under the name of Sigurd, as being brought up at the court of the Danish King Hialprek; his own father Sigmund having been slain in battle, as related in this chapter. He was early placed under the tuition of Regin, or Regino, an elf, who instructed his pupil in draughts, runes, languages, and various other accomplishments.—See Preface to Vollmer’s Nibelunge Not, also the Song of Sigurd Fafnisbane, in the Elder Edda, and the Icelandic Volsunga Saga.
2
The Sword.
“By this sword Balmung also hangs a tale. Doubtless it was one of those invaluable weapons sometimes fabricated by the old Northern smiths, compared with which our modern Foxes and Ferraras and Toledos are mere leaden tools. Von der Hagen seems to think it simply the sword Mimung under another name; in which case, Siegfried’s old master, Mimer, had been the maker of it, and called it after himself, as if it had been his son.”—Carlyle, on the Nibelungen Lied, note.
In Scandinavian legends, the story of Mimer and Amilias is given, differing but slightly from the rendering in this chapter.—See Weber and Jamieson’s Illustrations of Northern Antiquities.
In the older versions of the myth, the sword is called Gram, or the Wrath. It was wrought from the shards, or broken pieces, of Sigmund’s sword, the gift of Odin. It was made by Regin for Sigurd’s (Siegfried’s) use, and its temper was tested as here described.
3
Sigmund The Volsung.
Sigmund the Volsung, in the Volsunga Saga, is represented as the father of Sigurd (Siegfried); but there is such a marked contrast between him, and the wise, home-abiding King Siegmund of the later stories, that I have thought proper to speak of them here as two different individuals. The word “Sigmund,” or “Siegmund,” means literally the mouth of victory. The story of the Volsungs, as here supposed to be related by Mimer, is derived mainly from the Volsunga Saga.
4
The Idea of Fatality.
Throughout the story of the Nibelungs and Volsungs, of Sigurd and of Siegfried,—whether we follow the older versions or the mote recent renderings,—there is, as it were, an ever-present but indefinable shadow of coming fate, “a low, inarticulate voice of Doom,” foretelling the inevitable. This is but in consonance with the general ideas of our Northern ancestors regarding the fatality which shapes and controls every man’s life. These ideas are embodied in more than one ancient legend. We find them in the old Anglo-Saxon poem of Beowulf. “To us,” cries Beowulf in his last fight, “to us it shall be as our Weird betides,—that Weird that is every man’s lord!” “Each man of us shall abide the end of his life-work; let him that may work, work his doomed deeds ere death comes!” Similar ideas prevailed among the Greeks. Read, for example, that passage in the Iliad describing the parting of Hector and Andromache, and notice the deeper meaning of Hector’s words.
5
Mimer.
“The Vilkinasaga brings before us yet another smith, Mimer, by whom not only is Velint instructed in his art, but Sigfrit (Siegfried) is brought up,—another smith’s apprentice. He is occasionally mentioned in the later poem of Biterolf, as Mime the Old. The old name of Munster in Westphalia was Mimigardiford; the Westphalian Minden was originally Mimidun; and Memleben on the Unstrut, Mimileba.. .. The elder Norse tradition names him just as often, and in several different connections. In one place, a Mimingus, a wood-satyr, and possessor of a sword and jewels, is interwoven into the myth of Balder and Hoder. The Edda gives a higher position to its Mimer. He has a fountain, in which wisdom and understanding lie hidden: drinking of it every morning, he is the wisest, most intelligent, of men. To Mimer’s fountain came Odin, and desired a drink, but did not receive it till he had given one of his eyes in pledge, and hidden it in the fountain: this accounts for Odin being one-eyed.... Mimer is no Asa, but an exalted being with whom the Asas hold converse, of whom they make use,—the sum total of wisdom, possibly an older Nature-god. Later fables degraded him into a wood-sprite, or clever smith.”—Grimm’s Deutsche Mythologie, I. p. 379.
Concerning the Mimer of the Eddas, Professor Anderson says, “The name Mimer means the knowing. The Giants, being older than the Asas, looked deeper than the latter into the darkness of the past. They had witnessed the birth of the gods and the beginning of the world, and they foresaw their downfall. Concerning both these events, the gods had to go to them for knowledge. It is this wisdom that Mimer keeps in his fountain.”—Norse Mythology, p 209.
In the older versions of the legend, the smith who cared for Siegfried (Sigurd) is called, as we have before noticed, Regin. He is thus described by Morris:—
“The lore of all men he knew,
6
Siegfried’s Journey Into The Forest.
“In the shop of Mimer, Siegfried was nowise in his proper element, ever quarrelling with his fellow-apprentices, nay, as some say, breaking the hardest anvils into shivers by his too stout hammering; so that Mimer, otherwise a first-rate smith, could by no means do with him there. He sends him, accordingly, to the neighboring forest to fetch charcoal, well aware that a monstrous dragon, one Regin, the smith’s own brother, would meet him, and devour him. But far otherwise it proved.”—Carlyle, on The Nibelungen Lied.
7
The Norns.
The Norns are the Fates, which watch over man through life. They are Urd the Past, Verdande the Present, and Skuld the Future. They approach every new-born child, and utter his doom. They are represented as spinning the thread of fate, one end of which is hidden by Urd in the far east, the other by Verdande in the far west. Skuld stands ready to rend it in pieces. —See Grimm’s Teutonic Mythology, p. 405, also Anderson’s Norse Mythology, p. 209.
The three weird women in Shakespeare’s Tragedy of Macbeth represent a later conception of the three Norns, now degraded to mere witches.
Compare the Norns with the Fates of the Greek Mythology. These, also, are three in number. They sit clothed in white, and garlanded, singing of destiny. Clotho, the Past, spins; Lachesis, the Present, divides; and Atropos, the Future, stands ready with her shears to cut the thread.
8
Regin.
As we have already observed, the older versions of this myth called Siegfried’s master and teacher Regin, while the more recent versions call him Mimer. We have here endeavored to harmonize the two versions by representing Mimer as being merely Regin in disguise.
9
Gripir.
“A man of few words was Gripir; but he knew of all deeds that had been; And times there came upon him, when the deeds to be were seen: No sword had he held in his hand since his father fell to field, And against the life of the slayer he bore undinted shield: Yet no fear in his heart abided, nor desired he aught at all: But he noted the deeds that had been, and looked for what should befall.” Morris’s Sigurd the Volsung, Bk. II.
10
The Hoard.
This story is found in both the Elder and the Younger Eddas, and is really the basis upon which the entire plot of the legend of Sigurd, or Siegfried, is constructed. See also.
11
The Norns.
The Norns are the Fates, which watch over man through life. They are Urd the Past, Verdande the Present, and Skuld the Future. They approach every new-born child, and utter his doom. They are represented as spinning the thread of fate, one end of which is hidden by Urd in the far east, the other by Verdande in the far west. Skuld stands ready to rend it in pieces. —See Grimm’s Teutonic Mythology, p. 405, also Anderson’s Norse Mythology, p. 209.
The three weird women in Shakespeare’s Tragedy of Macbeth represent a later conception of the three Norns, now degraded to mere witches.
Compare the Norns with the Fates of the Greek Mythology. These, also, are three in number. They sit clothed in white, and garlanded, singing of destiny. Clotho, the Past, spins; Lachesis, the Present, divides; and Atropos, the Future, stands ready with her shears to cut the thread.
12
The
