Saracinesca. F. Marion Crawford

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Saracinesca - F. Marion Crawford

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course—I had forgotten. I will tell you all about it," answered his father, cheerfully. So they chatted peacefully for another half-hour; and no one would have thought, in looking at them, that such fierce passions had been roused, nor that one of them felt as though his death-warrant had been signed. When they separated, Giovanni went to his own rooms, and locked himself in.

      He had assumed an air of calmness which was not real before he left his father. In truth he was violently agitated. He was as fiery as his father, but his passions were of greater strength and of longer duration; for his mother had been a Spaniard, and something of the melancholy of her country had entered into his soul, giving depth and durability to the hot Italian character he inherited from his father. Nor did the latter suspect the cause of his son's sudden change of tone in regard to the marriage. It was precisely the difference in temperament which made Giovanni incomprehensible to the old Prince.

      Giovanni had realised for more than a year past that he loved Corona d'Astrardente. Contrary to the custom of young men in his position, he determined from the first that he would never let her know it; and herein lay the key to all his actions. He had, as he thought, made a point of behaving to her on all occasions as he behaved to the other women he met in the world, and he believed that he had skilfully concealed his passion from the world and from the woman he loved. He had acted on all occasions with a circumspection which was not natural to him, and for which he undeniably deserved great credit. It had been a year of constant struggles, constant efforts at self-control, constant determination that, if possible, he would overcome his instincts. It was true that, when occasion offered, he had permitted himself the pleasure of talking to Corona d'Astrardente—talking, he well knew, upon the most general subjects, but finding at each interview some new point of sympathy. Never, he could honestly say, had he approached in that time the subject of love, nor even the equally dangerous topic of friendship, the discussion of which leads to so many ruinous experiments. He had never by look or word sought to interest the dark Duchessa in his doings nor in himself; he had talked of books, of politics, of social questions, but never of himself nor of herself. He had faithfully kept the promise he had made in his heart, that since he was so unfortunate as to love the wife of another—a woman of such nobility that even in Rome no breath had been breathed against her—he would keep his unfortunate passion to himself. Astrardente was old, almost decrepit, in spite of his magnificent wig; Corona was but two-and-twenty years of age. If ever her husband died, Giovanni would present himself before the world as her suitor; meanwhile he would do nothing to injure her self-respect nor to disturb her peace—he hardly flattered himself he could do that, for he loved her truly—and above all, he would do nothing to compromise the unsullied reputation she enjoyed. She might never love him; but he was strong and patient, and would do her the only honour it was in his power to do her, by waiting patiently.

      But Giovanni had not considered that he was the most conspicuous man in society; that there were many who watched his movements, in hopes he would come their way; that when he entered a room, many had noticed that, though he never went directly to Corona's side, he always looked first towards her, and never omitted to speak with her in the course of an evening. Keen observers, the jays of society who hover about the eagle's nest, had not failed to observe a look of annoyance on Giovanni's face when he did not succeed in being alone by Corona's side for at least a few minutes; and Del Ferice, who was a sort of news-carrier in Rome, had now and then hinted that Giovanni was in love. People had repeated his hints, as he intended they should, with the illuminating wit peculiar to tale-bearers, and the story had gone abroad accordingly. True, there was not a man in Rome bold enough to allude to the matter in Giovanni's presence, even if any one had seen any advantage in so doing; but such things do not remain hidden. His own father had told him in a fit of anger, and the blow had produced its effect.

      Giovanni sat down in a deep easy-chair in his own room, and thought over the situation. His first impulse had been to be furiously angry with his father; but the latter having instantly explained that there was nothing to be said against the Duchessa, Giovanni's anger against the Prince had turned against himself. It was bitter to think that all his self-denial, all his many and prolonged efforts to conceal his love, had been of no avail. He cursed his folly and imprudence, while wondering how it was possible that the story should have got abroad. He did not waver in his determination to hide his inclinations, to destroy the impression he had so unwillingly produced. The first means he found in his way seemed the best. To marry Donna Tullia at once, before the story of his affection for the Duchessa had gathered force, would, he thought, effectually shut the mouths of the gossips. From one point of view it was a noble thought, the determination to sacrifice himself wholly and for ever, rather than permit his name to be mentioned ever so innocently in connection with the woman he loved; to root out utterly his love for her by seriously engaging his faith to another, and keeping that engagement with all the strength of fidelity he knew himself to possess. He would save Corona from annoyance, and her name from the scandal-mongers; and if any one ever dared to mention the story—

      Giovanni rose to his feet and mechanically took a fencing-foil from the wall, as he often did for practice. If any one mentioned the story, he thought, he had the means to silence them, quickly and for ever. His eyes flashed suddenly at the idea of action—any action, even fighting, which might be distantly connected with Corona. Then he tossed down the rapier and threw himself into his chair, and sat quite still, staring at the trophies of armour upon the wall opposite.

      He could not do it. To wrong one woman for the sake of shielding another was not in his power. People might laugh at him and call him Quixotic, forsooth, because he would not do like every one else and make a marriage of convenience—of propriety. Propriety! when his heart was breaking within him; when every fibre of his strong frame quivered with the strain of passion; when his aching eyes saw only one face, and his ears echoed the words she had spoken that very afternoon! Propriety indeed! Propriety was good enough for cold-blooded dullards. Donna Tullia had done him no harm that he should marry her for propriety's sake, and make her life miserable for thirty, forty, fifty years. It would be propriety rather for him to go away, to bury himself in the ends of the earth, until he could forget Corona d'Astrardente, her splendid eyes, and her deep sweet voice.

      He had pledged his father his word that he would consider the marriage, and he was to give his answer before Easter. That was a long time yet. He would consider it; and if by Eastertide he had forgotten Corona, he would—he laughed aloud in his silent room, and the sound of his voice startled him from his reverie.

      Forget? Did such men as he forget? Other men did. What were they made of?

       They did not love such women, perhaps; that was the reason they forgot.

       Any one could forget poor Donna Tullia. And yet how was it possible to

       forget if one loved truly?

      Giovanni had never believed himself in love before. He had known one or two women who had attracted him strongly; but he had soon found out that he had no real sympathy with them, that though they amused him they had no charm for him—most of all, that he could not imagine himself tied to any one of them for life without conceiving the situation horrible in the extreme. To his independent nature the idea of such ties was repugnant: he knew himself too courteous to break through the civilities of life with a wife he did not love; but he knew also that in marrying a woman who was indifferent to him, he would be engaging to play a part for life in the most fearful of all plays—the part of a man who strives to bear bravely the galling of a chain he is too honourable to break.

      It was four o'clock in the morning when Giovanni went to bed; and even then he slept little, for his dreams were disturbed. Once he thought he stood upon a green lawn with a sword in his hand, and the blood upon its point, his opponent lying at his feet. Again, he thought he was alone in a vast drawing-room, and a dark woman came and spoke gently to him, saying, "Marry her for my sake." He awoke with a groan. The church clocks were striking eight, and the meet was at eleven, five miles beyond the Porta Pia. Giovanni started up and rang for his servant.

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