Saracinesca. F. Marion Crawford

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Saracinesca - F. Marion Crawford

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IV.

       Table of Contents

      It was a beautiful day, and half Rome turned out to see the meet, not because it was in any way different from other meets, but because it chanced that society had a fancy to attend it. Society is very like a fever patient in a delirium; it is rarely accountable for its actions; it scarcely ever knows what it is saying; and occasionally, without the least warning or premeditation, it leaps out of bed at an early hour of the morning and rushes frantically in pursuit of its last hallucination. The main difference is, that whereas a man in a fever has a nurse, society has none.

      On the present occasion every one had suddenly conceived the idea of going to the meet, and the long road beyond the Porta Pia was dotted for miles with equipages of every description, from the four-in-hand of Prince Valdarno to the humble donkey-cart of the caterer who sells messes of boiled beans, and bread and cheese, and salad to the grooms—an institution not connected in the English mind with hunting. One after another the vehicles rolled out along the road, past Sant' Agnese, down the hill and across the Ponte Nomentana, and far up beyond to a place where three roads met and there was a broad open stretch of wet, withered grass. Here the carriages turned in and ranged themselves side by side, as though they were pausing in the afternoon drive upon the Pincio, instead of being five miles out upon the broad Campagna.

      To describe the mountains to southward of Rome would be an insult to nature; to describe a meet would be an affront to civilised readers of the English language. The one is too familiar to everybody; the pretty crowd of men and women, dotted with pink and set off by the neutral colour of the winter fields; the hunters of all ages, and sizes, and breeds, led slowly up and down by the grooms; while from time to time some rider gets into the saddle and makes himself comfortable, assures himself of girth and stirrup, and of the proper disposal of the sandwich-box and sherry-flask, gives a final word of instruction to his groom, and then moves slowly off. A Roman meet is a little less business-like than the same thing elsewhere; there is a little more dawdling, a little more conversation when many ladies chance to have come to see the hounds throw off; otherwise it is not different from other meets. As for the Roman mountains, they are so totally unlike any other hills in the world, and so extremely beautiful in their own peculiar way, that to describe them would be an idle and a useless task, which could only serve to exhibit the vanity of the writer and the feebleness of his pen.

      Don Giovanni arrived early in spite of his sleepless night. He descended from his dogcart by the roadside, instead of driving into the field, and he took a careful survey of the carriages he saw before him. Conspicuous in the distance he distinguished Donna Tullia Mayer standing among a little crowd of men near Valdarno's drag. She was easily known by her dress, as Del Ferice had remarked on the previous evening. On this occasion she wore a costume in which the principal colours were green and yellow, an enormous hat, with feathers in the same proportion surmounting her head, and she carried a yellow parasol. She was a rather handsome woman of middle height, with unnaturally blond hair, and a fairly good complexion, which as yet she had wisely abstained from attempting to improve by artificial means; her eyes were blue, but uncertain in their glance—of the kind which do not inspire confidence; and her mouth was much admired, being small and red, with full lips. She was rapid in her movements, and she spoke in a loud voice, easily collecting people about her wherever there were any to collect. Her conversation was not brilliant, but it was so abundant that its noisy vivacity passed current for cleverness; she had a remarkably keen judgment of people, and a remarkably bad taste in her opinions of things artistic, from beauty in nature to beauty in dress, but she maintained her point of view obstinately, and admitted no contradiction. It was a singular circumstance that whereas many of her attributes were distinctly vulgar, she nevertheless had an indescribable air of good breeding, the strange inimitable stamp of social superiority which cannot be acquired by any known process of education. A person seeing her might be surprised at her loud talking, amused at her eccentricities of dress, and shocked at her bold manner, but no one would ever think of classing her anywhere save in what calls itself "the best society."

      Among the men who stood talking to Donna Tullia was the inevitable Del Ferice, a man of whom it might be said that he was never missed, because he was always present. Giovanni disliked Del Ferice without being able to define his aversion. He disliked generally men whom he suspected of duplicity; and he had no reason for supposing that truth, looking into her mirror, would have seen there the image of Ugo's fat pale face and colourless moustache. But if Ugo was a liar, he must have had a good memory, for he never got himself into trouble, and he had the reputation of being a useful member of society, an honour to which persons of doubtful veracity rarely attain. Giovanni, however, disliked him, and suspected him of many things; and although he had intended to go up to Donna Tullia, the sight of Del Ferice at her side very nearly prevented him. He strolled leisurely down the little slope, and as he neared the crowd, spoke to one or two acquaintances, mentally determining to avoid Madame Mayer, and to mount immediately. But he was disappointed in his intention. As he stood for a moment beside the carriage of the Marchesa Rocca, exchanging a few words with her, and looking with some interest at her daughter, the little Rocca girl whom his father had proposed as a possible wife for him, he forgot his proximity to the lady he wished to avoid; and when, a few seconds later, he proceeded in the direction of his horse, Madame Mayer stepped forward from the knot of her admirers and tapped him familiarly upon the shoulder with the handle of her parasol.

      "So you were not going to speak to me to-day?" she said rather roughly, after her manner.

      Giovanni turned sharply and faced her, bowing low. Donna Tullia laughed.

      "Is there anything so amazingly ridiculous in my appearance?" he asked.

      "Altro! when you make that tremendous salute—"

      "It was intended to convey an apology as well as a greeting," answered

       Don Giovanni, politely.

      "I would like more apology and less greeting."

      "I am ready to apologise—"

      "Humbly, without defending yourself," said Donna Tullia, beginning to walk slowly forward. Giovanni was obliged to follow her.

      "My defence is, nevertheless, a very good one," he said.

      "Well, if it is really good, I may listen to it; but you will not make me believe that you intended to behave properly."

      "I am in a very bad humour. I would not inflict my cross temper upon you; therefore I avoided you."

      Donna Tullia eyed him attentively. When she answered she drew in her small red lips with an air of annoyance.

      "You look as though you were in bad humour," she answered. "I am sorry I disturbed you. It is better to leave sleeping dogs alone, as the proverb says."

      "I have not snapped yet," said Giovanni. "I am not dangerous, I assure you."

      "Oh, I am not in the least afraid of you," replied his companion, with a little scorn. "Do not flatter yourself your little humours frighten me. I suppose you intend to follow?"

      "Yes," answered Saracinesca, shortly; he was beginning to weary of Donna

       Tullia's manner of taking him to task.

      "You had much better come with us, and leave the poor foxes alone.

       Valdarno is going to drive us round by the cross-roads to the Capannelle.

       We will have a picnic lunch, and be home before three o'clock."

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