Madame Bovary: A Tale of Provincial Life, Vol. 1 (of 2). Gustave Flaubert

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Madame Bovary: A Tale of Provincial Life, Vol. 1 (of 2) - Gustave Flaubert

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of its own accord in front of those holes surrounded with thorns that are dug on the margin of furrows, Charles awoke with a start, suddenly remembered the broken leg, and tried to call to mind all the fractures he knew. The rain had stopped, day was breaking, and on the branches of the leafless trees birds roosted motionless, their little feathers bristling in the cold morning wind. The flat country stretched as far as eye could see, and the tufts of trees round the farms at long intervals seemed like dark violet stains on the vast gray surface, that on the horizon faded into the gloom of the sky, Charles from time to time opened his eyes, his mind grew weary, and sleep coming upon him, he soon fell into a doze wherein his recent sensations blending with memories, he became conscious of a double self, at once student and married man, lying in his bed as but now, and crossing the operation theater as of old. The warm smell of poultices mingled in his brain with the fresh odor of dew; he heard the iron rings rattling along the curtain-rods of the bed, and saw his wife sleeping. As he passed Vassonville he came upon a boy sitting on the grass at the edge of a ditch.

      "Are you the doctor?" asked the child.

      And on Charles's answer he took his wooden shoes in his hands and ran on in front of him.

      The general practitioner, riding along, gathered from his guide's talk that Monsieur Rouault must be one of the well-to-do farmers. He had broken his leg the evening before on his way home from a Twelfth-night feast at a neighbor's. His wife had been dead for two years. There was only his daughter, who helped him to keep house, with him.

      The ruts were becoming deeper; they were approaching the Bertaux. The little lad, slipping through a hole in the hedge, disappeared; then he came back to the end of a courtyard to open the gate. The horse slipped on the wet grass; Charles had to stoop to pass under the branches. The watchdogs in their kennels barked, dragging at their chains. As he entered the Bertaux the horse took fright and stumbled.

      It was a substantial-looking farm. In the stables, over the top of the open doors, one could see great cart-horses quietly feeding from new racks. Right along the outbuildings extended a large dunghill, from which manure liquid oozed, while amidst fowls and turkeys five or six peacocks, a luxury in Chauchois farmyards, were foraging on the top of it. The sheepfold was long, the barn high, with walls smooth as your hand. Under the cart-shed were two large carts and four ploughs, with their whips, shafts, and harnesses complete, whose fleeces of blue wool were getting soiled by the fine dust that fell from the granaries. The courtyard sloped upwards, planted with trees set out symmetrically, and the chattering noise of a flock of geese was heard near the pond.

      A young woman in a blue merino dress with three flounces came to the threshold of the door to receive Monsieur Bovary, whom she led to the kitchen, where a large fire was blazing. The servants' breakfast was boiling beside it in small pots of all sizes. Some damp clothes were drying inside the chimney-corner. The shovel, tongs, and the nozzle of the bellows, all of colossal size, shone like polished steel, while along the walls hung many pots and pans in which the clear flame of the hearth, mingling with the first rays of the sun coming in through the window, was mirrored fitfully.

      Charles went up to the first floor to see the patient. He found him in his bed, sweating under his bed-clothes, having thrown his cotton nightcap far away from him. He was a fat little man of fifty, with white skin and blue eyes, the fore part of his head was bald, and he wore ear-rings. Near him on a chair stood a large decanter of brandy, whence he poured himself out a little from time to time to keep up his spirits; but as soon as he caught sight of the doctor his elation subsided, and instead of swearing, as he had been doing for the last twelve hours, he began to groan feebly.

      The fracture was a simple one, without any kind of complication. Charles could not have hoped for an easier case. Then calling to mind the devices of his masters at the bedside of patients, he comforted the sufferer with all sorts of kindly remarks, those caresses of the surgeon that are like the oil they put on bistouries. In order to make some splints a bundle of laths was brought up from the cart-house. Charles selected one, cut it into two pieces and planed it with a fragment of window-pane, while the servant tore up sheets to make bandages, and Mademoiselle Emma tried to sew some pads. As she was a long time before she found her workcase, her father grew impatient; she did not answer, but as she sewed she pricked her fingers, which she then put to her mouth to suck. Charles was much surprised at the whiteness of her nails. They were shiny, delicate at the tips, more polished than the ivory of Dieppe, and almond-shaped. Yet her hand was not beautiful, perhaps not white enough, and a little hard at the knuckles; besides, it was too long, with no soft inflections in the outlines. Her real beauty was in her eyes. Although brown, they seemed black because of the lashes, and her look came at you frankly, with a candid boldness.

      The bandaging over, the doctor was invited by Monsieur Rouault himself to "pick a bit" before he left.

      Charles went down into the room on the ground-floor. Knives and forks and silver goblets were laid for two on a little table at the foot of a huge bed that had a canopy of printed cotton with figures representing Turks. There was an odor of iris-root and damp sheets that escaped from a large oak chest opposite the window. On the floor in corners were sacks of flour stuck upright in rows. These were the overflow from the neighboring granary, to which three stone steps led. By way of decoration for the apartment, hanging to a nail in the middle of the wall, whose green paint had scaled off from the effects of saltpeter, was a crayon head of Minerva in a gold frame, underneath which was written in Gothic letters "To dear Papa."

      First they spoke of the patient, then of the weather, of the great cold, of the wolves that infested the fields at night. Mademoiselle Rouault did not at all like the country, especially now that she had to look after the farm almost alone. As the room was chilly, she shivered as she ate. This showed something of her full lips, that she had a habit of biting when silent.

      Her neck stood out from a white turned-down collar. Her hair, whose two black folds seemed each of a single piece, so smooth were they, was parted in the middle by a delicate line that curved slightly with the curve of the head; and, just showing the tip of the ear, it was joined behind in a thick chignon, with a wavy movement at the temples that the country doctor saw now for the first time in his life. The upper part of her cheek was rose-colored. She had, like a man, thrust in between two buttons of her bodice a tortoise-shell eyeglass.

      When Charles, after bidding farewell to old Rouault, returned to the room before leaving, he found her standing, her forehead against the window, looking into the garden, where the bean props had been knocked down by the wind. She turned round.

      "Are you looking for anything?" she asked.

      "My whip, if you please," he answered.

      He began rummaging on the bed, behind the doors, under the chairs. It had fallen to the floor, between the sacks and the wall. Mademoiselle Emma saw it, and bent over the flour sacks. Charles, out of politeness, made a dash also, and as he stretched out his arm, at the same moment felt his breast brush against the back of the young girl bending beneath him. She drew herself up, scarlet, and looked at him over her shoulder as she handed him his whip.

      Instead of returning to the Bertaux in three days as he had promised, he went back the very next day, then regularly twice a week, without counting the visits he paid now and then as if by accident.

      Everything, moreover, went well; the patient progressed favorably; and when, at the end of forty-six days, old Rouault was seen trying to walk alone in his "den," Monsieur Bovary began to be looked upon as a man of great capacity. Old Rouault said that he could not have been cured better by the first doctor of Yvetot, or even of Rouen.

      As to Charles, he did not stay to ask himself why it was a pleasure to him to go to the Bertaux. Had he done so, he would, no doubt, have attributed his zeal to the importance of the case, or perhaps to the money he hoped to make by it. Was it for this, however, that his visits to the farm formed a delightful exception to the meagre occupations of his life? On these days he rose early, set

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