the General’s carriage and horses in his mouth. Statuettes of “Tom Pouce” appeared in all the windows, in plaster, Parian, sugar and chocolate; songs were written about him and his lithograph was seen everywhere. A fine café on one of the boulevards took the name of “Tom Pouce” and displayed over the door a life-size statue of the General. In Paris, as in London, several eminent painters expressed their desire to paint his portrait, but the General’s engagements were so pressing that he found little time to sit to artists. All the leading actors and actresses came to the General’s levees and petted him and made him many presents. Meanwhile, the daily receipts continued to swell, and I was compelled to take a cab to carry my bag of silver home at night.
The official, who had compromised with me for a two months’ license at 2,000 francs, was amazed as well as annoyed at the success of my “dwarf.” He came, or sent a man, to the levees to take account of the receipts and every additional thousand francs gave him an additional twinge. He seriously appealed to me to give him more money; but when I reminded him of the excellent bargain he supposed he was making, especially when he added the conditional clause that I should forfeit the 2,000 francs if I did not exhibit or if the General died, he smiled faintly and said something about a “Yankee trick.” I asked him if he would renew our agreement for two months more on the same terms; and he shrugged his shoulders and said:
“No, Monsieur Barnum; you will pay me twenty-five per cent of your receipts when the two months of our contract expires.”
But I did not; for I appealed to the authorities, claiming that I should pay only the ordinary theatrical tax, since the General’s exhibition consisted chiefly of character imitations in various costumes, and he was more attractive as an actor than as a natural curiosity. My view of the case was decided to be correct, and thereafter, in Paris and throughout France, with few exceptions, I paid only the eleven per cent theatrical tax.
Indeed, in Paris, the General made a great hit as an actor and was elected a member of the French Dramatic Society. Besides holding his levees, he appeared every night at the Vaudeville Theatre in a French play, entitled “Petit Poucet,” and written expressly for him, and he afterwards repeated the part with great success in other cities. The demands upon our time were incessant. We were invited everywhere to dinners and entertainments, and as many of these were understood to be private performances of the General, we were most liberally remunerated therefor. M. Galignani invited us to a soiree and introduced us to some of the most prominent personages, including artists, actors and editors, in Paris. The General was frequently engaged at a large price to show himself for a quarter of an hour at some fancy or charitable fair, and much money was made in this way. On Sundays, he was employed at one or another of the great gardens in the outskirts, and thus was seen by thousands of working people who could not attend his levees. All classes became acquainted with “Tom Pouce.”
We were commanded to appear twice more at the Tuileries, and we were also invited to the palace on the King’s birthday to witness the display of fireworks in honor of the anniversary. Our fourth and last visit to the royal family was by special invitation at St. Cloud. On each occasion we met nearly the same persons, but the visit to St. Cloud was by far the most interesting of our interviews. On this one occasion, and by the special request of the King, the General personated Napoleon Bonaparte in full costume. Louis Philippe had heard of the General in this character, and particularly desired to see him; but the affair was quite “on the sly,” and no mention was made of it in the papers, particularly in the Journal des Debats, which thought, no doubt, that costume was still “at the bottom of the General’s box.” We remained an hour, and at parting, each of the royal company gave the General a splendid present, almost smothered him with kisses, wished him a safe journey through France, and a long and happy life. After bidding them adieu, we retired to another portion of the palace to make a change of the General’s costume, and to partake of some refreshments which were prepared for us. Half an hour afterwards, as we were about leaving the palace, we went through a hall leading to the front door, and in doing so passed the sitting-room in which the royal family were spending the evening. The door was open, and some of them happening to espy the General, called out for him to come in and shake hands with them once more. We entered the apartment, and there found the ladies sitting around a square table, each provided with two candles, and every one of them, including the Queen, was engaged in working at embroidery, while a young lady was reading aloud for their edification. I am sorry to say, I believe this is a sight seldom seen in families of the aristocracy on either side of the water. At the church fairs in Paris, I had frequently seen pieces of embroidery for sale, which were labelled as having been presented and worked by the Duchess d’Orleans, Princess Adelaide, Duchess de Nemours, and other titled ladies.
We also visited, by invitation, the Napoleon School for young ladies, established by the First Napoleon, at St. Denis, five miles north of Paris, and the General greatly delighted the old pensioners at the Invalides by calling upon them, and shaking many of them by the hand. If the General could have been permitted to present to these survivors of Waterloo his representation of their chief and Emperor, he would have aroused their enthusiasm as well as admiration.
On the Fourth of July, 1844, I was in Grenelle, outside the barriers of Paris, when I remembered that I had the address of Monsieur Regnier, an eminent mechanician, who lived in the vicinity. Wishing to purchase a variety of instruments such as he manufactured, I called at his residence. He received me very politely, and I soon was deeply interested in this intelligent and learned man. He was a member of many scientific institutions, was “Chevalier of the Legion of Honor,” etc.
While he was busy in making out my bill, I was taking a cursory view of the various plates, drawings, etc., which adorned his walls, when my eyes fell on a portrait which was familiar to me. I was certain that I could not be mistaken, and on approaching nearer it proved to be, as I expected, the engraved portrait of Benjamin Franklin. It was placed in a glazed frame, and on the outside of the glass were arranged thirteen stars made of metal, forming a half circle round his head.
“Ah!” I exclaimed, “I see you have here a portrait of my fellow-countryman, Dr. Franklin.”
“Yes,” replied M. Regnier, “and he was a great and an excellent man. When he was in Paris in ’98, he was honored and respected by all who knew him, and by none more so than by the scientific portion of the community. At that time, Dr. Franklin was invited by the President of the Society of Emulation to decide upon the merits of various works of art submitted for inspection, and he awarded my father, for a complicated lock, the prize of a gold medal.
“While my father was with him at his hotel, a young Quaker called upon the Doctor. He was a total stranger to Franklin, but at once proceeded to inform him that he had come to Paris on business, had unfortunately lost all his money, and wished to borrow six hundred francs to enable him to return to his family in Philadelphia. Franklin inquired his family name, and upon hearing it immediately counted out the money, gave the young stranger some excellent advice, and bade him adieu. My father was struck by the generosity of Dr. Franklin, and as soon as the young man had departed, he told the Doctor that he was astonished to see him so free with his money to a stranger; that people did not do business in that way in Paris; and what he considered very careless was, that Franklin took no receipt, not even a scratch of a pen from the young man. Franklin replied that he always felt a duty and pleasure in relieving his fellow-men, and especially in this case, as he knew the family; and they were honest and worthy persons. My father, himself a generous man,” continued M. Regnier, “was affected nearly to tears, and begged the Doctor to present him with his portrait. He did so, and this is it. My father has been dead some years. He bequeathed the portrait to me, and there is not money enough in Paris to buy it.”
I need not say that I was delighted with this recital. I remarked to M. Regnier that he should double the number of stars, as we now (in 1844) had twenty-six States instead of thirteen, the original number.
“I am aware of that,” he replied; “but I do not like to touch the work which was left by my father. I hold it sacred; and,” added he, “I
