if she tired of me, then her whole life would be before her with beautiful vistas of Eddie Burkes and marriage rings and twins and Harlem flats and Heaven knows what. As I strolled along through the trees by the Washington Arch, I decided that she should find a substantial friend in me anyway and the future could take care of itself. Then I went into the house and put on my evening dress, for the little faintly perfumed note on my dresser said, ‘Have a cab at the stage door at eleven’, and the note was signed ‘Edith Carmichel, Metropolitan Theatre’.
I took supper that night, or rather we took supper, Miss Carmichel and I, at Solari’s and the dawn was just beginning to gild the cross on the Memorial Church as I entered Washington Square after leaving Edith at the Brunswick. There was not a soul in the park as I passed among the trees and took the walk which leads from the Garibaldi statue to the Hamilton Apartment House, but as I passed the churchyard I saw a figure sitting on the stone steps. In spite of myself a chill crept over me at the sight of the white puffy face, and I hastened to pass. Then he said something which might have been addressed to me or might merely have been a mutter to himself, but a sudden furious anger flamed up within me that such a creature should address me. For an instant I felt like wheeling about and smashing my stick over his head, but I walked on, and entering the Hamilton went to my apartment. For some time I tossed about the bed trying to get the sound of his voice out of my ears, but could not. It filled my head, that muttering sound, like thick oily smoke from a fat-rendering vat or an odor of noisome decay. And as I lay and tossed about, the voice in my ears seemed more distinct, and I began to understand the words he had muttered. They came to me slowly as if I had forgotten them, and at last I could make some sense out of the sounds. It was this:
‘Have you found the Yellow Sign?’
‘Have you found the Yellow Sign?’
‘Have you found the Yellow Sign?’
I was furious. What did he mean by that? Then with a curse upon him and his I rolled over and went to sleep, but when I awoke later I looked pale and haggard, for I had dreamed the dream of the night before and it troubled me more than I cared to think.
I dressed and went down into my studio. Tessie sat by the window, but as I came in she rose and put both arms around my neck for an innocent kiss. She looked so sweet and dainty that I kissed her again and then sat down before the easel.
‘Hello! Where’s the study I began yesterday?’ I asked.
Tessie looked conscious, but did not answer. I began to hunt among the piles of canvases, saying, ‘Hurry up, Tess, and get ready; we must take advantage of the morning light.’
When at last I gave up the search among the other canvases and turned to look around the room for the missing study I noticed Tessie standing by the screen with her clothes still on.
‘What’s the matter,’ I asked, ‘don’t you feel well?’
‘Yes.’
‘Then hurry.’
‘Do you want me to pose as – as I have always posed?’
Then I understood. Here was a new complication. I had lost, of course, the best nude model I had ever seen. I looked at Tessie. Her face was scarlet. Alas! Alas! We had eaten of the tree of knowledge, and Eden and native innocence were dreams of the past – I mean for her.
I suppose she noticed the disappointment on my face, for she said: ‘I will pose if you wish. The study is behind the screen here where I put it.’
‘No,’ I said, ‘we will begin something new’; and I went into my wardrobe and picked out a Moorish costume which fairly blazed with tinsel. It was a genuine costume, and Tessie retired to the screen with it enchanted. When she came forth again I was astonished. Her long black hair was bound above her forehead with a circlet of turquoises, and the ends curled about her glittering girdle. Her feet were encased in the embroidered pointed slippers and the skirt of her costume, curiously wrought with arabesques in silver, fell to her ankles. The deep metallic blue vest embroidered with silver and the short Mauresque jacket spangled and sewn with turquoises became her wonderfully. She came up to me and held up her face smiling. I slipped my hand into my pocket and drawing out a gold chain with a cross attached, dropped it over her head.
‘It’s yours, Tessie.’
‘Mine?’ she faltered.
‘Yours. Now go and pose.’ Then with a radiant smile she ran behind the screen and presently reappeared with a little box on which was written my name.
‘I had intended to give it to you when I went home tonight,’ she said, ‘but I can’t wait now.’
I opened the box. On the pink cotton inside lay a clasp of black onyx, on which was inlaid a curious symbol or letter in gold. It was neither Arabic nor Chinese, nor as I found afterwards did it belong to any human script.
‘It’s all I had to give you for a keepsake,’ she said, timidly.
I was annoyed, but I told her how much I should prize it, and promised to wear it always. She fastened it on my coat beneath the lapel.
‘How foolish, Tess, to go and buy me such a beautiful thing as this,’ I said.
‘I did not buy it,’ she laughed.
‘Then where did you get it?’
Then she told me how she had found it one day while coming from the Aquarium in the Battery, how she had advertised it and watched the papers, but at last gave up all hopes of finding the owner.
‘That was last winter,’ she said, ‘the very day I had the first horrid dream about the hearse.’
I remembered my dream of the previous night but said nothing, and presently my charcoal was flying over a new canvas; and Tessie stood motionless on the model stand.
III
The day following was a disastrous one for me. While moving a framed canvas from one easel to another my foot slipped on the polished floor and I fell heavily on both wrists. They were so badly sprained that it was useless to attempt to hold a brush, and I was obliged to wander about the studio, glaring at unfinished drawings and sketches until despair seized me and I sat down to smoke and twiddle my thumbs with rage. The rain blew against the windows and rattled on the roof of the church, driving me into a nervous fit with its interminable patter. Tessie sat sewing by the window, and every now and then raised her head and looked at me with such innocent compassion that I began to feel ashamed of my irritation and looked about for something to occupy me. I had read all the papers and all the books in the library, but for the sake of something to do I went to the bookcases and shoved them open with my elbow. I knew every volume by its color and examined them all, passing slowly around the library and whistling to keep up my spirits. I was turning to go into the dining-room when my eye fell upon a book bound in serpent skin, standing in a corner of the top shelf of the last bookcase. I did not remember it and from the floor could not decipher the pale lettering on the back, so I went to the smoking-room and called Tessie. She came in from the studio and climbed up to reach the book.
‘What is it?’ I asked.
‘“The King in Yellow”.’
I was dumbfounded. Who had placed it there? How came it in my rooms? I had long ago decided that I should never open
