The End of Love. Eva Illouz

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make explicit the nature of emotional modernity, viewing intimacy as the ultimate expression of individuals’ freedom, of his or her progressive unmooring from older frames of religion, tradition, and from marriage as a framework for economic survival.16 For Giddens, individuals have the resources to shape from within themselves the capacity to be autonomous and intimate at once. The price to be paid for this, according to him, is a state of “ontological insecurity,” a permanent anxiety. But on the whole his much-discussed concept of “pure relationship” was a descriptive and normative endorsement of modernity, since it suggested that intimacy enacted the core values of the modern liberal subject as being aware of her and his rights, able to implement these rights, most notably in the capacity to enter and exit close relationships at will through an implicit contract. For Giddens the subject entering the pure relationship is free, knowledgeable about his or her needs, and able to negotiate with another on such needs. The pure relationship was the liberal social contract writ large. In a resonant vein, for Axel Honneth (and Hegel before him), freedom comes to its realization through a relationship to another.17 Freedom is thus the normative ground for love and the family, with the family becoming the very expression of freedom realized in a caring unit. Thus, both Giddens and Honneth complexify the traditional model of liberalism in which the self views the other as an obstacle to one’s freedom: for both thinkers the free self comes to its full realization through love and intimate relationships.

      But as this book is set to show, this model of freedom raises new questions. Intimacy is no longer—if it ever was—a process of two fully aware subjects entering a contract the terms of which they both know and agree on. Rather, the very possibility of drawing a contract, of knowing its terms, of knowing and agreeing on the procedures to enforce it has become distressingly elusive. For a contract to be entered into, there must be an agreement on its terms; it presupposes a clearly defined will, aware of what it wants; it entails a procedure to enter into an agreement, and a penalty in case one of the two signatories defaults. Finally, by definition, a contract includes clauses against surprises. These conditions for contract-based relationships are hardly present in contemporary relationships.

      The institutionalization of sexual freedom via consumer culture and technology has had an opposite effect: it has made the substance, frame, and goal of sexual and emotional contracts fundamentally uncertain, up for grabs, incessantly contested, making the metaphor of contract highly inadequate to grasp what I call the negative structure of contemporary relationships—the fact that actors do not know how to define, evaluate, or conduct the relationship they enter into according to predictable and stable social scripts. Sexual and emotional freedom have made the very possibility of defining the terms of a relationship into an open-ended question and a problem, at once psychological and sociological. Not contractual logic but a generalized, chronic and structural uncertainty now presides over the formation of sexual or romantic relations. While we have commonly assumed that sexual and emotional freedoms mirror each other, that they sustain and reflect each other, this book casts a doubt on this assumption and begs to suggest that emotional and sexual freedom follow different institutional and sociological paths. Sexual freedom is nowadays a realm of interaction where “things run smoothly”: actors dispose of a large abundance of technological resources and cultural scripts and images to guide their behavior, to find pleasure in an interaction, and to define the boundaries of the interaction. Emotions, however, have become the plane of social experience that “poses a problem,” a realm where confusion, uncertainty, and even chaos reign.

      Such inquiry is bound to generate unease or resistance from a number of intellectual quarters. The first comes from sexual libertarians for whom to criticize (sexual) freedom is tantamount to being in a “reactionary phase of hysterical moralism and prudery”—to quote Camille Paglia’s stern condemnation.18 However, this position is itself equivalent to the claim that a critique of economic freedom and deregulation is a return to a hysterical desire to build kolkhozes. The critique of freedom has been the prerogative of conservatives as much as of emancipatory scholars and nothing about it calls for a return to moral prudery, shaming, and double standard. The critical examination of the current state of emotional and sexual freedom is in fact a return to the core questions of classical sociology: What is the fault line between freedom and anomie?19 When does freedom end and amoral chaos start? In that sense, my inquiry about the social and emotional impact of sexual freedom here marks a return to the core of Durkheim’s questions on social order and anomie: I interrogate how the intrusion of capitalism in the private sphere has transformed and disrupted core normative principles of that sphere.

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