15
Susana Partsch, 1
William M. Johnston, The Austrian Mind: An Intellectual and Social History, 1848–1938 (Berkeley: University of California Press, 1983), lk 44.
2
Ilsa Barea, Vienna (New York: Knopf, 1967), lk 27.
4
George E. Berkley, Vienna and Its Jews: The Tragedy of Success, 1880–1980s (Cambridge, MA: Abt Books, 1988), lk 21
5
Andrew Wheatcroft, The Habsburgs: Embodying Empire (New York: Penguin, 1996), lk 3.
6
Michael P. Steinberg, Austria as Theater and Ideology: The Meaning of the Salzburg Festival (Ithaca, NY: Cornell University Press, 2000), lk 170.
7
Johnston, Austrian Mind, lk 128.
9
Prolog zum Hochzeitsfeste von Thedy Bauer mit Dr. Gustav Bloch am 22. März 1898 verfaßt von Eugene und gesprochen von Adele Bauer (Wien) 1898; Nelly Auerspergi loal (samuti Austria rahvusraamatukogu valduses). Selle poeemi järgnevad tsitaadid on samast allikast.
10
Stephan Koja, ed., Gustav Klimt: Landscapes (München: Prestel Verlag, 2006), lk 124.
11
Emil Pirchan, Gustav Klimt: Ein Künstler aus Wien (Viin: Wallishauser, 1942), lk 35; Peter Vergo, Art in Vienna, 1898–1918: Klimt, Kokoschka, Schiele, and Their Contemporaries (London: Phaidon, 1994), lk 224.
12
Sophie Lillie, „Hans Makart Malerfurst”, Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens (Viin: Czernin, 2003), lk 143.
13
Martin Pippal, A Short History of Art in Vienna (München: Beck, 2001), lk 156.
14
Ted Byfield, The Renaissance: God in Man (A.D. 1300 to 1500), vol. 8 of The Christians: Their First Two Thousand Years (Edmonton: The Society to Explore and Record Christian History, 2010), lk 236.
15
Susana Partsch, Gustav Klimt: Painter of Women (München: Prestel, 1999), lk 14.
16
Lynn Gamwell ja Richard Wells, eds., Sigmund Freud and Art: His Personal Collection of Antiquities (Binghamton ja London: State University of New York and the Freud Museum in association with Harry N. Abrams, 1989).
17
David W. Anthony, The Horse, the Wheel, and Language: How Bronze-Age Riders from the Eurasian Steppes Shaped the Modern World (Princeton, NJ: Princeton University Press, 2007), lk 329.
18
Nicholas Parsons, Vienna: A Cultural History (New York: Oxford University Press, 2009), lk 94–99.
19
Viini ülikooli pressiteade 13. märtsil 2008 kirjarulli leidmise kohta Austria linna Halbturni ühest matmiskohast.
20
Hilda Spiel, Vienna’s Golden Autumn: From the Watershed Year 1866 to Hitler’s Anschluss, 1938 (New York: Weidenfeld & Nicolson, 1987), lk 39–41. Vt ka David King, Vienna, 1814: How the Conquerors of Napoleon Made Love, War, and Peace at the Congress of Vienna (New York: Harmony Books, 2008), lk 206–207.
22
William O. McCagg, A History of Habsburg Jews, 1670–1918 (Bloomington: Indiana University Press, 1989), lk 86. Vt ka lk 96: „Nad olid edukad … sest juudi kogukonna heade sidemetega, modernistlike liikmetena käitusid nad võimalikult „viinilikult” … 1848. aasta juutide emantsipatsioon Viinis õnnestus seetõttu, et juudi kogukonna juhtivad liikmed muutusid pärismaiseks … Viini juudid võtsid omaks „viiniliku” stiili, sest nad olid selleks sunnitud.”
23
Joseph Roth, The Radetzky March (Woodstock, NY: Overlook Press, 2002), lk 192.
24
Detailsemalt vt Roland Hill, A Time Out of Joint: A Journey from Nazi German to Post-war Britain (London: Tauris, 2007), lk 43.
25
Frank Whitford, Klimt (London: Thames & Hudson, 1990), lk 29.
26
Berkley, Vienna and Its Jews, lk 35.
27
Alexander Waugh, The House of Wittgenstein: A Family at War (New York: Doubleday, 2008), lk 208.
28
Stefan Zweig, The World of Yesterday: An Autobiography (Lincoln: University of Nebraska Press, 1964), lk 22.
29
Ruth Ellen Gruber, Virtually Jewish: Reinventing Jewish Culture in Europe (Berkeley: University of California Press, 2002), lk 42.
30
Harriet Pass Freidenreich, Jewish Politics in Vienna, 1918–1938 (Bloomington: Indiana University Press, 1991), lk 13.
31
Frederic Morton, A Nervous Splendor (New York: Penguin, 1980), lk 73–74.
32
Steven Beller, Vienna and the Jews, 1867–1938: A Cultural History (Cambridge, UK: Cambridge University Press, 1991), lk 195.
33
Pirchan, Gustav Klimt, lk 13.
34
Whitford, Klimt, lk 24.
35
Pirchan, Gustav Klimt, lk 44.
36
Gilles Neret ja Charity Scott-Stokes, Gustav Klimt: 1862–1918 (Köln: Taschen, 2002), lk 9.
37
Alfred Weidinger, Gustav Klimt (München: Prestel, 2007), lk 211.
38
Hellitusvorm, nagu eesti keeles Kusti. – Tlk.
39
Pirchan, Gustav Klimt, lk 19.
41
Tobias Natter ja Gerbert Frodl, Klimt’s Women (Viin: Österreichische Galerie Belvedere, 2000), lk 90.
42
Morton, A Nervous Splendor, lk 169.
45
Pirchan, Gustav Klimt, lk 24.
style="font-size:15px;"> Sophie Lillie, „Hans Makart Malerfurst”, Was einmal war: Handbuch der enteigneten Kunstsammlungen Wiens (Viin: Czernin, 2003), lk 143.
