will say that’s so.

      And the dead are not embarrassed

      by a strange and meager zeal—

      they whisper in his ear

      all that he forgot.

      Having said goodbye to torment,

      they crowd around the doors

      with stories like those

      they tell on Christmas Eve—

      of gold and pearls and of the light

      that comes out of nothing.

      5. A BRAVE FISHERMAN

      A peasant song

       Can you hear, mama, a bird that is singing?

       Wings beating in a cage, it doesn’t drink or feed.

      A fisherman once said to me

      when I was going home:

      take a double chain with you

      and take my golden ring,

      for the night is short

      and spring is short

      and the river takes the boats.

      I bowed to him low

      and then I said to him:

      the double chain I’ll take, my lord,

      I will not take the ring,

      for the night is short

      and spring is short

      and the river takes the boats.

      Ah, mama, I keep dreaming:

      some snow and smoke I see,

      and a sinful soul is crying

      before a blessed angel,

      for the night is short

      and spring is short

      and the river takes the boats.

      6. A WOUNDED TRISTAN DRIFTS IN A BOAT

      Magnificence burns bright,

      like a pearl dissolved

      in a pitched and darkened bottle.

      Yet in the depths of earthly hurts,

      it starts to speak like a mighty wave,

      like ancient Pontus unsurpassed.

      O, my deathly longing, you want

      to rise like a seawall from the fog,

      to embrace yourself from far away

      with the hands of the ocean.

      Now with Bran’s silver wand

      and the prophetic cry of the reed

      confusing what we hear,

      for ages you have been learning,

      that like a sweetly aching wound,

      life is vast at parting.

      I like Tristan when from the tower

      he jumps into the sea:

      his deed is really like a star.

      How else can we run from grief

      but with courage purer then water?

      I like the blood from a deep wound,

      how it adorns every caress.

      Que faire? I like an epilogue

      where the ocean can be heard,

      I love its every mask.

      O, drift like wounded Tristan,

      plucking at restless strings,

      playing the music of free suffering

      up to the heavens where a hurricane roams.

      And within the vast ocean’s longing

      the hero’s hushed yearning

      is like a hamlet beneath a mountain,

      like a household that’s early to bed,

      outside a blizzard blowing.

      And the blizzard gazes like a pale beast

      through a thousand eyes of lashes

      watching people sleep, while craftswomen

      spin the common flax,

      and of the ancient Fleece of Colchis

      fate’s spindle whirs its tale.

      “We shall not find it.”

      “It matters not.”

      7.

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