The Complete Works of Fyodor Dostoyevsky. Fyodor Dostoyevsky
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And such a life, a life of the imagination, a life absolutely estranged from everything surrounding me, actually lasted for three whole years!
This life was my secret, and at the end of three years I did not know whether to be afraid of its suddenly being discovered or not. All that I had lived through in those three years was too precious, too close to me. I was myself too closely reflected in all my imaginings, so much so that I might have been confused and frightened if any eye, no matter whose, had carelessly peeped into my soul. Moreover we all, the whole household, led such an isolated life, so remote from society, in such monastic stillness, that each one of us must have become self-concentrated and have developed a craving for seclusion. That was what happened to me. Nothing about me was changed during those three years, everything remained as before. Dreary monotony reigned as before among us, which, I believe, if I had not been distracted by my secret hidden life, would have been an agony to my soul and would have driven me into some unknown and perilous path to escape from that spiritless and dreary circle, a path that might, perhaps, have led to my ruin. Madame Leotard had grown older, and was almost always shut up in her room; the children were still too little; B. was always the same; and Alexandra Mihalovna’s husband was as austere, as unapproachable and as self-absorbed as ever. Between him and his wife there still persisted the same mysterious relation, which had begun to take a more and more grim and sinister aspect to my imagination. I felt more and more alarmed for Alexandra Mihalovna. Her joyless, colourless life was visibly wasting away before my eyes. Her health was growing weaker almost day by day. Despair, it seemed, had entered into her soul at last. She was obviously weighed down by something unknown, indefinite, of which she could not herself give an account — of something awful, though it was to her unintelligible; and she took it as an inevitable cross laid upon her life as a punishment. Her heart grew embittered at last in this mute anguish; even her intelligence took a different direction, dark and melancholy. One thing I observed struck me particularly: it seemed to me that, as I grew older, she held herself more aloof from me, so much so that her reserve with me took the form indeed of a sort of impatient annoyance. It even seemed to me, at some moments, that she did not like me; it seemed as though I were in her way. I have mentioned that I had purposely taken to holding myself aloof from her, and once apart from her I seemed as though I had caught the secretiveness of her character. That was how it was that all I passed through in those three years, all that was taking shape in my soul, in my dreams, in the knowledge I acquired, in my hopes and in my passionate transports — all was stubbornly kept to myself. Having once put up a screen between us we never came together again, though it seemed to me that I loved her more every day. I cannot recall without tears how devoted she was to me, and how deeply she felt in her heart the obligation to lavish upon me all the treasures of her love, and to keep her vow — to be a mother to me. It is true that her own sorrow often distracted her from me; for long intervals she seemed to forget me, the more readily as I tried not to remind her of my existence; so that my sixteenth year arrived and no one seemed aware of it. But in her moments of lucidity, when she took a clearer view of what was going on around her, Alexandra Mihalovna seemed suddenly to be troubled about me; she would impatiently send for me from my room, would shower questions upon me about my lessons and my pursuits, as it were testing me, examining me, would not part from me for days together, would divine all my yearnings, all my desires, evidently thinking anxiously of my age, of my present and my future, and with inexhaustible love, with a sort of reverence, making ready to come to my help. But she was too much out of touch with me, and hence sometimes set to work too naively, so that I could too easily understand and see through it. It happened, for instance, when I was sixteen that, after looking through my books and questioning me as to what I was reading, she seemed suddenly to take fright at finding that I had not yet got beyond the childish books suitable for a girl of twelve. I guessed what she was feeling, and watched her attentively. For a whole fortnight she seemed to be preparing me, trying me, trying to find out how far I was developed, and how much I needed. At last she made up her mind to begin, and Walter Scott’s Ivanhoe, which I had already perused at least three times, made its appearance on our table At first with timid expectation she kept watch on my impressions, seemed to be weighing them, as though she were apprehensive of them. At last this strained attitude between us, of which I was only too well aware, vanished; we both grew excited, and I felt so happy, so overjoyed that I could be open with her! By the time we finished the novel, she was delighted with me. Every observation I made during our reading was true, every impression was correct. In her eyes my development had made strides already. Impressed by this, delighted with me, she was gladly intending to undertake my education once more — she did not want to part from me again; but this was not in her power. Fate soon parted us, and prevented us from being close friends again. The first attack of illness, the first attack of her everlasting depression was enough to do this; and then followed again estrangements, reserves, mistrustfulness, and perhaps even exasperation.
Yet even at such periods there were moments when we were carried away. Reading, a few sympathetic words passing between us, music, and we forgot ourselves, spoke freely, spoke sometimes too freely, and afterwards felt ill at ease with each other. When we thought it over, we looked at each other as though we were frightened, with suspicious curiosity and with mistrustfulness. Each of us had a line up to which our intimacy could go, but which we did not dare to overstep even if we had wished.
One day in the evening, just as it was getting dusk, I was reading inattentively in Alexandra Mihalovna’s study. She was sitting at the piano, improvising variations on an Italian air which was a favourite of hers. When she passed at last to the tune itself, I was so carried away by the music that I began timidly in a low voice to hum the tune to myself.