Linda Vista (TCG Edition). Tracy Letts

       ACKNOWLEDGMENTS

      Many thanks to all of the fine people—hundreds of them, actually—who helped realize the productions of Linda Vista at Steppenwolf in Chicago, Center Theatre Group in Los Angeles, and Second Stage in New York.

      As is always the case with my plays, my director and dramaturg were instrumental in the creation of the work. So I give thanks to Dexter Bullard and Ed Sobel.

      I was blessed with a phenomenal company of actors in all three cities. I’m deeply grateful to the contributions and deep commitment of Ian Barford, Tim Hopper, Kahyun Kim, Sally Murphy, Caroline Neff, Chantal Thuy, Jim True-Frost, Cora Vander Broek, and Troy West.

      My designers always have a lot of helpful things to say. Thanks to Laura Bauer, Marcus Doshi, Todd Rosenthal, and Richard Woodbury. Chris Freeburg, David Franklin, Jim Harker, and all of their assistants, ran remarkably smooth operations.

      We used Steely Dan music for our transitions. Tracking down and acquiring the rights to those recordings was a job of work. Very special thanks to Lindsay Allbaugh, Eric Sims, Nausica Stergiou, David Leinheardt, Sara Danielsen, Christie Evangelista, Reed Wilkerson, Billy Petersen, Alan Rosenberg, Irving Azoff, and the Estate of Walter Becker. And thanks to the man himself, Donald Fagen, for making it happen.

      For good listening and wise counsel, I thank Anna D. Shapiro, Michael Ritchie, Jon Berry, Aaron Carter, Hallie Gordon, Dianne Nora, Laura Dupper, Juli Del Prete, and Ron Gwiazda. Valuable workshop help was provided by Dianne Doan, Sandra Marquez, and Rachel Sondag. Dear friends Bob Fisher, Loren Lazerine, Scott Morfee, David Pasquesi, and Jeff Still all made contributions, whether they know it or not. And Carrie Coon is the best first reader any writer could hope for.

      Fifty: it is a dangerous age—for all men, and especially for one like me who has a tendency to board sinking ships. Middle age has all the scares a man feels halfway across a busy street, caught in traffic and losing his way, or another one blundering in a black upstairs room, full of furniture, afraid to turn on the lights because he’ll see the cockroaches he smells. The man of fifty has the most to say, but no one will listen. His fears sound incredible because they are so new—he might be making them up. His body alarms him; it starts playing tricks on him, his teeth warn him, his stomach scolds, he’s balding at last; a pimple might be cancer, indigestion a heart attack. He’s feeling an unapparent fatigue; he wants to be young but he knows he ought to be old. He’s neither one and terrified. His friends all resemble him, so there can be no hope of rescue. To be this age and very far from where you started out, unconsoled by any possibility of a miracle—that is bad; to look forward and start counting the empty years left is enough to tempt you into some aptly named crime, or else to pray. Success is nasty and spoils you, the successful say, and only failures listen, who know nastiness without the winch of money. Then it is clear: the ship is swamped to her gunwales, and the man of fifty swims to shore, to be marooned on a little island, from which there is no rescue, but only different kinds of defeat.

      —PAUL THEROUX, SAINT JACK

      Well the danger on the rocks is surely past

      Still I remain tied to the mast

      Could it be that I have found my home at last

      Home at last

      —WALTER BECKER AND DONALD FAGEN, “HOME AT LAST”

       LINDA VISTA

       PRODUCTION HISTORY

      Linda Vista had its world premiere at Steppenwolf Theatre Company (Anna D. Shapiro, Artistic Director; David Schmitz, Executive Director) in Chicago, on April 9, 2017. It was directed by Dexter Bullard. The scenic design was by Todd Rosenthal, the costume design was by Laura Bauer, the lighting design was by Marcus Doshi, the sound design was by Richard Woodbury; the dramaturg was Edward Sobel and the stage manager was Christine D. Freeburg. The cast was:

      This production of Linda Vista opened at Center Theatre Group (Michael Ritchie, Artistic Director; Douglas C. Baker, Producing Director) in Los Angeles, on January 9, 2019. The creative team remained the same, with the following exception: the production stage manager was David S. Franklin. The cast remained the same, with the following exception:

      This production of Linda Vista opened on Broadway at the Helen Hayes Theater on October 10, 2019. It was produced by Second Stage (Carole Rothman, President and Artistic Director; Casey Reitz, Executive Director) in association with Center Theatre Group. The creative team remained the same as the Center Theatre Group production, with the following exception: the production stage manager was James Harker. The cast remained the same, with the following exception:

       CHARACTERS

      WHEELER, fifty

      PAUL, fifty

      MICHAEL, mid-fifties

      ANITA, mid-thirties

      MINNIE, twenties

      MARGARET, fifty

      JULES, late thirties

       SETTING

      Various locations in San Diego.