The Story of Siegfried. Baldwin James

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died away. “Tell me who you are, and I will go to the ends of the earth with you.”

      “I am Bragi,” answered the harper, smiling. And Siegfried noticed then that the ship was laden with flowers of every hue, and that thousands of singing birds circled around and above it, filling the air with the sound of their glad twitterings.

      Now, Bragi was the sweetest musician in all the world. It was said by some that his home was with the song-birds, and that he had learned his skill from them. But this was only part of the truth: for wherever there was loveliness or beauty, or things noble and pure, there was Bragi; and his wondrous power in music and song was but the outward sign of a blameless soul. When he touched the strings of his golden harp, all Nature was charmed with the sweet harmony: the savage beasts of the wood crept near to listen; the birds paused in their flight; the waves of the sea were becalmed, and the winds were hushed; the leaping waterfall was still, and the rushing torrent tarried in its bed; the elves forgot their hidden treasures, and joined in silent dance around him; and the strom-karls and the musicians of the wood vainly tried to imitate him. And he was as fair of speech as he was skilful in song. His words were so persuasive that he had been known to call the fishes from the sea, to move great lifeless rocks, and, what is harder, the hearts of kings. He understood the voice of the birds, and the whispering of the breeze, the murmur of the waves, and the roar of the waterfalls. He knew the length and breadth of the earth, and the secrets of the sea, and the language of the stars. And every day he talked with Odin the All-Father, and with the wise and good in the sunlit halls of Gladsheim. And once every year he went to the North-lands, and woke the earth from its long winter’s sleep, and scattered music and smiles and beauty everywhere.15

      Right gladly did Siegfried agree to sail with Bragi over the sea; for he wot that the bright Asa-god would be a very different guide from the cunning, evil-eyed Regin. So he went on board with Bragi, and the gleaming Greyfell followed them, and the sailors sat at their oars. And Bragi stood in the prow, and touched the strings of his harp. And, as the music arose, the white sails leaped up the masts, and a warm south breeze began to blow; and the little vessel, wafted by sweet sounds and the incense of spring, sped gladly away over the sea.

      Adventure V. In AEgir’s Kingdom

      The vessel in which Siegfried sailed was soon far out at sea; for the balmy south wind, and the songs of the birds, and the music from Bragi’s harp, all urged it cheerily on. And Siegfried sat at the helm, and guided it in its course. By and by they lost all sight of land, and the sailors wist not where they were; but they knew that Bragi, the Wise, would bring them safely into some haven whenever it should so please him, and they felt no fear. And the fishes leaped up out of the water as the white ship sped by on woven wings; and the monsters of the deep paused, and listened to the sweet music which floated down from above. After a time the vessel began to meet great ice-mountains in the sea,—mountains which the Reifriesen, and old Hoder, the King of the winter months, had sent drifting down from the frozen land of the north. But these melted at the sound of Bragi’s music and at the sight of Siegfried’s radiant armor. And the cold breath of the Frost-giants, which had driven them in their course, turned, and became the ally of the south wind.

      At length they came in sight of a dark shore, which stretched on either hand, north and south, as far as the eye could reach; and as they drew nearer they saw a line of huge mountains, rising, as it were, out of the water, and stretching their gray heads far above the clouds. And the overhanging cliffs seemed to look down, half in anger, half in pity, upon the little white winged vessel which had dared thus to sail through these unknown waters. But the surface of the sea was smooth as glass; and the gentle breeze drove the ship slowly forwards through the calm water, and along the rock-bound coast, and within the dark shadows of the mountain-peaks. Long ago the Frost-giants had piled great heaps of snow upon these peaks, and built huge fortresses of ice between, and sought, indeed, to clasp in their cold embrace the whole of the Norwegian land. But the breezes of the South-land that came with Bragi’s ship now played among the rocky steeps, and swept over the frozen slopes above, and melted the snow and ice; and thousands of rivulets of half-frozen water ran down the mountain-sides, and tumbled into rocky gorges, or plunged into the sea. And the grass began to grow on the sunny slopes, and the flowers peeped up through the half-melted snow, and the music of spring was heard on every side. Now and then the little vessel passed by deep, dark inlets enclosed between high mountain-walls, and reaching many leagues far into land. But the sailors steered clear of these shadowy fjords; for they said that Ran, the dread Ocean-queen, lived there, and spread her nets in the deep green waters to entangle unwary seafaring men. And the sound of Bragi’s harp awakened all sleeping things; and it was carried from rock to rock, and from mountain-height to valley, and was borne on the breeze far up the fjords, and all over the land.

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      Siegfried’s Boyhood.

      “All men agree that Siegfried was a king’s son. He was born, as we here have good reason to know, ‘at Santen in Netherland,’ of Siegmund and the fair Siegelinde; yet by some family misfortune or discord, of which the accounts are very various, he came into singular straits during boyhood, having passed that happy period of life, not under the canopies of costly state, but by the sooty stithy, in one Mimer, a blacksmith’s shop.”—Thomas Carlyle, The Nibelungen Lied.

      The older versions of this story represent Siegfried, under the name of Sigurd, as being brought up at the court of the Danish King Hialprek; his own father Sigmund having been slain in battle, as related in this chapter. He was early placed under the tuition of Regin, or Regino, an elf, who instructed his pupil in draughts, runes, languages, and various other accomplishments.—See Preface to Vollmer’s Nibelunge Not, also the Song of Sigurd Fafnisbane, in the Elder Edda, and the Icelandic Volsunga Saga.

      2

      The Sword.

      “By this sword Balmung also hangs a tale. Doubtless it was one of those invaluable weapons sometimes fabricated by the old Northern smiths, compared with which our modern Foxes and Ferraras and Toledos are mere leaden tools. Von der Hagen seems to think it simply the sword Mimung under another name; in which case, Siegfried’s old master, Mimer, had been the maker of it, and called it after himself, as if it had been his son.”—Carlyle, on the Nibelungen Lied, note.

      In Sca

1

Siegfried’s Boyhood.

“All men agree that Siegfried was a king’s son. He was born, as we here have good reason to know, ‘at Santen in Netherland,’ of Siegmund and the fair Siegelinde; yet by some family misfortune or discord, of which the accounts are very various, he came into singular straits during boyhood, having passed that happy period of life,

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<p>15</p>

Of Siegfried, but is here introduced in order to acquaint you with some of the older myths of our ancestors. Bragi was the impersonation of music and eloquence, and here represents the music of Nature,—the glad songs and sounds of the spring-time. “Above any other god,” says Grimm, “one would like to see a more general veneration of Bragi revived, in whom was vested the gift of poetry and eloquence.... He appears to have stood in pretty close relation to AEgir.”