not keep away from him terrified her still more. But most of all she dreaded that he might guess her secret.
"I don't know why you thought I minded your not—not talking to me during dinner," she faltered. "I was having a perfectly heavenly time with Peter Tappan."
"Do you mean that?" murmured Dysart. He could not help playing his part, even when it no longer interested him. To murmur was as natural to him as to breathe.
She looked up piteously. "I would rather have talked to you," she said. "Peter Tappan is only an overgrown boy. If you had really cared to talk to me—" She checked herself, flushing deeply.
O Lord! he thought, contemplating in the girl's lifted eyes the damage he had not really expected to do. For it had, as usual, surprised him to realise, too late, how dangerous it is to say too much, and look too long, and how easy it is to awaken hearts asleep.
Dancing was to be general before the cotillion. Sylvia would have given him as many dances as he asked for; he danced once with her as a great treat, resolving never to experiment any more with anybody. … True, it might have been amusing to see how far he could have interested the little Seagrave girl—but he would renounce that; he'd keep away from everybody.
But Dysart could no more avoid making eyes at anything in petticoats than he could help the tenderness of his own smile or the caressing cadence of his voice, or the subtle, indefinite something in him which irritated men but left few women indifferent and some greatly perturbed as he strolled along on his amusing journey through the world.
He was strolling on now, having managed to leave Sylvia planted; and presently, without taking any particular trouble to find Geraldine, discovered her eventually as the centre of a promising circle of men, very young men and very old men—nothing medium and desirable as yet.
For a while, amused, Dysart watched her at her first party. Clearly she was inexperienced; she let these men have their own way and their own say; she was not handling them skilfully; yet there seemed to be a charm about this young girl that detached man after man from the passing throng and added them to her circle—which had now become a half circle, completely cornering her.
Animated, shyly confident, brilliant-eyed, and flushed with the excitement of attracting so much attention, she was beginning to lose her head a little—just a little. Dysart noticed it in her nervous laughter; in a slight exaggeration of gesture with fan and flowers; in the quick movement of her restless little head, as though it were incumbent upon her to give to every man confronting her his own particular modicum of attention—which was not like a débutante, either; and Dysart realised that she was getting on.
So he sauntered up, breaking through the circle, and reminded Geraldine of a dance she had not promised him.
She knew she had not promised, but she was quite ready to give it—had already opened her lips to assent—when a young man, passing, swung around abruptly as though to speak to her, hesitating as Geraldine's glance encountered his without recognition.
But, as he started to move on, she suddenly knew him; and at the same moment Kathleen's admonition rang in her ears. Her own voice drowned it.
"Oh, Duane!" she exclaimed, stretching out her hand across Dysart's line of advance.
"You are Geraldine Seagrave, are you not?" he asked smilingly, retaining her hand in such a manner as practically to compel her to step past Dysart toward him.
"Of course I am. You might have known me had you been amiable enough to appear at my coming out."
He laughed easily, still retaining her hand and looking down at her from his inch or two of advantage. Then he casually inspected Dysart, who, not at all pleased, returned his gaze with a careless unconcern verging on offence. Few men cared for Dysart on first inspection—or on later acquaintance; Mallett was no exception.
Geraldine said, with smiling constraint:
"It has been so very jolly to see you again." And withdrew her hand, adding: "I hope—some time——"
"Won't you let me talk to you now for a moment or two? You are not going to dismiss me with that sort of come-back—after all these years—are you?"
He seemed so serious about it that the girl coloured up.
"I—that is, Mr. Dysart was going to—to—" She turned and looked at Dysart, who remained planted where she had left him, exceedingly wroth at experiencing the sort of casual treatment he had so often meted out to others. His expression was peevish. Geraldine, confused, began hurriedly:
"I thought Mr. Dysart meant to ask me to dance."
"Meant to?" interrupted Mallett, laughing; "I mean to ask for this dance, and I do."
Once more she turned and encountered Dysart's darkening gaze, hesitated, then with a nervous, gay little gesture to him, partly promise, partly adieu, she took Mallett's arm.
It was the first glimmer of coquetry she had ever deliberately displayed; and at the same instant she became aware that something new had been suddenly awakened in her—something which stole like a glow through her veins, exciting her with its novelty.
"Do you know," she said, "that you have taken me forcibly away from an exceedingly nice man?"
"I don't care."
"Oh—but might I not at least have been consulted?"
"Didn't you want to come?" he asked, stopping short. There was something overbearing in his voice and his straight, unwavering gaze.
She didn't know how to take it, how to meet it. Voice and manner required some proper response which seemed to be beyond her experience.
She did not answer; but a slight pressure of her bare arm set him in motion again.
The phenomenon interested her; to see what control over this abrupt young man she really had she ventured a very slight retrograde arm-pressure, then a delicate touch to right, to left, and forward once more. It was most interesting; he backed up, guided right and left, and started forward or halted under perfect control. What had she been afraid of in him? She ventured to glance around, and, encountering a warmly personal interest in his gaze, instantly assumed that cold, blank, virginal mask which the majority of young girls discard at her age.
However, her long-checked growth in the arts of womanhood had already recommenced. She had been growing fast, feverishly, and was just now passing that period where the desire for masculine admiration innocently rules all else, but where the discovery of it chills and constrains.
She passed it at that moment. The next time their glances met she smiled a little. A new epoch in her life had begun.
"Where are you taking me?" she asked. "Are we not going to dance?"
"I thought we might sit out a dance or two in the conservatory—one or two——"
"One," she said decidedly. "Here are some palms. Why not sit here?"
There were a number of people about; she saw them, too, noted his hesitation, understood it.
"We'll sit here," she said, and stood smilingly regarding him while he lugged up two chairs to the most retired corner.
Slowly
