The Atlantic Monthly, Volume 11, No. 63, January, 1863. Various
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"No work for to-night! I'll teach you how to keep Christmas, Janet, woman!"
It was her first, one might say. Orphan girls that go about from house to house sewing, as Jinny had done, don't learn Christmas by heart year by year. It was a new experience: she was taking it in, one would think, to look at her, with all her might, with the earnest blue eyes, the shut-up brain behind the narrow forehead, the loving heart: a contracted tenement, that heart, by-the-by, adapted for single lodgers. She wasn't quite sure that Christmas was not, after all, a relic of Papistry,—for Jinny was a thorough Protestant: a Christian, as far as she understood Him, with a keen interest in the Indian missions. "Let us begin in our own country," she said, and always prayed for the Sioux just after Adam and Baby. In fact, if we are all parts of God's temple, Jinny was a very essential, cohesive bit of mortar. Adam had a wider door for his charity: it took all the world in, he thought,—though the preachers did enter with a shove, as we know. However, this was Christmas: the word took up all common things, the fierce wind without, the clean hearth, the modest color on her cheek, the very baby, and made of them one grand, sweet poem, that sang to the man the same story the angels told eighteen centuries ago: "Glory to God in the highest, and on earth peace, good-will toward men."
Sitting there in the evenings, Adam was the talker: such a fund of anecdote he had! Jinny never could hear the same story too often. To-night there was a bit of a sigh in them: his heart was tender: about the Christmases at home, when he and Nelly were little chubs together, and hung up their stockings regularly every Christmas eve.
"Twins, Nelly an' me was, oldest of all. When I was bound to old Lowe, it went hard, ef I couldn't scratch together enough for a bit of ribbon-bow or a ring for Nell, come Christmas. She used to sell the old flour-barrels an' rags, an' have her gift all ready by my plate that mornin': never missed. I never hed a sweetheart then."
Jinny laid her hand on his knee.
"Ye 'r' glad o' that, little woman? Well, well! I didn't care for women, only Ellen. She was the only livin' thing as come near me. I gripped on to her like death, havin' only her. But she—hed more nor me."
Jinny knew the story well.
"She went away with him?" softly.
"Yes, she did. I don't blame her. She was young, unlarned. No man cared for our souls. So, when she loved him well, she thort God spoke to her. So she was tuk from me. She went away."
He patted the baby, his skinny hand all shaking. Jinny took it in hers, and, leaning over, stroked his hair.
"You've hed hard trouble, to turn it gray like this."
"No trouble like that, woman, when he left her."
"Left her! An' then she was tired of God, an' of livin', or dyin'. So as she loved him! You know, my husband. As I love you. An' he left her! What wonder what she did? All alone! So as she loved him still! God shut His eyes to what she did."
The yellow, shaggy face was suddenly turned from her. The voice choked.
"Did He, little woman? You know."
"So, when she was a-tryin' to forget, the only way she knew, God sent an angel to bring her up, an' have her soul washed clean."
Adam laughed bitterly.
"That's not the way men told the story, child. I got there six months after: to New York, you know. I found in an old paper jes' these words: 'The woman, Ellen Myers, found dead yesterday on one of the docks, was identified. Died of starvation and whiskey.' That was Nelly, as used to hang up her stockin' with me. Christian people read that. But nobody cried but me."
"They're tryin' to help them now at the Five Points there."
"God help them as helps others this Christmas night! But it's not for such as you to talk of the Five Points, Janet," rousing himself. "What frabbit me to talk of Nelly the night? Someways she's been beside me all day, as if she was grippin' me by the sleeve, beggin', dumb-like."
The moody frown deepened.
"The baby! See, Adam, it'll waken! Quick, man!"
And Adam, with a start, began hushing it after the fashion of a chimpanzee. The old bell rang out another hour: how genial and loving it was!
"Nine o'clock! Let me up, boys!"—and Lot Tyndal hustled them aside from the steps of the concert-hall. They made way for her: her thin, white arms could deal furious blows, they knew from experience. Besides, they had seen her, when provoked, fall in some cellar-door in a livid dead spasm. They were afraid of her. Her filthy, wet skirt flapped against her feet, as she went up; she pulled her flaunting bonnet closer over her head. There was a small room at the top of the stairs, a sort of greenroom for the performers. Lot shoved the door open and went in. Madame – was there, the prima-donna, if you chose to call her so: the rankest bloom of fifty summers, in white satin and pearls: a faded dahlia. Women hinted that the fragrance of the dahlia had not been healthful in the world; but they crowded to hear her: such a wonderful contralto! The manager, a thin old man, with a hook-nose, and kindly, uncertain smile, stood by the stove, with a group of gentlemen about him. The wretch from the street went up to him, unsteadily.
"Lot's drunk," one door-keeper whispered to another.
"No; the Devil's in her, though, like a tiger, to-night."
Yet there was a certain grace and beauty in her face, as she looked at the manager, and spoke low and sudden.
"I'm not a beggar. I want money,—honest money. It's Christmas eve. They say you want a voice for the chorus, in the carols. Put me where I'll be hid, and I'll sing for you."
The manager's hand fell from his watch-chain. Storrs, a young lawyer of the place, touched his shoulder.
"Don't look so aghast, Pumphrey. Let her sing a ballad to show you. Her voice is a real curiosity."
Madame – looked dubiously across the room: her black maid had whispered to her. Lot belonged to an order she had never met face to face before: one that lives in the suburbs of hell.
"Let her sing, Pumphrey."
"If"–looking anxiously to the lady.
"Certainly," drawled that type of purity. "If it is so curious, her voice."
"Sing, then," nodding to the girl.
There was a strange fierceness under her dead, gray eye.
"Do you mean to employ me to-night?"
Her tones were low, soft, from her teeth out, as I told you. Her soul was chained, below: a young girl's soul, hardly older than your little daughter's there, who sings Sunday-school hymns for you in the evenings. Yet one fancied, if this girl's soul were let loose, it would utter a madder cry than any fiend in hell.
"Do you mean to employ me?" biting her finger-ends until they bled.
"Don't be foolish, Charlotte," whispered Storrs. "You may be thankful you're not sent to jail instead. But sing for him. He'll give you something, may-be."
She did not damn him, as he expected, stood quiet a moment, her eyelids fallen, relaxed with an inexpressible weariness. A black porter came to throw coals into the stove: he