you think my flesh resembles green cheese?’
‘No, I don’t,’ I said angrily, ‘did you ever know me to paint like that before?’
‘No, indeed!’
‘Well, then!’
‘It must be the turpentine, or something,’ she admitted.
She slipped on a Japanese robe and walked to the window. I scraped and rubbed until I was tired and finally picked up my brushes and hurled them through the canvas with a forcible expression, the tone alone of which reached Tessie’s ears.
Nevertheless she promptly began: ‘That’s it! Swear and act silly and ruin your brushes! You have been three weeks on that study, and now look! What’s the good of ripping the canvas? What creatures artists are!’
I felt about as much ashamed as I usually did after such an outbreak, and I turned the ruined canvas to the wall. Tessie helped me clean my brushes, and then danced away to dress. From the screen she regaled me with bits of advice concerning whole or partial loss of temper, until, thinking, perhaps, I had been tormented sufficiently, she came out to implore me to button her waist where she could not reach it on the shoulder.
‘Everything went wrong from the time you came back from the window and talked about that horrid-looking man you saw in the churchyard,’ she announced.
‘Yes, he probably bewitched the picture,’ I said yawning. I looked at my watch.
‘It’s after six, I know,’ said Tessie, adjusting her hat before the mirror.
‘Yes,’ I replied, ‘I didn’t mean to keep you so long.’ I leaned out of the window but recoiled with disgust, for the young man with the pasty face stood below in the churchyard. Tessie saw my gesture of disapproval and leaned from the window.
‘Is that the man you don’t like?’ she whispered.
I nodded.
‘I can’t see his face, but he does look fat and soft. Someway or other,’ she continued, turning to look at me, ‘he reminds me of a dream – an awful dream I once had. Or,’ she mused, looking down at her shapely shoes, ‘was it a dream after all?’
‘How should I know?’ I smiled.
Tessie smiled in reply.
‘You were in it,’ she said, ‘so perhaps you might know something about it.’
‘Tessie! Tessie!’ I protested, ‘don’t you dare flatter by saying that you dream about me!’
‘But I did,’ she insisted. ‘Shall I tell you about it?’
‘Go ahead,’ I replied, lighting a cigarette.
Tessie leaned back on the open window-sill and began very seriously.
‘One night last winter I was lying in bed thinking about nothing at all in particular. I had been posing for you and I was tired out, yet it seemed impossible for me to sleep. I heard the bells in the city ring, ten, eleven, and midnight. I must have fallen asleep about midnight because I don’t remember hearing the bells after that. It seemed to me that I had scarcely closed my eyes when I dreamed that something impelled me to go to the window. I rose, and raising the sash leaned out. Twenty-fifth Street was deserted as far as I could see. I began to be afraid; everything outside seemed so – so black and uncomfortable. Then the sound of wheels in the distance came to my ears, and it seemed to me as though that was what I must wait for. Very slowly the wheels approached, and, finally, I could make out a vehicle moving along the street. It came nearer and nearer, and when it passed beneath my window I saw it was a hearse. Then, as I trembled with fear, the driver turned and looked straight at me. When I awoke I was standing by the open window shivering with cold, but the black-plumed hearse and the driver were gone. I dreamed this dream again in March last, and again awoke beside the open window. Last night the dream came again. You remember how it was raining; when I awoke, standing at the open window, my night-dress was soaked.’
‘But where did I come into the dream?’ I asked.
‘You – you were in the coffin; but you were not dead.’
‘In the coffin?’
‘Yes.’
‘How did you know? Could you see me?’
‘No; I only knew you were there.’
‘Had you been eating Welsh rarebits, or lobster salad?’ I began laughing, but the girl interrupted me with a frightened cry.
‘Hello! What’s up?’ I said, as she shrank into the embrasure by the window.
‘The – the man below in the churchyard; he drove the hearse.’
‘Nonsense,’ I said, but Tessie’s eyes were wide with terror. I went to the window and looked out. The man was gone. ‘Come, Tessie,’ I urged, ‘don’t be foolish. You have posed too long; you are nervous.’
‘Do you think I could forget that face?’ she murmured. ‘Three times I saw the hearse pass below my window, and every time the driver turned and looked up at me. Oh, his face was so white and – and soft! It looked dead – it looked as if it had been dead a long time.’
I induced the girl to sit down and swallow a glass of Marsala. Then I sat down beside her, and tried to give her some advice.
‘Look here, Tessie,’ I said, ‘you go to the country for a week or two, and you’ll have no more dreams about hearses. You pose all day, and when night comes your nerves are upset. You can’t keep this up. Then again, instead of going to bed when your day’s work is done, you run off to picnics at Sulzer’s Park, or go to the Eldorado or Coney Island, and when you come down here next morning you are fagged out. There was no real hearse. That was a soft-shell crab dream.’
She smiled faintly.
‘What about the man in the churchyard?’
‘Oh, he’s only an ordinary unhealthy, everyday creature.’
‘As true as my name is Tessie Rearden, I swear to you, Mr Scott, that the face of the man below in the churchyard is the face of the man who drove the hearse!’
‘What of it?’ I said. ‘It’s an honest trade.’
‘Then you think I did see the hearse?’
‘Oh, I said diplomatically, ‘if you really did, it might not be unlikely that the man below drove it. There is nothing in that.’
Tessie rose, unrolled her scented handkerchief and taking a bit of gum from a knot in the hem, placed it in her mouth. Then drawing on her gloves she offered me her hand, with a frank, ‘Good-night, Mr Scott,’ and walked out.
II
The next morning, Thomas, the bellboy, brought me the Herald and a bit of news. The church next door had been sold. I thanked Heaven for it, not that I, being a Catholic, had any repugnance for the congregation
