Childe Harold's Pilgrimage (With Byron's Biography). Lord Byron
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137 [Compare the description of the thunderstorm in the Alps (Canto III. stanzas xcii.-xcvi., pp. 273-275); and Manfred, act ii. sc. 2—
"My joy was in the wilderness; to breathe
The difficult air of the iced mountain-top—
In them my early strength exulted; or
To follow through the night the moving moon,
The stars and their development; or catch
The dazzling lightnings till my eyes grew dim."
Beattie, who describes the experiences of his own boyhood in the person of Edwin in The Minstrel, had already made a like protestation—
"In sooth he was a strange and wayward youth.
Fond of each gentle and each dreadful scene.
In darkness and in storm he found delight;
Not less than when on ocean-wave serene
The Southern sun diffus'd his dazzling sheen;
Even sad vicissitude amus'd his soul."
Kirke White, too, who was almost Byron's contemporary, and whose verses he professed to admire—
"Would run a visionary boy
When the hoarse tempest shook the vaulted sky."
This love of Nature in her wilder aspects, which was perfectly genuine, and, indeed, meritorious, was felt to be out of the common, a note of the poetic temperament, worth recording, but unlikely to pass without questioning and remonstrance.]
138 [Alexander's mother, Olympias, was an Epiriote. She had a place in the original draft of Tennyson's Palace of Art (Life of Lord Tennyson,. 119)—
"One was Olympias; the floating snake
Roll'd round her ankles, round her waist
Knotted," etc.
Plutarch (Vitæ, Lipsiæ:, 1814, vi. 170) is responsible for the legend: Ὢφθη δέ ποτε καὶ δράκων κοιμωμένης τῆς Ὀλυμπιάδου παρεκτεταμένς τῷ σώματι, "Now, one day, when Olympias lay abed, beside her body a dragon was espied stretched out at full length." (Compare, too, Dryden's Alexander's Feast, stanza ii.)]
139 [Mr. Tozer (Childe Harold, p. 236) takes this line to mean "whom the young love to talk of, and the wise to follow as an example," and points to Alexander's foresight as a conqueror, and the "extension of commerce and civilization" which followed his victories. But, surely, the antithesis lies between Alexander the ideal of the young, and Alexander the deterrent example of the old. The phrase, "beacon of the wise," if Hector in Troilus and Cressida (act ii. sc. 2, line 16) is an authority, is proverbial.
" ... The wound of peace is surety,
Surety secure; but modest doubt is call'd
The beacon of the wise, the tent that searches
To the bottom of the worst."
The beauty, the brilliance, the glory of Alexander kindle the enthusiasm of the young; but the murder of Clytus and the early death which he brought upon himself are held up by the wise as beacon-lights to save others from shipwreck.]
140 [Byron and Hobhouse sailed for Malta in the brig-of-war Spider on Tuesday, September 19, 1809 (Byron, in a letter to his mother, November 12, says September 21), and anchored off Patras on the night of Sunday, the 24th. On Tuesday, the 26th, they were under way at 12 noon, and on the evening of that day they saw the sun set over Mesalonghi. The next morning, September 27, they were in the channel between Ithaca and the mainland, with Ithaca, then in the hands of the French, to the left. "We were close to it," says Hobhouse, "and saw a few shrubs on a brown heathy land, two little towns in the hills scattered among trees." The travellers made "but little progress this day," and, apparently, having redoubled Cape St. Andreas, the southern extremity of Ithaca, they sailed (September 28) through the channel between Ithaca and Cephalonia, passed the hill of Ætos, on which stood the so-called "Castle of Ulysses," whence Penelope may have "overlooked the wave," and caught sight of "the Lover's refuge" in the distance. Towards the close of the same day they doubled Cape Ducato ("Leucadia's cape," the scene of Sappho's leap), and, sailing under "the ancient mount," the site of the Temple of Apollo, anchored off Prevesa at seven in the evening. Poetry and prose are not always in accord. If, as Byron says, it was "an autumn's eve" when they hailed "Leucadia's cape afar," if the evening star shone over the rock when they approached it, they must have sailed fast to reach Prevesa, some thirty miles to the north, by seven o'clock. But de minimis, the Muse is as disregardful as the Law. And, perhaps, after all, it was Hobhouse who misread his log-book. (Travels in Albania, i. 4, 5; Murray's Handbook for Greece, pp. 40, 46.)]
141 [The meaning of this passage is not quite so obvious as it seems. He has in his mind the words, "He saved others, Himself He cannot save," and, applying this to Sappho, asks, "Why did she who conferred immortality on herself by her verse prove herself mortal?" Without Fame, and without verse the cause and keeper of Fame, there is no heaven, no immortality, for the sons of men. But what security is there for the eternity of verse and Fame? "Quis custodiet custodes?"]
142 [For Byron's "star" similes, see Canto III. stanza xxxviii. line 9.]
ew ——and looked askance on Mars.—[MS. erased.]
143 [Compare the line in Tennyson's song, Break, break, break, "And the stately ships go on."]
ex And roused him more from thought than he was wont While Pleasure almost seemed to smooth his pallid front.—[MS. D.] While Pleasure almost smiled along——.—[MS. erased.]
144 [By "Suli's rocks" Byron means the mountainous district in the south of the Epirus. The district of Suli formed itself into a small republic at the close of the last century, and offered a formidable resistance to Ali Pacha. "Pindus' inland peak," Monte Metsovo, which forms part of the ridge which divides Epirus from Thessaly, is not visible from the sea-coast.]
145 ["Shore unknown." (See Byron's note to stanza xxxviii. line 5.)]
ey ——lovely harmful thing.—[MS. pencil.]
146 [Compare