On The Art of Reading. Arthur Quiller-Couch

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gave you one sentence in my first lecture. He is speaking of the fields and streets that were the scene of his childhood:

      Those pure and virgin apprehensions I had from the womb, and that divine light wherewith I was born are the best unto this day, wherein I can see the Universe. … The corn was orient and immortal wheat, which never should be reaped, nor was ever sown. I thought it had stood from everlasting to everlasting. The dust and stones of the street were as precious as gold: the gates were at first the end of the world. The green trees when I saw them first through one of the gates transported and ravished me. … Boys and girls tumbling in the street, and playing, were moving jewels. I knew not that they were born or should die. …

      The streets were mine, the temple was mine, the people were mine, their clothes and gold and silver were mine, as much as their sparkling eyes, fair skins and ruddy faces. The skies were mine, and so were the sun and moon and stars; and all the World was mine; and I the only spectator and enjoyer of it.

      Then:

      News from a foreign country came,

       As if my treasure and my wealth lay there;

       So much it did my heart inflame,

       'Twas wont to call my Soul into mine ear;

       Which thither went to meet

       The approaching sweet,

       And on the threshold stood

       To entertain the unknown Good. …

      What sacred instinct did inspire

       My Soul in childhood with a hope to strong?

       What secret force moved my desire

       To expect new joys beyond the seas, so young?

       Felicity I knew

       Was out of view,

      And being here alone,

       I saw that happiness was gone

       From me! For this

       I thirsted absent bliss,

       And thought that sure beyond the seas,

       Or else in something near at hand—

       I knew not yet (since naught did please

       I knew) my Bliss did stand.

      But little did the infant dream

       That all the treasures of the world were by:

       And that himself was so the cream

       And crown of all which round about did lie.

       Yet thus it was: the Gem,

       The Diadem,

       The Ring enclosing all

       That stood upon this earthly ball,

       The Heavenly Eye,

       Much wider than the sky,

       Wherein they all included were,

       The glorious Soul, that was the King

       Made to possess them, did appear

       A small and little thing!

      And then comes the noble sentence of which I promised you that it should fall into its place:

      You never enjoy the world aright till the sea itself floweth in your veins, till you are clothed with the heavens and crowned with the stars.

      Man in short—you, I, any one of us—the heir of it all!

       Tot circa unum caput tumultuantes deos!

      Our best privilege to sing our short lives out in tune with the heavenly concert—and if to sing afterwards, then afterwards!

      IV

      But how shall Man ever attain to understand and find his proper place in this Universe, this great sweeping harmonious circle of which nevertheless he feels himself to be the diminutive focus? His senses are absurdly imperfect. His ear cannot catch any music the spheres make; and moreover there are probably neither spheres nor music. His eye is so dull an instrument that (as Blanco White's famous sonnet reminds us) he can neither see this world in the dark, nor glimpse any of the scores of others until it falls dark:

      If Light can thus deceive, wherefore not Life?

      Yet the Universal Harmony is meaningless and nothing to man save in so far as he apprehends it: and lacking him (so far as he knows) it utterly lacks the compliment of an audience. Is all the great orchestra designed for nothing but to please its Conductor? Yes, if you choose: but no, as I think. And here my other quotation:

      That all spirit is mutually attractive, as all matter is mutually attractive, is an ultimate fact. … Spirit to spirit—as in water face answereth to face, so the heart of man to man.

      Yes and, all spirit being mutually attractive, far more than this! I preach to you that, through help of eyes that are dim, of ears that are dull, by instinct of something yet undefined—call it soul—it wants no less a name—Man has a native impulse and attraction and yearning to merge himself in that harmony and be one with it: a spirit of adoption (as St. Paul says) whereby we cry Abba, Father!

      And because ye are Sons, God hath sent forth the Spirit of

       His Son into your hearts, crying Abba, Father.

      That is to say, we know we have something within us correspondent to the harmony, and (I make bold to say) unless we have deadened it with low desires, worthy to join in it. Even in his common daily life Man is for ever seeking after harmony, in avoidance of chaos: he cultivates habits by the clock, he forms committees, governments, hierarchies, laws, constitutions, by which (as he hopes) a system of society will work in tune. But these are childish imitations, underplay on the great motive:

      The Kingdom of God is within you.

      Quid aliud est anima quam Deus in corpore humano hospitans?

      V

      Gentlemen, you may be thinking that I have brought you a long way round, that the hour is wearing late, and that we are yet far from the prey we first hunted on the line of common-sense. But be patient for a minute or two, for almost we have our hand on the animal.

      If the Kingdom of God, or anything correspondent to it, be within us, even in such specks of dust as we separately are, why that, and that only, can be the light by which you or I may hope to read the Universal: that, and that only, deserves the name of 'What Is.' Nay, I can convince you in a moment. Let me recall a passage of Emerson quoted by me on the morning I first had the honour to address an audience in Cambridge:

      It is remarkable (says he) that involuntarily we always read as superior beings. Universal history, the poets, the romancers, do not in their stateliest pictures … anywhere make us feel

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