Catherine De Medici. Honore de Balzac

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were the men of that day.

      “We need ask no more,” said the impetuous sailor; “we know him for one of our saints. If the Scotchman had not done the deed he would kill us that infamous Minard.”

      “Yes,” said Lecamus, “my life belongs to the church; I shall give it with joy for the triumph of the Reformation, on which I have seriously reflected. I know that what we do is for the happiness of the peoples. In two words: Popery drives to celibacy, the Reformation establishes the family. It is time to rid France of her monks, to restore their lands to the Crown, who will, sooner or later, sell them to the burghers. Let us learn to die for our children, and make our families some day free and prosperous.”

      The face of the young enthusiast, that of Chaudieu, that of the sailor, that of the stranger seated in the bow, lighted by the last gleams of the twilight, formed a picture which ought the more to be described because the description contains in itself the whole history of the times – if it is, indeed, true that to certain men it is given to sum up in their own persons the spirit of their age.

      The religious reform undertaken by Luther in Germany, John Knox in Scotland, Calvin in France, took hold especially of those minds in the lower classes into which thought had penetrated. The great lords sustained the movement only to serve interests that were foreign to the religious cause. To these two classes were added adventurers, ruined noblemen, younger sons, to whom all troubles were equally acceptable. But among the artisan and merchant classes the new faith was sincere and based on calculation. The masses of the poorer people adhered at once to a religion which gave the ecclesiastical property to the State, and deprived the dignitaries of the Church of their enormous revenues. Commerce everywhere reckoned up the profits of this religious operation, and devoted itself body, soul, and purse, to the cause.

      But among the young men of the French bourgeoisie the Protestant movement found that noble inclination to sacrifices of all kinds which inspires youth, to which selfishness is, as yet, unknown. Eminent men, sagacious minds, discerned the Republic in the Reformation; they desired to establish throughout Europe the government of the United Provinces, which ended by triumphing over the greatest Power of those times, – Spain, under Philip the Second, represented in the Low Countries by the Duke of Alba. Jean Hotoman was then meditating his famous book, in which this project is put forth, – a book which spread throughout France the leaven of these ideas, which were stirred up anew by the Ligue, repressed by Richelieu, then by Louis XIV., always protected by the younger branches, by the house of Orleans in 1789, as by the house of Bourbon in 1589. Whoso says “Investigate” says “Revolt.” All revolt is either the cloak that hides a prince, or the swaddling-clothes of a new mastery. The house of Bourbon, the younger sons of the Valois, were at work beneath the surface of the Reformation.

      At the moment when the little boat floated beneath the arch of the pont au Change the question was strangely complicated by the ambitions of the Guises, who were rivalling the Bourbons. Thus the Crown, represented by Catherine de’ Medici, was able to sustain the struggle for thirty years by pitting the one house against the other house; whereas later, the Crown, instead of standing between various jealous ambitions, found itself without a barrier, face to face with the people: Richelieu and Louis XIV. had broken down the barrier of the Nobility; Louis XV. had broken down that of the Parliaments. Alone before the people, as Louis XVI. was, a king must inevitably succumb.

      Christophe Lecamus was a fine representative of the ardent and devoted portion of the people. His wan face had the sharp hectic tones which distinguish certain fair complexions; his hair was yellow, of a coppery shade; his gray-blue eyes were sparkling. In them alone was his fine soul visible; for his ill-proportioned face did not atone for its triangular shape by the noble mien of an elevated mind, and his low forehead indicated only extreme energy. Life seemed to centre in his chest, which was rather hollow. More nervous than sanguine, Cristophe’s bodily appearance was thin and threadlike, but wiry. His pointed noise expressed the shrewdness of the people, and his countenance revealed an intelligence capable of conducting itself well on a single point of the circumference, without having the faculty of seeing all around it. His eyes, the arching brows of which, scarcely covered with a whitish down, projected like an awning, were strongly circled by a pale-blue band, the skin being white and shining at the spring of the nose, – a sign which almost always denotes excessive enthusiasm. Christophe was of the people, – the people who devote themselves, who fight for their devotions, who let themselves be inveigled and betrayed; intelligent enough to comprehend and serve an idea, too upright to turn it to his own account, too noble to sell himself.

      Contrasting with this son of Lecamus, Chaudieu, the ardent minister, with brown hair thinned by vigils, a yellow skin, an eloquent mouth, a militant brow, with flaming brown eyes, and a short and prominent chin, embodied well the Christian faith which brought to the Reformation so many sincere and fanatical pastors, whose courage and spirit aroused the populations. The aide-de-camp of Calvin and Theodore de Beze contrasted admirably with the son of the furrier. He represented the fiery cause of which the effect was seen in Christophe.

      The sailor, an impetuous being, tanned by the open air, accustomed to dewy nights and burning days, with closed lips, hasty gestures, orange eyes, ravenous as those of a vulture, and black, frizzled hair, was the embodiment of an adventurer who risks all in a venture, as a gambler stakes all on a card. His whole appearance revealed terrific passions, and an audacity that flinched at nothing. His vigorous muscles were made to be quiescent as well as to act. His manner was more audacious than noble. His nose, though thin, turned up and snuffed battle. He seemed agile and capable. You would have known him in all ages for the leader of a party. If he were not of the Reformation, he might have been Pizarro, Fernando Cortez, or Morgan the Exterminator, – a man of violent action of some kind.

      The fourth man, sitting on a thwart wrapped in his cloak, belonged, evidently, to the highest portion of society. The fineness of his linen, its cut, the material and scent of his clothing, the style and skin of his gloves, showed him to be a man of courts, just as his bearing, his haughtiness, his composure and his all-embracing glance proved him to be a man of war. The aspect of this personage made a spectator uneasy in the first place, and then inclined him to respect. We respect a man who respects himself. Though short and deformed, his manners instantly redeemed the disadvantages of his figure. The ice once broken, he showed a lively rapidity of decision, with an indefinable dash and fire which made him seem affable and winning. He had the blue eyes and the curved nose of the house of Navarre, and the Spanish cut of the marked features which were in after days the type of the Bourbon kings.

      In a word, the scene now assumed a startling interest.

      “Well,” said Chaudieu, as young Lecamus ended his speech, “this boatman is La Renaudie. And here is Monsiegneur the Prince de Conde,” he added, motioning to the deformed little man.

      Thus these four men represented the faith of the people, the spirit of the Scriptures, the mailed hand of the soldier, and royalty itself hidden in that dark shadow of the bridge.

      “You shall now know what we expect of you,” resumed the minister, after allowing a short pause for Christophe’s astonishment. “In order that you may make no mistake, we feel obliged to initiate you into the most important secrets of the Reformation.”

      The prince and La Renaudie emphasized the minister’s speech by a gesture, the latter having paused to allow the prince to speak, if he so wished. Like all great men engaged in plotting, whose system it is to conceal their hand until the decisive moment, the prince kept silence – but not from cowardice. In these crises he was always the soul of the conspiracy; recoiling from no danger and ready to risk his own head; but from a sort of royal dignity he left the explanation of the enterprise to his minister, and contented himself with studying the new instrument he was about to use.

      “My child,” said Chaudieu, in the Huguenot style of address, “we are about to do battle for the first time with the Roman prostitute. In a few days either our legions will be dying on the scaffold, or the

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