is very comme il faut, my papa,” said Mademoiselle Noémie, “and as honest as the day. Oh, an exceptional probity! You could trust him with millions.”
“Do you always obey him?” asked Newman.
“Obey him?”
“Do you do what he bids you?”
The young girl stopped and looked at him; she had a spot of color in either cheek, and in her expressive French eye, which projected too much for perfect beauty, there was a slight gleam of audacity. “Why do you ask me that?” she demanded.
“Because I want to know.”
“You think me a bad girl?” And she gave a strange smile.
Newman looked at her a moment; he saw that she was pretty, but he was not in the least dazzled. He remembered poor M. Nioche’s solicitude for her “innocence,” and he laughed as his eyes met hers. Her face was the oddest mixture of youth and maturity, and beneath her candid brow her searching little smile seemed to contain a world of ambiguous intentions. She was pretty enough, certainly to make her father nervous; but, as regards her innocence, Newman felt ready on the spot to affirm that she had never parted with it. She had simply never had any; she had been looking at the world since she was ten years old, and he would have been a wise man who could tell her any secrets. In her long mornings at the Louvre she had not only studied Madonnas and St. Johns; she had kept an eye upon all the variously embodied human nature around her, and she had formed her conclusions. In a certain sense, it seemed to Newman, M. Nioche might be at rest; his daughter might do something very audacious, but she would never do anything foolish. Newman, with his long-drawn, leisurely smile, and his even, unhurried utterance, was always, mentally, taking his time; and he asked himself, now, what she was looking at him in that way for. He had an idea that she would like him to confess that he did think her a bad girl.
“Oh, no,” he said at last; “it would be very bad manners in me to judge you that way. I don’t know you.”
“But my father has complained to you,” said Mademoiselle Noémie.
“He says you are a coquette.”
“He shouldn’t go about saying such things to gentlemen! But you don’t believe it?”
“No,” said Newman gravely, “I don’t believe it.”
She looked at him again, gave a shrug and a smile, and then pointed to a small Italian picture, a Marriage of St. Catherine. “How should you like that?” she asked.
“It doesn’t please me,” said Newman. “The young lady in the yellow dress is not pretty.”
“Ah, you are a great connoisseur,” murmured Mademoiselle Noémie.
“In pictures? Oh, no; I know very little about them.”
“In pretty women, then.”
“In that I am hardly better.”
“What do you say to that, then?” the young girl asked, indicating a superb Italian portrait of a lady. “I will do it for you on a smaller scale.”
“On a smaller scale? Why not as large as the original?”
Mademoiselle Noémie glanced at the glowing splendor of the Venetian masterpiece and gave a little toss of her head. “I don’t like that woman. She looks stupid.”
“I do like her,” said Newman. “Decidedly, I must have her, as large as life. And just as stupid as she is there.”
The young girl fixed her eyes on him again, and with her mocking smile, “It certainly ought to be easy for me to make her look stupid!” she said.
“What do you mean?” asked Newman, puzzled.
She gave another little shrug. “Seriously, then, you want that portrait—the golden hair, the purple satin, the pearl necklace, the two magnificent arms?”
“Everything—just as it is.”
“Would nothing else do, instead?”
“Oh, I want some other things, but I want that too.”
Mademoiselle Noémie turned away a moment, walked to the other side of the hall, and stood there, looking vaguely about her. At last she came back. “It must be charming to be able to order pictures at such a rate. Venetian portraits, as large as life! You go at it en prince. And you are going to travel about Europe that way?”
“Yes, I intend to travel,” said Newman.
“Ordering, buying, spending money?”
“Of course I shall spend some money.”
“You are very happy to have it. And you are perfectly free?”
“How do you mean, free?”
“You have nothing to bother you—no family, no wife, no fiancée?”
“Yes, I am tolerably free.”
“You are very happy,” said Mademoiselle Noémie, gravely.
“Je le veux bien!” said Newman, proving that he had learned more French than he admitted.
“And how long shall you stay in Paris?” the young girl went on.
“Only a few days more.”
“Why do you go away?”
“It is getting hot, and I must go to Switzerland.”
“To Switzerland? That’s a fine country. I would give my new parasol to see it! Lakes and mountains, romantic valleys and icy peaks! Oh, I congratulate you. Meanwhile, I shall sit here through all the hot summer, daubing at your pictures.”
“Oh, take your time about it,” said Newman. “Do them at your convenience.”
They walked farther and looked at a dozen other things. Newman pointed out what pleased him, and Mademoiselle Noémie generally criticised it, and proposed something else. Then suddenly she diverged and began to talk about some personal matter.
“What made you speak to me the other day in the Salon Carré?” she abruptly asked.
“I admired your picture.”
“But you hesitated a long time.”
“Oh, I do nothing rashly,” said Newman.
“Yes, I saw you watching me. But I never supposed you were going to speak to me. I never dreamed I should be walking about here with you to-day. It’s very curious.”
“It is very natural,” observed Newman.
“Oh, I beg your pardon; not to me. Coquette as you think me, I have never walked about in public with a gentleman before. What was my father thinking of, when he consented to our interview?”
“He was repenting of his unjust accusations,” replied Newman.
Mademoiselle Noémie remained silent; at last she dropped into a seat. “Well
