Whosoever Shall Offend. F. Marion Crawford

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Whosoever Shall Offend - F. Marion Crawford

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long day's work. The grey-haired coachman sat on his box like an old dragoon in the saddle; the young groom sat bolt upright beside him with folded arms, as if he could never tire of sitting straight. The whole party looked prosperous, harmonious, healthy, and perfectly happy, as if nothing in the least unpleasant could possibly happen to them, still less anything terrible, that could suddenly change all their lives.

      One of fate's favourite tricks is to make life look particularly gay and enjoyable, and full of sunshine and flowers, at the very moment when terror wakes from sleep and steps out of the shadow to stalk abroad.

      The cottage where the party were going to spend the next few days together was built like an Indian bungalow, consisting of a single story surrounded by a broad, covered verandah, and having a bit of lawn in front. It was sheltered by trees, and between it and the beach a bank of sand from ten to fifteen feet high ran along the shore, the work of the southwest gales during many ages. In many places this bank was covered with scrub and brushwood on the landward side.

      A little stream meandered down to the sea on the north side of the cottage, ending in a pool full of tall reeds, amongst which one could get about in a punt. The seashore itself is very shelving at that place, and there is a bar about a cable's length out, over which the sea breaks with a tremendous roar during westerly storms. Two hundred yards from the cottage, a large hut had been built for the men-servants and for the kitchen; near by it there was a rough coach-house and a stable with room for a dozen horses. The carriage usually went back to Rome on the day after every one had arrived, and was sent for when wanted; but there were a number of rough Campagna horses in the stable, such as are ridden by the cattle herders about Rome, tough little beasts of fairly good temper and up to a much heavier weight than might be guessed by a stranger in the country. In the morning the men of the party usually went shooting, if the wind was fair, for where quail are concerned much depends on that. Dinner was in the middle of the day, and every one was supposed to go to sleep after it. In the late afternoon the horses were saddled, and the whole party went for a gallop on the sands, or up to classic Ardea, or across the half-cultivated country, coming back to supper when it was dark. A particularly fat and quiet pony was kept for Marcello's mother, who was no great rider, but the Contessa and Aurora rode anything that was brought them, as the men did. To tell the truth, the Campagna horse is rarely vicious, and, even when only half broken, can be ridden by a lady if she be an average horsewoman.

      Everything happened as usual. The party reached the cottage in time for a late luncheon, rested afterwards, and then rode out. But the Signora Corbario would not go.

      "Your pony looks fatter and quieter than ever," said Maddalena dell' Armi with a smile. "If you do not ride him, he will turn into a fixture."

      "He is already a very solid piece of furniture," observed Folco, looking at the sleek animal.

      "He is very like the square piano I practise on," said Aurora. "He has such a flat back and such straight thick legs."

      "More like an organ," put in Marcello, gravely. "He has a curious, half-musical wheeze when he tries to move, like the organ in the church at San Domenico, when the bellows begin to work."

      "It is a shame to make fun of my horse," answered the Signora, smiling. "But really I am not afraid of him. I have a little headache from the drive, that is all."

      "Take some phenacetine," said Corbario with concern. "Let me make you quite comfortable before we start."

      He arranged a long straw chair for her in a sheltered corner of the verandah, with cushions and a rug and a small table beside it, on which Marcello placed a couple of new books that had been brought down. Then Folco went in and got a little glass bottle of tablets from his wife's travelling-bag and gave her one. She was subject to headaches and always had the medicine with her. It was the only remedy she ever carried or needed, and she had such confidence in it that she felt better almost as soon as she had swallowed the tablet her husband gave her.

      "Let me stay and read to you," he said. "Perhaps you would go to sleep."

      "You are not vain of your reading, my dear," she answered with a smile. "No, please go with the others."

      Then the Contessa offered to stay, and the good Signora had to use a good deal of persuasion to make them all understand that she would much rather be left alone. They mounted and rode away through the trees towards the beach, whence the sound of the small waves, breaking gently under the afternoon breeze, came echoing softly up to the cottage.

      The two young people rode in front, in silence; Corbario and the Contessa followed at a little distance.

      "How good you are to my wife!" Folco exclaimed presently, as they emerged upon the sand. "You are like a sister to her!"

      Maddalena glanced at him through her veil. She had small and classic features, rather hard and proud, and her eyes were of a dark violet colour, which is very unusual, especially in Italy. But she came from the north. Corbario could not see her expression, and she knew it.

      "You are good to her, too," she said presently, being anxious to be just. "You are very thoughtful and kind."

      Corbario thought it wiser to say nothing, and merely bent his head a little in acknowledgment of what he instinctively felt to be an admission on the part of a secret adversary. Maddalena had never said so much before.

      "If you were not, I should never forgive you," she added, thinking aloud.

      "I don't think you have quite forgiven me as it is," Folco answered more lightly.

      "For what?"

      "For marrying your best friend."

      The little speech was well spoken, so utterly without complaint, or rancour, or suggestion of earnestness, that the Contessa could only smile.

      "And yet you admit that I am not a bad husband," continued Folco. "Should you accept me, or, say, my exact counterpart, for Aurora, in a year or two?"

      "I doubt whether you have any exact counterpart," Maddalena answered, checking the sharp denial that rose to her lips.

      "Myself, then, just for the sake of argument?"

      "What an absurd question! Do you mind tightening the girth for me a little? My saddle is slipping."

      She drew rein, and he was obliged to submit to the check. As he dismounted he glanced at Aurora's graceful figure, a hundred yards ahead, and for one instant he drew his eyelids together with a very strange expression. He knew that the Contessa could not see his face.

      Marcello and Aurora had been companions since they were children, and just now they were talking familiarly of the place, which they had not seen since the previous year. All sorts of details struck them. Here, there was more sand than usual; there, a large piece of timber had been washed ashore in the winter gales; at another place there was a new sand-drift that had quite buried the scrub on the top of the bank; the keeper of the San Lorenzo tower had painted his shutters brown, though they had always been green; here was the spot where Aurora had tumbled off her pony when she was only twelve years old—so long ago! And here—they looked at each other and then quickly at the sea, for it was here that Marcello, in a fit of boyish admiration, had once suddenly kissed her cheek, telling her that she was perfectly beautiful. Even now, he blushed when he thought of it, and yet he longed to do it again, and wondered inwardly what would happen if he did.

      As for Aurora, though she looked at the sea for a moment, she seemed quite self-possessed. It is a strange thing that if a boy and

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