Spanish Highways and Byways. Katharine Lee Bates
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The oblong Plaza de la Constitución, the scene in days gone by of many a tournament, auto de fe, and bull-fight, is bounded on one side by the ornate Renaissance façade of the city hall, and on the other, in part, by the plain front of the court-house, before which criminals used to be done to death. Private dwellings, with their tiers of balconies, one of which had fallen to our happy lot, cross the wider end of the plaza, while the other opens into the brilliant street of Las Sierpes, too narrow for carriages, but boasting the gayest shop windows and merriest cafés of all the town.
The plaza, always animated, fairly rippled with excitement this Palm Sunday afternoon. The grand stand, erected in front of the city hall, was filled, although many of the camp-chairs and benches placed in thick-set rows on the farther side of the line of march were not yet rented. Thursday and Friday are the days that draw the multitudes. The crowd was bright with uniforms, most conspicuous being the spruce white-edged, three-cornered hats and dark-blue, red-faced coats of the civil guard. Venders of peanuts, peanut candy, macaroons, caramels, and all manner of dulces swung their baskets from one sweet-toothed Spaniard to another, while wisely the water-seller went in their wake, with the artistic yellow jar over his shoulder. One young pedler was doing a flourishing business in crabs, the customers receiving these delicacies in outstretched pocket handkerchiefs.
Busy as our eyes were kept, we were able to lend ear to the explanations of our Spanish friends, who told us that the church dignitaries, after the procession of palms, took no official part in the shows of Passion Week, although many of the clergy belonged, as individuals, to the religious brotherhoods concerned. The church reserves its street displays for Corpus Christi. These brotherhoods, societies of ancient origin, and connected with some church or chapel, own dramatic properties often of great intrinsic value and considerable antiquity.
For days before Holy Week one may see the members busy in the churches at the task of arranging groups of sacred figures, vested as richly as possible in garments of silk and velvet, with ornaments of jewels and gold, on platforms so heavy that twenty-five men, at the least, are needed to carry each. These litters are escorted through the principal streets and squares of the city by their respective societies, each brotherhood having its distinctive dress. It is customary for every cofradia to present two pageants – the first in honor of Christ; the second, and more important, in honor of Mary, to whom chivalrous Spain has always rendered supreme homage; but sometimes the two tableaux are combined into one.
After long watching and waiting we saw, far down Las Sierpes, the coming of the first procession. A line of police marched in advance to clear the road. Then appeared a loosely ordered company of fantastic figures in blue capes and blue peaked caps, absurdly high and reaching down to the shoulder, with holes cut for the eyes. From beneath the capes flowed white frocks, and the gloves and sandals were white. These "Nazarenes," who looked like a survival of the Carnival, conducted in silence a litter upon which was erected an image of the crucified Christ, with face uplifted as if in prayer.
The pageant halted before the doors of the city hall to greet the Alcalde, who rose from his red velvet chair and bared his head. Men uncovered, and people stood all along the route, but acclamations were reserved for Our Lady of the Star. Her attendant troop was dressed like the preceding, with a star embroidered in white on the shoulder of the blue tunic. Her litter was ablaze with candles and laden with flowers; her outsweeping train was upborne by four little pages, and a brass band followed her with unceasing music.
Sunset colors were in the sky before the procession of the second brotherhood arrived. At last, far down the Sierpes, the dusk was dotted with the gleam of many tapers, and above these, most impressive in the dim distance, glimmered a white figure high upon the cross. As the pageant drew near, waves of incense rolled out upon the air. The crash of trumpets and deep boom of drums announced that Our Lady of the Angels was advancing upon the same platform with her Son, for music in these Passion Week processions is always a sign of the presence of the Virgin. The brothers of this retinue wore black, save that their peaked caps were purple.
As twilight gathered, a company of strange dark shapes bore past in solemn hush the Most Holy Christ of the Waters. The Saviour hung upon the cross, an angel receiving in a golden cup the blood from his wounded side. Then her great banner of white and blue heralded the approach of Our Lady of the Utter Grief, who passed with her accustomed pomp of lights and music, holding to her eyes a handkerchief said to be of the most exquisite lace.
Night had fallen when, at eight o'clock, a maid left on vigil called us all from the dinner table to see the beautiful procession of white-robed figures conducting Our Father Jesus of the Silence. The figure of Christ, resplendent in gold and purple, stood before Herod, whose mail-clad soldiers guarded the prisoner. The Roman costumes were so well copied, and all the postures and groupings so startlingly natural, that vivas went up all along the crowded square. As the banner of the Virgin saluted the Alcalde, her attendants let fall their long white trains, which swept out quite six yards behind, reaching from one brother to the next and yielding a wonderfully fine effect in the slow march. Our Lady of the Bitterness, toward whom leaned the tender look of St. John, was robed in superb brocade, so precious that her train, which stood stiffly out behind, was guarded by a soldier with drawn sword.
This closed the ceremonies of Palm Sunday, and the throng, catching one from another the blithe, sweet Andalusian melodies, went singing softly through the darkness on their various ways.
After Palm Sunday a secular quiet fell upon Seville, not broken until Wednesday. At five o'clock this March afternoon it was still so hot that few people were rash enough to move about without the shelter of parasols. Sevillian priests, sombre-robed as they were, sauntered cheerily across the plaza under sunshades of the gayest hues, orange, green, azure, red, and usually all at once, but the shamefaced Englishmen flapped up broad umbrellas of an uncompromising black. There was a breezy flutter of fans on the grand stand, the water-sellers had to fill their jars again and again, and the multitude of smokers, puffing at their paper cigarettes to cool themselves, really brought on a premature twilight.
It was nearly seven before a score of gendarmes, marching abreast, cleared the way for the procession. Then appeared, in the usual guise, some twenty feet apart, two files of those strange shapes, with high, peaked caps, whose visors descended to the breast, slowly advancing, with an interval of about six feet from man to man. Their caps and frocks were black, but the long capes glowed a vivid red. They carried the customary lighted tapers, so tall that, when rested on the ground, they reach to the shoulder. Midway between the files walked a cross-bearer, followed by a Nazarene, who uplifted the standard of St. Andrew's Cross in red on a black ground. Bearers of other insignia of the order preceded the great litter, on which, under a golden palm tree, was represented by life-size effigies the arrest of Christ among His Disciples, St. Andrew having the foremost place. The second pageant presented by this brotherhood was accompanied by bevies of white-robed boys swinging censers and chanting anthems. Then came, in effulgence of light, the Most Holy Virgin, escorted, as if she were the earthly Queen of Spain, by a detachment of the Civil Guard, whose white trimmings and gold belts gleamed in the candle rays.
The remaining three cofradias that had part in the Wednesday ceremonies exhibited but one pageant each. A troop in black and gold conducted a Calvary, with Mary Mother and Mary Magdalene both kneeling at the foot of the cross, robed in the richest velvet. Figures in white, with stripes of red, came after, with a yet more costly Calvary. The well-carved crucifix rose from a gilded mound, and Our Mother of Healing wore a gold crown of exceeding price. But the third Calvary, all wrought in black and gold, the colors of the brotherhood, which were repeated in standard and costume, won the plaudits of the evening. Here Longinus, the Roman centurion, mounted on a spirited horse, was in the act of piercing with his lance the Saviour's side. Amid vivas and bravos this Passion picture passed, like its predecessors, in clouds of incense and peals of solemn music.
On Thursday the wearing of black was almost universal. We rummaged