Romola. Джордж Элиот

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when, the next day, after he was free from his professorial work, he turned up the Via del Cocomero towards the convent of San Marco, his purpose was fully shaped. He was going to ascertain from Fra Luca precisely how much he conjectured of the truth, and on what grounds he conjectured it; and, further, how long he was to remain at San Marco. And on that fuller knowledge he hoped to mould a statement which would in any case save him from the necessity of quitting Florence. Tito had never had occasion to fabricate an ingenious lie before: the occasion was come now—the occasion which circumstance never fails to beget on tacit falsity; and his ingenuity was ready. For he had convinced himself that he was not bound to go in search of Baldassarre. He had once said that on a fair assurance of his father’s existence and whereabout, he would unhesitatingly go after him. But, after all, why was he bound to go? What, looked at closely, was the end of all life, but to extract the utmost sum of pleasure? And was not his own blooming life a promise of incomparably more pleasure, not for himself only, but for others, than the withered wintry life of a man who was past the time of keen enjoyment, and whose ideas had stiffened into barren rigidity? Those ideas had all been sown in the fresh soil of Tito’s mind, and were lively germs there: that was the proper order of things—the order of nature, which treats all maturity as a mere nidus for youth. Baldassarre had done his work, had had his draught of life: Tito said it was his turn now.

      And the prospect was so vague:—“I think they are going to take me to Antioch:” here was a vista! After a long voyage, to spend months, perhaps years, in a search for which even now there was no guarantee that it would not prove vain: and to leave behind at starting a life of distinction and love: and to find, if he found anything, the old exacting companionship which was known by rote beforehand. Certainly the gems and therefore the florins were, in a sense, Baldassarre’s: in the narrow sense by which the right of possession is determined in ordinary affairs; but in that large and more radically natural view by which the world belongs to youth and strength, they were rather his who could extract the most pleasure out of them. That, he was conscious, was not the sentiment which the complicated play of human feelings had engendered in society. The men around him would expect that he should immediately apply those florins to his benefactor’s rescue. But what was the sentiment of society?—a mere tangle of anomalous traditions and opinions, which no wise man would take as a guide, except so far as his own comfort was concerned. Not that he cared for the florins save perhaps for Romola’s sake: he would give up the florins readily enough. It was the joy that was due to him and was close to his lips, which he felt he was not bound to thrust away from him and so travel on, thirsting. Any maxims that required a man to fling away the good that was needed to make existence sweet, were only the lining of human selfishness turned outward: they were made by men who wanted others to sacrifice themselves for their sake. He would rather that Baldassarre should not suffer: he liked no one to suffer; but could any philosophy prove to him that he was bound to care for another’s suffering more than for his own? To do so he must have loved Baldassarre devotedly, and he did not love him: was that his own fault? Gratitude! seen closely, it made no valid claim: his father’s life would have been dreary without him: are we convicted of a debt to men for the pleasures they give themselves?

      Having once begun to explain away Baldassarre’s claim, Tito’s thought showed itself as active as a virulent acid, eating its rapid way through all the tissues of sentiment. His mind was destitute of that dread which has been erroneously decried as if it were nothing higher than a man’s animal care for his own skin: that awe of the Divine Nemesis which was felt by religious pagans, and, though it took a more positive form under Christianity, is still felt by the mass of mankind simply as a vague fear at anything which is called wrong-doing. Such terror of the unseen is so far above mere sensual cowardice that it will annihilate that cowardice: it is the initial recognition of a moral law restraining desire, and checks the hard bold scrutiny of imperfect thought into obligations which can never be proved to have any sanctity in the absence of feeling. “It is good,” sing the old Eumenides, in Aeschylus, “that fear should sit as the guardian of the soul, forcing it into wisdom—good that men should carry a threatening shadow in their hearts under the full sunshine; else, how should they learn to revere the right?” That guardianship may become needless; but only when all outward law has become needless—only when duty and love have united in one stream and made a common force.

      As Tito entered the outer cloister of San Marco, and inquired for Fra Luca, there was no shadowy presentiment in his mind: he felt himself too cultured and sceptical for that: he had been nurtured in contempt for the tales of priests whose impudent lives were a proverb, and in erudite familiarity with disputes concerning the Chief Good, which had after all, he considered, left it a matter of taste. Yet fear was a strong element in Tito’s nature—the fear of what he believed or saw was likely to rob him of pleasure: and he had a definite fear that Fra Luca might be the means of driving him from Florence.

      “Fra Luca? ah, he is gone to Fiesole—to the Dominican monastery there. He was taken on a litter in the cool of the morning. The poor Brother is very ill. Could you leave a message for him?”

      This answer was given by a fra converso, or lay brother, whose accent told plainly that he was a raw contadino, and whose dull glance implied no curiosity.

      “Thanks; my business can wait.”

      Tito turned away with a sense of relief. “This friar is not likely to live,” he said to himself. “I saw he was worn to a shadow. And at Fiesole there will be nothing to recall me to his mind. Besides, if he should come back, my explanation will serve as well then as now. But I wish I knew what it was that his face recalled to me.”

      Chapter Twelve.

      The Prize is nearly grasped

      Tito walked along with a light step, for the immediate fear had vanished; the usual joyousness of his disposition reassumed its predominance, and he was going to see Romola. Yet Romola’s life seemed an image of that loving, pitying devotedness, that patient endurance of irksome tasks, from which he had shrunk and excused himself. But he was not out of love with goodness, or prepared to plunge into vice: he was in his fresh youth, with soft pulses for all charm and loveliness; he had still a healthy appetite for ordinary human joys, and the poison could only work by degrees. He had sold himself to evil, but at present life seemed so nearly the same to him that he was not conscious of the bond. He meant all things to go on as they had done before, both within and without him: he meant to win golden opinions by meritorious exertion, by ingenious learning, by amiable compliance: he was not going to do anything that would throw him out of harmony with the beings he cared for. And he cared supremely for Romola; he wished to have her for his beautiful and loving wife. There might be a wealthier alliance within the ultimate reach of successful accomplishments like his, but there was no woman in all Florence like Romola. When she was near him, and looked at him with her sincere hazel eyes, he was subdued by a delicious influence as strong and inevitable as those musical vibrations which take possession of us with a rhythmic empire that no sooner ceases than we desire it to begin again.

      As he trod the stone stairs, when he was still outside the door, with no one but Maso near him, the influence seemed to have begun its work by the mere nearness of anticipation.

      “Welcome, Tito mio,” said the old man’s voice, before Tito had spoken. There was a new vigour in the voice, a new cheerfulness in the blind face, since that first interview more than two months ago. “You have brought fresh manuscript, doubtless; but since we were talking last night I have had new ideas: we must take a wider scope—we must go back upon our footsteps.”

      Tito, paying his homage to Romola as he advanced, went, as his custom was, straight to Bardo’s chair, and put his hand in the palm that was held to receive it, placing himself on the cross-legged leather seat with scrolled ends, close to Bardo’s elbow.

      “Yes,” he said, in his gentle way; “I have brought the new manuscript, but that can wait your pleasure. I have young limbs, you know, and can walk back up the hill without

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