as it almost always is two hours after a snowstorm in spring. The sky was vibrating with the light of innumerable stars, as if a breath of summer in the immensity of space had lighted up the heavenly bodies and set them twinkling. The sidewalks were gray and dry again, while in the roadway pools of water reflected the light of the gas-lamps.
Lamarthe said: “What a fortunate man he is, that Prédolé! He lives only for one thing, his art; thinks but of that, loves but that; it occupies all his being; consoles and cheers him, and affords him a life of happiness and comfort. He is really a great artist of the old stock. Ah! he doesn’t let women trouble his head, not much, our women of to-day with their frills and furbelows and fantastic disguises! Did you remark how little attention he paid to our two pretty dames? And yet they were rather seductive. But what he is looking for is the plastic — the plastic pure and simple; he has no use for the artificial. It is true that our divine hostess put him down in her books as an insupportable fool. In her estimation a bust by Houdon, Tanagra statuettes, and an inkstand by Cellini are but so many unconsidered trifles that go to the adornment and the rich and natural setting of a masterpiece, which is Herself; she and her dress, for dress is part and parcel of Herself; it is the fresh accentuation that she places on her beauty day by day. What a trivial, personal thing is woman!”
He stopped and gave the sidewalk a great thump with his cane, so that the noise resounded through the quiet street, then he went on.
“They have a very clear and exact perception of what adds to their attractions: the toilette and the ornaments in which there is an entire change of fashion every ten years; but they are heedless of that attribute which involves rare and constant power of selection, which demands from them keen and delicate artistic penetration and a purely aesthetic exercise of their senses. Their senses, moreover, are extremely rudimentary, incapable of high development, inaccessible to whatever does not touch directly the feminine egotism that absorbs everything in them. Their acuteness is the stratagem of the savage, of the red Indian; of war and ambush. They are even almost incapable of enjoying the material pleasures of the lower order, which require a physical education and the intelligent exercise of an organ, such as good living. When, as they do in exceptional cases, they come to have some respect for decent cookery, they still remain incapable of appreciating our great wines, which speak to masculine palates only, for wine does speak.”
He again thumped the pavement with his cane, accenting his last dictum and punctuating the sentence, and continued.
“It won’t do, however, to expect too much from them, but this want of taste and appreciation that so frequently clouds their intellectual vision when higher considerations are at stake often serves to blind them still more when our interests are in question. A man may have heart, feeling, intelligence, exceptional merits, and qualities of all kinds, they will all be unavailing to secure their favor as in bygone days when a man was valued for his worth and his courage. The women of to-day are actresses, second-rate actresses at that, who are merely playing for effect a part that has been handed down to them and in which they have no belief. They have to have actors of the same stamp to act up to them and lie through the rôle just as they do; and these actors are the coxcombs that we see hanging around them; from the fashionable world, or elsewhere.”
They walked along in silence for a few moments, side by side. Mariolle had listened attentively to the words of his companion, repeating them in his mind and approving of his sentiments under the influence of his sorrow. He was aware also that a sort of Italian adventurer who was then in Paris giving lessons in swordsmanship, Prince Epilati by name, a gentleman of the fencing-schools, of considerable celebrity for his elegance and graceful vigor that he was in the habit of exhibiting in black-silk tights before the upper ten and the select few of the demimonde, was just then in full enjoyment of the attentions and coquetries of the pretty little Baronne de Frémines.
As Lamarthe said nothing further, he remarked to him:
“It is all our own fault; we make our selections badly; there are other women besides those.”
The novelist replied: “The only ones now that are capable of real attachment are the shopgirls and some sentimental little bourgeoises, poor and unhappily married. I have before now carried consolation to one of those distressed souls. They are overflowing with sentiment, but such cheap, vulgar sentiment that to exchange ours against it is like throwing your money to a beggar. Now I assert that in our young, wealthy society, where the women feel no needs and no desires, where all that they require is some mild distraction to enable them to kill time, and where the men regulate their pleasures as scrupulously as they regulate their daily labors, I assert that under such conditions the old natural attraction, charming and powerful as it was, that used to bring the sexes toward each other, has disappeared.”
“You are right,” Mariolle murmured.
He felt an increasing desire to fly, to put a’ great distance between himself and these people, these puppets who in their empty idleness mimicked the beautiful, impassioned, and tender life of other days and were incapable of savoring its lost delights.
“Good night,” he said; “I am going to bed.” He went home and seated himself at his table and wrote:
“Farewell, Madame. Do you remember my first letter? In it too I said farewell, but I did not go. What a mistake that was!
When you receive this I shall have left Paris; need I tell you why? Men like me ought never to meet with women like you. Were I an artist and were my emotions capable of expression in such manner as to afford me consolation, you would have perhaps inspired me with talent, but I am only a poor fellow who was so unfortunate as to be seized with love for you, and with it its accompanying bitter, unendurable sorrow.
“When I met you for the first time I could not have deemed myself capable of feeling and suffering as I have done. Another in your place would have filled my heart with divine joy in bidding it wake and live, but you could do nothing but torture it. It was not your fault, I know; I reproach you with nothing and I bear you no hard feeling; I have not even the right to send you these lines. Pardon me. You are so constituted that you cannot feel as I feel; you cannot even divine what passes in my breast when I am with you, when you speak to me and I look on you.
“Yes, I know; you have accepted me and offered me a rational and tranquil happiness, for which I ought to thank you on my knees all my life long, but I will not have it. Ah, what a horrible, agonizing love is that which is constantly craving a tender word, a warm caress, without ever receiving them! My heart is empty, empty as the stomach of a beggar who has long followed your carriage with outstretched hand and to whom you have thrown out pretty toys, but no bread. It was bread, it was love, that I hungered for. I am about to go away wretched and in need, in sore need of your love, a few crumbs of which would have saved me. I have nothing left in the world but a cruel memory that clings and will not leave me, and that I must try to kill.
“Adieu, Madame. Thanks, and pardon me. I love you still, this evening, with all the strength of my soul. Adieu.
“ANDRE MARIOLLE.”
French
XI
THE city lay basking in the brightness of a sunny morning. Mariolle climbed into the carriage that stood waiting at his door with a traveling bag and two trunks on top. He had made his valet the night before pack the linen and other necessaries for a long absence, and now he was going away, leaving as his temporary address Fontainebleau post-office. He was taking no one with him, it being his wish to see no face that might remind
