The Love Affairs of Great Musicians (Vol. 1&2). Hughes Rupert
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"M.D. I was extremely Sorry to hear this morning that you were indisposed. I am told you were five hours at your Studys yesterday, indeed my D.L. I am afraid it will hurt you. why shou'd you who have already produced So many wonderful and Charming compositions Still fatigue yourself with Such close application. I almost tremble for your health let me prevail on you my much-loved H. not to keep to your Studys so long at one time, my D. love if you could know how very precious your welfare is to me I flatter myself you wou'd endeaver to preserve it for my sake as well as your own. pray inform me how you do and how you have Slept. I hope to see you to Morrow at the concert and on Saturday I shall be happy to See you here to dinner, in the mean time my D: my Sincerest good wishes constantly attend you and I ever am with the tenderest regard your most &c.
"J.S. April the 19th 92"
"April 24th 1792.
"My D. I cannot leave London without Sending you a line to assure you my thoughts, my best wishes and tenderest affections will inseparably attend you till we meet again. the Bearer will also deliver you the March. I am very Sorry I could not write it Sooner, nor better, but I hope my D. you will excuse it, and if it is not passable I will send you the Dear original directly. If my H. would employ me oftener to write Music I hope I should improve and I know I should delight in the occupation, now my D.L. let me intreat you to take the greatest care of your health. I hope to see you Friday at the concert and on Saturday to dinner, till when and ever I most sincerely am and Shall be yours etc."
"M.D. If you will do me the favor to take your dinner with me tomorrow I shall be very happy to see you and particularly wish for the pleasure of your company my Dst Love before our other friends come. I hope to hear you are in good Health. My best wishes and tenderest Regards are your constant attendants and I ever am with the firmest Attachment my Dst H most sincerely and Affectionately yours,
"R.S."
"James S. Tuesday Ev. May 22d."
"M.D. I can not close my eyes to sleep till I have return'd you ten thousand thanks for the inexpressible delight I have received from your ever Enchanting compositions and your incomparably Charming performance of them, be assured my D.H. that among all your numerous admirers no one has listened with more profound attention and no one can have Such high veneration for your most brilliant Talents as I have, indeed my D.L. no tongue can express the gratitude I feel for the infinite pleasure your Musick has given me. accept then my repeeted thanks for it and let me also assure you with heart felt affection that I Shall ever consider the happiness of your acquaintance as one of the Chief Blessings of my life, and it is the Sincer wish of my heart to preserve to cultivate and to merit it more and more. I hope to hear you are quite well. Shall be happy to see you to dinner and if you can come at three o'Clock it would give me a great pleasure as I shou'd be particularly glad to see you my D. befor the rest of our friends come. God Bless you my h: I ever am with the firmest and most perfect attachment your &c.
"Wednesday night, June the 6th 1792."
"My Dst, Inclosed I send you the verses you was so Kind as to lend me and am very much obliged to you for permitting me to take a copy of them, pray inform me how you do, and let me know my Dst L when you will dine with me; I shall be happy to See you to dinner either tomorrow or tuesday whichever is most Convenient to you. I am truly anxious and impatient to See you and I wish to have as much of your company as possible; indeed my Dst H. I feel for you the fondest and tenderest affection the human Heart is capable of and I ever am with the firmest attachment my Dst Love
"most Sincerely, Faithfully
"and most affectionately yours
"Sunday Evening, June 10, 1792"
"M.D.
"I was extremely sorry I had not the pleasure of seeing you to-day, indeed my Dst Love it was a very great disappointment to me as every moment of your company is more and more precious to me now your departure is so near. I hope to hear you are quite well and I shall be very happy to see you my Dst Hn. any time to-morrow after one o'clock, if you can come; but if not I shall hope for the pleasure of Seeing you on Monday. You will receive this letter to-morrow morning. I would not send it to-day for fear you should not be at home and I wish to have your answer. God bless you my Dst. Love, once more I repeat let me See you as Soon as possible. I ever am with the most inviolable attachment my Dst and most beloved H.
"most faithfully and most
"affectionately yours
"R.S."
"I am just returned from the concert where I was very much Charmed with your delightful and enchanting Compositions and your Spirited and interesting performance of them, accept ten thousand thanks for the great pleasure I always receive from your incomparable Music. My D: I intreat you to inform me how you do and if you get any Sleep to Night. I am extremely anxious about your health. I hope to hear a good account of it. god Bless you my H: come to me to-morrow. I shall be happy to See you both morning and Evening. I always am with the tenderest Regard my D: your Faithful and Affectionate
"Friday Night, 12 o'clock."
This is the last of these letters to which one could apply so fitly the barbarous word "yearnful," once coined by Keats. After Haydn's return to London, in 1794, there are no letters to indicate a continuance of the acquaintance, but it doubtless was renewed, judging from the sagacious guess based upon the fact that Haydn did not come back to his old lodgings but took new ones at No. 1 Bury Street, St. James's.
This much more pleasantly situated dwelling, he probably owed to the considerate care of Mrs. Schroeter, who, by the same token, thus brought him nearer to herself. A short and pleasant walk of scarcely ten minutes through St. James's Palace and the Mall (a broad alley alongside of St. James's Park) led him to Buckingham Palace, and near at hand was the house of Mrs. Schroeter. Perhaps he preferred the walk to letter-writing. When he went away from London for ever, he left behind him the scores of his six last symphonies "in the hands of a lady," probably Mrs. Schroeter. It was this same woman to whom Haydn dedicated three trios, his first, second, and sixth. It was undoubtedly she to whom he referred when he made that little speech which Dies probably misquoted, in telling the answer Haydn gave him when he was asked what the letters were. "They are letters from an English widow in London who loved me; she was, though she already counted her sixty years, still a pretty and lovely woman, whom I would very probably have married had I then been single."
Let us remember that these old love letters, so fragrant with faded affections, were being received by Papa Haydn even while he was writing to Polzelli, rejoicing in the closing of two of those four baleful eyes that forbade their union. And let us not judge too harshly the Italian woman who had given this unbeautiful Austrian of such beautiful genius so much of her sunshine and tenderness. Nor let us judge too harshly the enamoured English widow. Why indeed need we judge harshly at all?
When Haydn died he had no child to leave his wealth to—even the fable that Anton Polzelli was his natural son is taken away from us by Pohl, who points out how small and temporary was the provision made for him in Haydn's will.
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