On The Art of Reading. Arthur Quiller-Couch

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in a position to appreciate the full force of this last simile; and, for myself, I should have taken the chef's word for it, without experiment. Mr. Hamerton proceeds to draw his moral:

      There is a sort of intellectual chemistry which is quite as marvellous as material chemistry and a thousand times more difficult to observe. One general truth may, however, be relied upon. … It is true that everything we learn affects the whole character of the mind.

      Consider how incalculably important becomes the question of proportion in our knowledge, and how that which we are is dependent as much upon our ignorance as our science. What we call ignorance is only a smaller proportion—what we call science only a larger.

      Here the argument begins to become delicious:

      The larger quantity is recommended as an unquestionable good, but the goodness of it is entirely dependent on the mental product that we want. Aristocracies have always instinctively felt this, and have decided that a gentleman ought not to know too much of certain arts and sciences. The character which they had accepted as their ideal would have been destroyed by indiscriminate additions to those ingredients of which long experience had fixed the exact proportions. …

      The last generation of the English country aristocracy was particularly rich in characters whose unity and charm was dependent upon the limitations of their culture, and which would have been entirely altered, perhaps not for the better, by simply knowing a science or a literature that was dosed to them.

      If anything could be funnier than that, it is that it is, very possibly, true. Let us end our quest-by-commonsense, for the moment, on this; that to read all the books that have been written—in short to keep pace with those that are being written—is starkly impossible, and (as Aristotle would say) about what is impossible one does not argue. We must select. Selection implies skilful practice. Skilful practice is only another term for Art. So far plain common-sense leads us. On this point, then, let us set up a rest and hark back.

      II

      Let us cast back to the three terms of my first lecture—What does, What knows, What is.

      I shall here take leave to recapitulate a brief argument much sneered at a few years ago when it was still fashionable to consider Hegel a greater philosopher than Plato. Abbreviating it I repeat it, because I believe in it yet to-day, when Hegel (for causes unconnected with pure right and wrong) has gone somewhat out of fashion for a while.

      As the tale, then, is told by Plato, in the tenth book of "The Republic", one Er the son of Armenius, a Pamphylian, was slain in battle; and ten days afterwards, when they collected the dead for burial, his body alone showed no taint of corruption. His relatives, however, bore it off to the funeral pyre; and on the twelfth day, lying there, he returned to life, and he told them what he had seen in the other world. Many wonders he related concerning the dead, for example, with their rewards and punishments: but what had impressed him as most wonderful of all was the great spindle of Necessity, reaching up to Heaven, with the planets revolving around it in graduated whorls of width and spread: yet all concentric and so timed that all complete the full circle punctually together—'The Spindle turns on the knees of Necessity; and on the rim of each whorl sits perched a Siren who goes round with it, hymning a single note; the eight notes together forming one harmony.'

      Now as—we have the divine word for it—upon two great commandments hang all the law and the prophets, so all religions, all philosophies, hang upon two steadfast and faithful beliefs; the first of which Plato would show by the above parable.

      It is, of course, that the stability of the Universe rests upon ordered motion—that the 'firmament' above, around, beneath, stands firm, continues firm, on a balance of active and tremendous forces somehow harmoniously composed. Theology asks 'by What?' or 'by Whom?' Philosophy inclines rather to ask 'How?' Natural Science, allowing that for the present these questions are probably unanswerable, contents itself with mapping and measuring what it can of the various forces. But all agree about the harmony; and when a Galileo or a Newton discovers a single rule of it for us, he but makes our assurance surer. For uncounted centuries before ever hearing of Gravitation men knew of the sun that he rose and set, of the moon that she waxed and waned, of the tides that they flowed and ebbed, all regularly, at times to be predicted; of the stars that they swung as by clockwork around the pole. Says the son of Sirach:

      At the word of the Holy One they will stand in due order,

       And they will not faint in their watches.

      So evident is this calculated harmony that men, seeking to interpret it by what was most harmonious in themselves or in their human experience, supposed an actual Music of the Spheres inaudible to mortals: Plato as we see (who learned of Pythagoras) inventing his Octave of Sirens, perched on the whorls of the great spindle and intoning as they spin.

      Dante (Chaucer copying him in "The Parlement of Fowls") makes the spheres nine: and so does Milton:

      then listen I

       To the celestial Sirens harmony, That sit upon the nine infolded Sphears, And sing to those that hold the vital shears, And turn the Adamantine spindle round On which the fate of gods and men is wound. Such sweet compulsion doth in musick lie To lull the daughters of Necessity, And keep unsteady Nature to her law, And the low world in measur'd motion draw After the heavenly tune. …

      If the sceptical mind object to the word law as begging the question and postulating a governing intelligence with a governing will—if it tell me that when revolted Lucifer uprose in starlight—

      and at the stars,

       Which are the brain of heaven, he look'd, and sank.

       Around the ancient track march'd, rank on rank,

       The army of unalterable law—

      he was merely witnessing a series of predictable or invariable recurrences, I answer that he may be right, it suffices for my argument that they are recurrent, are invariable, can be predicted. Anyhow the Universe is not Chaos (if it were, by the way, we should be unable to reason about it at all). It stands and is renewed upon a harmony: and what Plato called 'Necessity' is the Duty—compulsory or free as you or I can conceive it—the Duty of all created things to obey that harmony, the Duty of which Wordsworth tells in his noble Ode.

      Thou dost preserve the stars from wrong:

       And the most ancient heavens, through Thee, are fresh and

       strong.

      III

      Now the other and second great belief is, that the Universe, the macrocosm, cannot be apprehended at all except as its rays converge upon the eye, brain, soul of Man, the microcosm: on you, on me, on the tiny percipient centre upon which the immense cosmic circle focuses itself as the sun upon a burning-glass—and he is not shrivelled up! Other creatures, he notes, share in his sensations; but, so far as he can discover, not in his percipience—or not in any degree worth measuring. So far as he can discover, he is not only a bewildered actor in the great pageant but 'the ring enclosing all,' the sole intelligent spectator. Wonder of wonders, it is all meant for him!

      I doubt if, among men of our nation, this truth was ever more clearly grasped than by the Cambridge Platonists who taught your forerunners of the 17th century. But I will quote you here two short passages from the work of a sort of poor relation of theirs, a humble Welsh parson of that time, Thomas Traherne—unknown until the day

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