The Atlantic Monthly, Volume 01, No. 05, March, 1858. Various

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The Atlantic Monthly, Volume 01, No. 05, March, 1858 - Various

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assisted, I got on tolerably well, though at first I made some awful mistakes in the names of places mentioned by witnesses in courts of justice and elsewhere. For instance, at the assizes, a man swore that he resided at a place which he pronounced Monothosluin, and so I spelt it in my report. "Cot pless me, Sur!—sure inteed, and you have not spelt hur right," remarked Mr. Morgan, the foreman; and for my edification he set it up thus,—Mynyddysllwyn. I almost turned my tongue into a corkscrew, trying to speak the word as he did, and I fairly gave up in despair. After that, I made it a rule, when I did not know how to spell some unpronounceable word, to huddle a number of consonants together in most admired disorder, and I was then usually nearer correctness than if I had orthographized by ear.

      I had been installed in the editorial chair some six months when Mr. F– informed me it was necessary I should visit Abergavenny, a town some twenty-five miles distant, for the purpose of reporting the proceedings at the CYMREIGGDDYON.

      "And what the deuse is that?" I inquired.

      I learned that it was a Triennial Musical Festival, so called,—at which all the musical talent of Wales would be present; in short, that it was a very grand occasion indeed, would be patronized by the aristocracy of the Principality, and full reports of each of the three days' proceedings were absolutely necessary.

      Here again the Welsh difficulty started up; but as the Cymreiggddyon would be quite a novelty, I determined to trust to Chance and Circumstance,—two allies of mine who have gallantly aided me in many a tough battle of literary life.

      Remembering the words of Goldsmith,—"The young noble who is whirled through Europe in his chariot sees society at a peculiar elevation, and draws conclusions widely different from him who makes the grand tour on foot," I determined to make my way to Abergavenny either by means of my own legs or through the chance aid of those of a Welsh pony. So, one bright morning, with stick in hand, knapsack on shoulder, and a wandering artist for a companion, I started for the iron district, as that part of Wales is termed. Wildly romantic were the roads we traversed; and after having threaded many a glen, leaped frequent torrents, ascended and descended mountains with impossible names, and plodded wearily across dreary moors, glad enough were we to observe, in the less thinly scattered cottages, indications of a town.

      The clouds had been gathering ominously during the latter half of our long day of travel,—and as the sun set blood-red behind a heavy bank of vapor, it cast lurid reflections on large bodies of dense mist, which sailed heavily athwart the crests of the mountains, with low, ragged, trailing edges, that were too surely the precursors of a storm. Just before the orb finally disappeared, its slant rays streamed through some dark purple bars on the horizon's verge, and for an instant tinged the opposite distant mountains with strange supernatural hues. The Blorenge and the Sugar Loaf glowed like huge carbuncles, while the pale green light which bathed their bases gleamed faintly like a setting of aqua-marina. My artist companion incontinently fell into professional raptures, and raved of "effect," and "Turner," and "Ruskin," heedless of my advice that he had better hasten onward, lest night should overtake us in that wild region, where sheep-tracks, scarcely visible even by daylight, were our sole guides. At length, however, I managed to start him, and on we stalked, the decreasing twilight and the distant reverberations of thunder among the mountains hastening our steps, until they became almost a trot.

      But soon the trot declined once more into a walk, and a slow one too,—for we entered a gloomy pass or gorge, whose rocky walls on either side effectually excluded what little light yet lingered in the sky. Cautiously picking our way, we slowly travelled on, until at length we became sensible of a faint red flush in the narrow strip of sky overhead. It seemed as though the sun had just wheeled back to give a forgotten message to some starry-night-watcher,—or so my companion intimated. But, unfortunately for his theory, the dull red glare above us, which every moment deepened in intensity, was evidently the reflection of earthly, not heavenly fire. I had seen too many conflagrations to doubt that for an instant. Presently a dull, confused sound fell on our ears, and at a sudden turn round an angle of our mountain road we stood speechless as we gazed on a spectacle which Milton might have conceived and Martin painted.

        "Far other light than that of day there shone

        Upon the wanderers entering Padalon,"

      murmured the artist, as he gazed on the strange scene. And strange indeed was it to our startled eyes. We stood on the end and summit of a mountain spur, some two thousand feet above the valley, or rather basin, below, from the centre of which burst forth a thousand fires, whose dull roar—dulled by distance—was like "the noise of the sea on an iron-bound shore." The extent of space covered by those strange, fierce fires must have amounted to many acres,—in fact, did so, as we afterwards ascertained,—and the effect produced by them may be partially imagined when it is remembered that these flames were of all hues, from rich ruby-red, to the pale lurid light of burning sulphur. Fancy all the gems of Aladdin's Palace or Sinbad's Valley in fierce flashing combustion, immensely magnified, and you may form some faint idea of the scene in that Welsh valley.

      Stretching out, like spokes of a gigantic wheel, from their fiery centre, were huge embankments, like those of Titanic railways, whose summits and sides, especially towards their extremities, glowed in patches with all the hues of the rainbow. As I gazed wonderingly on one of these,—a real mountain of light, far surpassing the Koh-i-Noor,—I observed a dark figure gliding along its summit, pushing something before it, like a black imp conveying an unfortunate soul from one part of Tophet to another. At the extremity of the ridge the imp stopped, and suddenly there shot down the steep, not a tortured ghost, but a shower of radiant gems even more brilliant than those to which I have already referred.

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      In 1844, Padre Marchi published a series of numbers, seventeen in all, of a work entitled Monumenti delle Arti Cristiane Primitive nella Metropol del Cristianesmo. The numbers are in quarto, and illustrated by many carefully executed plates. The work was never completed; but it contains a vast amount of important information, chiefly the result of Padre Marchi's own inquiries. The Cavaliere de Rossi, still a young man, one of the most learned and accomplished scholars of Italy, is engaged at present in editing all the Christian inscriptions of the first six centuries. No part of this work has yet appeared. He is the highest living authority on any question regarding the catacombs. The work of the French Commission has been published at Paris in the most magnificent style, in six imperial folio volumes, under the title, Catacombes de Rome, etc., etc. Par LOUIS PERRET. Ouvrage publié par Ordre et aux Frais du Gouvernement, sous la Direction d'une Commission composée de MM. AMPERE, INGRES, MERIMÉE, VITET. It consists of four volumes of elaborate colored plates of architecture, mural paintings, and all works of art found in the catacombs, with one volume of inscriptions, reduced in fac-simile from the originals, and one volume of text.

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