have done my best," she said. "I hope I have done right."
He scarcely understood what she meant, and his expression did not change.
"You could not do anything that was not right," he answered.
Perhaps such a being as Marcello would be an impossibility anywhere but in Italy. Modern life tears privacy to tatters, and privacy is the veil of the temple of home, within which every extreme of human development is possible, good and bad. Take privacy away and all the strangely compound fractions of humanity are soon reduced to a common denomination. In Italy life has more privacy than anywhere else west of Asia. The Englishman is fond of calling his home his castle, but it is a thoroughfare, a market-place, a club, a hotel, a glass house, compared with that of an average Italian. An Englishman goes home to escape restraint: an Italian goes out. But the northern man, who lives much in public, learns as a child to conceal what he feels, to be silent, to wear an indifferent look; whereas the man of the south, who hides nothing when the doors of his house are shut, can hide but little when he meets his enemy in the way. He laughs when he is pleased, and scowls when he is not, threatens when he is angry, and sheds tears when he is hurt, with a simplicity that too often excites the contempt of men accustomed to suffer or enjoy without moving a muscle.
Privacy favours the growth of individual types, differing widely from each other; the destruction of it makes people very much alike. Marcello's mother asked herself whether she had done well in rearing him as a being apart from those amongst whom he must spend his life.
And yet, as she looked at him, he seemed to be so nearly the ideal of which she had dreamt throughout long years of loving care that she was comforted, and the shadow passed away from her sweet face. He had answered that she could do nothing that was not right; she prayed that his words might be near the truth, and in her heart she was willing to believe that they were almost true. Had she not followed every good impulse of her own good heart? Had she not tried to realize literally for him the most beautiful possibilities of the Christian faith? That, at least, was true, and she could tell herself so without any mistaken pride. How, then, had she made any mistake? The boy had the face of a young saint.
"Are you ready, my dear?" she asked suddenly, as a far-off clock struck.
"Yes, mother, quite ready."
"I am not," she answered with a little laugh. "And Folco is waiting, and I hear the carriage driving up."
She slipped from Marcello's side and left the room quickly, for they were going to drive down to the sea, to a little shooting-lodge that belonged to them near Nettuno, a mere cottage among the trees by the Roman shore, habitable only in April and May, and useful only then, when the quail migrate along the coast and the malarious fever is not yet to be feared. It was there that Marcello had first learned to handle a gun, spending a week at a time there with his stepfather; and his mother used to come down now and then for a day or two on a visit, sometimes bringing her friend the Contessa dell' Armi. The latter had been very unhappy in her youth, and had been left a widow with one beautiful girl and a rather exiguous fortune. Some people thought that it was odd that the Signora Corbario, who was a saint if ever there was one, should have grown so fond of the Contessa, for the latter had seen stormy days in years gone by; and of course the ill-disposed gossips made up their minds that the Contessa was trying to catch Marcello for her daughter Aurora, though the child was barely seventeen.
This was mere gossip, for she was quite incapable of any such scheme. What the gossips did not know was something which would have interested them much more, namely, that the Contessa was the only person in Rome who distrusted Folco Corbario, and that she was in constant fear lest she should turn out to be right, and lest her friend's paradise should be suddenly changed into a purgatory. But she held her tongue, and her quiet face never betrayed her thoughts. She only watched, and noted from month to month certain small signs which seemed to prove her right; and she should be ready, whenever the time should come, by day or night, to help her friend, or comfort her, or fight for her.
If Corbario guessed that the Contessa did not trust him, he never showed it. He had found her installed as his wife's friend, and had accepted her, treating her with much courtesy and a sort of vicarious affection; but though he tried his best he could not succeed in reaching anything like intimacy with her, and while she seemed to conceal nothing, he felt that she was hiding her real self from him. Whether she did so out of pride, or distrust, or jealousy, he could never be sure. He was secretly irritated and humiliated by her power to oppose him and keep him at a distance without ever seeming to do so; but, on the other hand, he was very patient, very tenacious of his purpose, and very skilful. He knew something of the Contessa's past, but he recognised in her the nature that has known the world's worst side and has done with it for ever, and is lifted above it, and he knew the immense influence which the spectacle of a blameless life exercises upon the opinion of a good woman who has not always been blameless herself. Whatever he had been before he met his wife, whatever strange plans had been maturing in his brain since he had married her, his life had seemed as spotless from that day as the existence of the best man living. His wife believed in him, and the Contessa did not; but even she must in time accept the evidence of her senses. Then she, too, would trust him. Why it was essential that she should, he alone knew, unless he was merely piqued by her quiet reserve, as a child is when it cannot fix the attention of a grown-up person.
The Contessa and her daughter were to be of the party that day, and the carriage stopped where they lived, near the Forum of Trajan. They appeared almost directly, the Contessa in grey with a grey veil and Aurora dressed in a lighter shade, the thick plaits of her auburn hair tied up short below her round straw hat, on the theory that she was still a school-girl, whose skirt must not quite touch the ground, who ought not to wear a veil, and whose mind was supposed to be a sensitive blank, particularly apt to receive bad impressions rather than good ones. In less than a year she would be dancing all night with men she had scarcely heard of before, listening to compliments of which she had never dreamt—of course not—and to declarations which no right-minded girl one day under eighteen could under any circumstances be thought to expect. Such miracles as these are wrought by the eighteenth birthday.
Corbario's eyes looked from the mother to the daughter, as he and Marcello stood on the pavement to let them get in. The Contessa touched his outstretched hand without restraint but without cordiality, smiling just as much as was civil, and less readily than would have been friendly. Aurora glanced at him and laughed prettily without any apparent reason, which is the privilege of very young girls, because their minds are supposed to be a blank. Also because her skirt must not quite touch the ground, one very perfect black silk ankle was distinctly visible for a moment as she stepped into the carriage. Note that from the eve of her eighteenth birthday till she is old enough to be really wicked no well-regulated young woman shows her ankles. This also is one of the miracles of time.
Marcello blushed faintly as he sat down beside Aurora. There were now five in the big carriage, so that she was between the two men; and though there was enough room Marcello felt the slight pressure of her arm against his. His mother saw his colour change, and looked away and smiled. The idea of marrying the two in a few years had often crossed her mind, and she was pleased whenever she saw that Marcello felt a little thrill of emotion in the girl's presence. As for Aurora, she looked straight before her, between the heads of the two elder women, and for a long time after they had started she seemed absorbed in watching the receding walls of the city and the long straight road that led back to it. The Contessa and her friend talked quietly, happy to be together for a whole day. Corbario now and then looked from one to the other, as if to assure himself that they were quite comfortable, and his still face wore an unchanging look of contented calm as his eyes turned again to the sunlit sweep of the low Campagna. Marcello looked steadily away from Aurora, happily and yet almost painfully aware that her arm could not help pressing against his. The horses' hoofs beat rhythmically on the hard high road, with the steady, cheerful energy which would tell a blind man that a team is well fed, fresh from rest, and altogether fit for
