The End of Love. Eva Illouz

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hijacked or distorted by economic and technological forces that conflict with emotional ideals and norms held as essential for love. If this work is traversed by an implicit norm, it is that love (in all its forms) remains the most meaningful way to form social relationships.

      A final possible objection to my query has to do with the looming presence of the work of Michel Foucault in the human and social sciences. His Discipline and Punish,26 has been widely influential, spreading the suspicion that democratic freedom was a ploy to mask the processes of surveillance and disciplining entailed by new forms of knowledge and control of human beings. Sociologists devoted their attention to surveillance and viewed, à la Foucault, freedom as a liberal illusion, undergirded by a powerful system of discipline and control. In that sense, freedom as such was a less interesting object of study than the illusion of subjectivity that freedom creates. Yet, at the end of his life, in his Cours at the Collège de France, Foucault increasingly paid attention to the relationship between freedom and governmentality, that is, to the ways in which the idea of freedom in the market had redefined, in his words, a field of action.27 My book subscribes to the late work of Foucault from the standpoint of a cultural sociology of emotions.28 It views freedom as indeed a restructuring of a field of action, as the most powerful and widespread cultural frame organizing the sense of morality, conception of education and relationships, the fundaments of our law, visions and practices of gender, and, more broadly, the basic definition of selfhood of modern people. For a sociologist of culture, freedom is not a moral and political ideal upheld by courts, but represents an enduring, deep, and widespread cultural frame organizing modern people’s self-definition and relationship to others. As a value relentlessly harbored by individuals and institutions, it orients a myriad of cultural practices, the most salient of which is perhaps that of sexual subjectivity defined as “a person’s experience of herself as a sexual being, who feels entitled to sexual pleasure and sexual safety, who makes active sexual choices, and who has an identity as a sexual being.”29 Where Foucault debunked sexuality as a modern practice of self-emancipation ironically perpetuating the Christian cultural obsession with sex, I focus on another question: how does sexual freedom, expressed in consumer and technological practices, reshape the perception and practice of romantic relations, at their beginning, in their formation, and during shared domestic life?

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