straps for some poor equivalent of the Spanish black silks and black mantillas. The Civil Guard was more superb than ever in full-dress uniform, with red vests and white trousers. No sound of wheels was suffered within the city limits, and late arrivals had to commit their luggage to a porter and follow him on foot.
At three o'clock, in the Sagrario of the cathedral, the archbishop washed the feet of thirteen old paupers, who sat in two confronting rows, looking neat as wax and happy as honey, each dressed in a brand-new suit, with a long-fringed damask towel over his shoulder. Their old blood had been warmed by the archbishop's own wine, for they had just come from luncheon in the ecclesiastical palace, where they had been served by the highest dignitaries of the church and the proudest nobles of the city. The function of foot washing was not taken too seriously. The fat canons smiled good-humoredly on their archbishop, as his group of attendants lowered him to his knees and lifted him again before every old man in turn, and the acolytes nudged one another with boyish mirth over the rheumatic, embarrassed efforts of the beneficiaries to put on their stockings.
A Franciscan friar mounted the pulpit, however, and turned the congregation, thickly sprinkled with English visitors, serious enough by a succinct and fiery sermon, saying, in a nutshell, that love is the glory of the religious life, but is the fruit only of Catholicism, for nowhere, though one searches the world over, can there be found a work of mercy – hospital, asylum, endowed school, charity of any sort or kind – due to Protestantism. And the old paupers, glancing down at their new suits and feeling the glow of their banquet, were glad to the tips of their purified toes that their lots had been cast in Catholic Spain.
By six o'clock the squares and streets along the processional route were thronged again, although our Spanish friends assured us that the numbers were less than usual. The war feeling kept the Americans and, to some extent, the English away, while many of the Spanish of the provinces, who were accustomed to take their annual outing in Seville during the Semana Santa, were held at home this year by poverty or mourning.
The first two pageants of the afternoon, those of the bull-fighters and the cigarette-makers, were awaited with especial eagerness. For these Seville brotherhoods, more than thirty in all, still maintain something of the mediæval structure of the guilds. Just as in England and France, from the eleventh to the fifteenth century, or thereabouts, organized companies of craftsmen used to present in Passion Week successive scenes from the life of Christ, these Spanish cofradias to-day maintain such general lines of division in performing a similar function. Yet any Catholic Sevillian may, if he chooses, secure admission to any of these societies, irrespective of his occupation. The young caballero who chanced to be our prime source of information this Thursday afternoon was himself of a prominent family, a protégé of the archbishop, and a student of law, yet he belonged to the brotherhood of Fruit Venders, although his devotion seemed a little languid, and he had excused himself on this occasion from the long march in the breathless Nazarene garb.
Not all the brothers feel bound to perform this penitential service every Passion Week, and, indeed, not all the brotherhoods. Several of the most elaborate pageants were missing from the ranks this year. Such omissions are not as disastrous to the processional effect as they would have been in England, for example, some six centuries ago. Then the gilded and tapestried platforms, set on wheels, which the processions conducted through the streets, were really stages, and at the halting places the best actors of each guild played upon its particular platform an appointed scene from the sacred drama. The sequence of events was duly observed, and the spectator, standing in market-place or at street corner, while one theatre after another rolled by him, saw acted out with much finery of wardrobe and ingenuity of machinery, with tragic dialogue and declamation, relieved by comic interludes, all the Bible story, from the revolt of Lucifer to the Day of Judgment. But modern Spain, abandoning the acting and recitation and substituting puppets for living men, has let slip the dramatic sequence, so that a few pageants less means only so much abatement in the general splendor of the spectacle.
The bull-fighters of Andalusia are eminently religious and are said, likewise, to be remarkable for their domestic virtues. All their manly fury is launched against the bull, and they have only gentleness left for wives and children. I have heard no better argument for the bull ring. At all events, these toreros, marching soberly in black, with yellow belts, escorted with well-ordered solemnity an image of the crucified Christ, followed by a queenly effigy of Our Lady of Refuge, erect behind terraced ranks of candles on a flower-strewn litter, under a costly canopy of black velvet embroidered with gold. The cigarette-makers came after with their two pageants, Christ fastened to the pillar, and Our Lady of Victory.
It was, as usual, the second upon which the main expense had been lavished. A great company of acolytes, richly clad and swinging censers of pure silver, went in advance of the Virgin, and three bands of music followed her with continuous acclaim, while a regiment of soldiers attended as a guard of honor. Immediately in front of the paso went, surrounded by officers and aides, General Ochando, his head uncovered and his breast glittering with decorations, for the young king of Spain is a member of this cofradia, and had sent the distinguished military governor of the Provinces, who has a palace in Seville, to represent him. Especial enthusiasm was called out by this image of Mary, for the cigarette-makers had just presented her with a new mantle at a cost of nine thousand dollars. The brothers were willingly aided by the seven thousand women who work in the immense tobacco factory, the average contribution of each donor being two centimos (two-fifths of a cent) a week during the preceding year. No wonder that the Virgin seemed to stand proudly upon her silvered pedestal, her gorgeous new mantle streaming out until it almost touched the head of a white-vested girl who walked barefoot close behind the litter, so fulfilling a vow made in extremity of illness.
Black and white were the banners and costumes of the third procession, very effective through the deepening dusk. Their leading pageant was a Gethsemane, famous for the beauty of the carving. Christ is represented in prayer before an angel, who bears in one hand the cross and in the other the cup of bitterness, while Peter, James, and John are sleeping near their Master. These Passion groups are, with a few exceptions of still earlier date, works of the seventeenth century, the glorious period of Spanish art, the day of Murillo and Velázquez. The most and best are from the hand of the Sevillian Montañés, of chief repute in the Spanish school of polychrome sculpture, but this Gethsemane was carved by his imitator, Roldan, whose daughter, La Roldana, is accredited with the figure of the angel and with the reliefs that adorn the pedestal.
Another Virgin, who, like all the rest, seemed a scintillation of gold and jewels, swept by, and a new troop of Nazarenes, this time in purple and white, passed with two august pageants, – the Descent from the Cross and the Fifth Anguish of Mary. Then came two files of ash-colored figures, who marshalled, between their rows of starry tapers, each taper bending toward its opposite, a vivid presentation of the Crowning with Thorns; and, after this, their Mary of the Valley, noted for the gracious sweetness of her countenance. This image is held to be one of Montañés's masterpieces in wood-carving.
Five processions had now passed, with their two pageants each, and the hour was late, but we could not leave the balcony for anything so commonplace as dinner. Far down the street of Las Sierpes waved a river of lights, announcing the advent of the most ancient of all the Sevillian brotherhoods, Jesus of the Passion. The crowded plaza rose in reverence as the Crucifixion paso was borne by, and Our Lady of Mercy, too magnificent for her name, was greeted with rapturous outcries.
Just how and when and where something in the way of food was taken, I hardly know, but as this, the last of the Thursday evening processions, passed in music out of the plaza, a few of us made speed by a deserted side street to the cathedral. We were too late for the Miserere, which was just closing in that surprising hubbub, the stamping of feet and beating of canes and chairs against the floor, by which Spanish piety is wont to "punish Judas." But we took our station near by the entrance to the Royal Chapel, wherein had been erected the grand Holy Week monument, in white and gold, shaped like a temple, and shining with innumerable silver lamps and taper lights. Within this monument the Host, commonly spoken
