Hamlet we see everything questioned except the duty of revenge. In all Shakespeare’s works the conception of good really operative – whatever the characters may say – seems to be purely worldly. In medieval romance, honour and sexual love are the true values; in nineteenth-century fiction, sexual love and material prosperity. In romantic poetry, either the enjoyment of nature (ranging from pantheistic mysticism at one end of the scale to mere innocent sensuousness at the other) or else the indulgence of a Sehnsucht awakened by the past, the distant, and the imagined, but not believed, supernatural. In modern literature, the life of liberated instinct. There are, of course, exceptions: but to study these exceptions would not be to study literature as such, and as a whole. ‘All literatures,’ as Newman has said*, ‘are one; they are the voices of the natural man … if Literature is to be made a study of human nature, you cannot have a Christian Literature. It is a contradiction in terms to attempt a sinless Literature of sinful man.’ And I could not doubt that the sub-Christian or anti-Christian values implicit in most literature did actually infect many readers. Only a few days ago I was watching, in some scholarship papers, the results of this infection in a belief that the crimes of such Shakespearian characters as Cleopatra and Macbeth were somehow compensated for by a quality described as their ‘greatness’. This very morning I have read in a critic the remark that if the wicked lovers in Webster’s White Devil had repented we should hardly have forgiven them. And many people certainly draw from Keat’s phrase about negative capability or ‘love of good and evil’ (if the reading which attributes to him such meaningless words is correct) a strange doctrine that experience simpliciter is good. I do not say that the sympathetic reading of literature must produce such results, but that it may and often does. If we are to answer the Fathers’ attack on pagan literature we must not ground our answer on a belief that literature as a whole has become, in any important sense, more Christian since their days.
In Thomas Aquinas I could not find anything directly bearing on my problem; but I am very poor Thomist and shall be grateful for correction on this point.
Thomas à Kempis I take to be definitely on the anti-cultural side.
In the Theologia Germanica (cap. XX) I found that nature’s refusal of the life of Christ ‘happeneth most of all where there are high natural gifts of reason, for that soareth upwards in its own light and by its own power, till at last it cometh to think itself the true Eternal Light.’ But in a later chapter (XLII) I found the evil of the false light identified with its tendency to love knowledge and discernment more than the object known and discerned. This seemed to point to the possibility of a knowledge which avoided that error.
The cumulative effect of all this was very discouraging to culture. On the other side – perhaps only through the accidental distribution of my ignorance – I found much less.
I found the famous saying, attributed to Gregory, that our use of secular culture was comparable to the action of the Israelites in going down to the Philistines to have their knives sharpened. This seems to me a most satisfactory argument as far as it goes, and very relevant to modern conditions. If we are to convert our heathen neighbours, we must understand their culture. We must ‘beat them at their own game’. But of course, while this would justify Christian culture (at least for some Christians whose vocation lay in that direction) at the moment, it would come very far short of the claims made for culture in our modern tradition. On the Gregorian view culture is a weapon; and a weapon is essentially a thing we lay aside as soon as we safely can.
In Milton I found a disquieting ally. His Areopagitica troubled me just as Brother Every’s article had troubled me. He seemed to make too little of the difficulties; and his glorious defence of freedom to explore all good and evil seemed, after all, to be based on an aristocratic preoccupation with great souls and a contemptuous indifference to the mass of mankind which, I suppose, no Christian can tolerate.
Finally I came to that book of Newman’s from which I have already quoted, the lectures on University Education. Here at last I found an author who seemed to be aware of both sides of the question; for no one ever insisted so eloquently as Newman on the beauty of culture for its own sake, and no one ever so sternly resisted the temptation to confuse it with things spiritual. The cultivation of the intellect, according to him, is ‘for this world’:* between it and ‘genuine religion’ there is a ‘radical difference’;† it makes ‘not the Christian … but the gentleman’, and looks like virtue ‘only at a distance’,‡ he ‘will not for an instant allow’ that it makes men better§. The ‘pastors of the Church’ may indeed welcome culture because it provides innocent distraction at those moments of spiritual relaxation which would otherwise very likely lead to sin; and in this way it often ‘draws the mind off from things which will harm it to subjects worthy of a rational being’. But even in so doing ‘it does not raise it above nature, nor has any tendency to make us pleasing to our Maker’.* In some instances the cultural and the spiritual value of an activity may even be in inverse ratio. Theology, when it ceases to be part of liberal knowledge, and is pursued for purely pastoral ends, gain in ‘meritoriousness’ but loses in liberality ‘just as a face worn by tears and fasting loses its beauty’.† On the other hand Newman is certain that liberal knowledge is an end in itself; the whole of the fourth Discourse is devoted to this theme. The solution of this apparent antinomy lies in his doctrine that everything, including, of course, the intellect, ‘has its own perfection. Things animate, inanimate, visible, invisible, all are good in their kind, and have a best of themselves, which is an object of pursuit.’‡ To perfect the mind is ‘an object as intelligible as the cultivation of virtue, while, at the same time, it is absolutely distinct from it’.§
Whether because I am too poor a theologian to understand the implied doctrine of grace and nature, or for some other reason, I have not been able to make Newman’s conclusion my own. I can well understand that there is a kind of goodness which is not moral; as a well-grown healthy toad is ‘better’ or ‘more perfect’ than a three-legged toad, or an archangel is ‘better’ than an angel. In this sense a clever man is ‘better’ than a dull one, or any man than any chimpanzee. The trouble comes when we start asking how much of our time and energy God wants us to spend in becoming ‘better’ or ‘more perfect’ in this sense. If Newman is right in saying that culture has no tendency ‘to make us pleasing to our Maker’, then the answer would seem to be, ‘None.’ And that is a tenable view: as though God said, ‘Your natural degree of perfection, your place in the chain of being, is my affair: do you get on with what I have explicitly left as your task – righteousness.’ But if Newman had thought this he would not, I suppose, have written the discourse on ‘Liberal Knowledge its Own End’. On the other hand, it would be possible to hold (perhaps it is pretty generally held) that one of the moral duties of a rational creature was to attain to the highest non-moral perfection it could. But if this were so, then (a) The perfecting of the mind would not be ‘absolutely distinct’ from virtue but part of the content of virtue; and (b) It would be very odd that Scripture and the tradition of the Church have little or nothing to say about this duty. I am afraid that Newman has left the problem very much where he found it. He has clarified our minds by explaining that culture gives us a non-moral ‘perfection’. But on the real problem – that of relating such non-moral values to the duty or interest of creatures who are every minute advancing either to heaven or hell – he seems to help little. ‘Sensitivity’ may be a perfection: but if by becoming sensitive I neither please God nor save my soul, why should I become sensitive? Indeed, what exactly is meant by a ‘perfection’ compatible with utter loss of the end for which I was created?
My researches left me with the impression that there could be no question of restoring to culture the kind of status which I had given it before my conversion. If any constructive case for culture was to be built up it would have to be of a much humbler kind; and the whole tradition of educated infidelity from Arnold
