itself visible in a variety of guises to Dinah and the two younger children of the house - as a devil, a black dog and a man in white robes. Finally, when the entity had got the attention it craved, it was said to have departed from the farm singing beautiful music in the sky.
Sceptics argue that Dinah and the children may have been responsible for the whole phenomena, tricking their parents into believing an entity existed, but this does not explain how they could convince a whole crowd of adults. The case has never been resolved but some experts believe that the poltergeist, having finally got some attention, calmed down and went away. According to this theory, poltergeists can act like humans at times, perhaps behaving badly out of boredom or a need to attract attention. Once they get the attention they want their disruptive behaviour ceases.
DAPHNOMANCY
A form of divination that predicted the future through burning a branch of laurel in an open fire. If the laurel burned with a good crackling sound this was a good omen, but if the laurel burned slowly and quietly this was a bad sign.
The practice dates back to ancient Rome where a sacred grove of laurel trees was planted by each emperor when they ascended to the throne. In the year AD 68 the laurel grove withered and died. This was the same year Emperor Nero died and the long line of Caesars came to an end.
DAVENPORT BROTHERS
The Davenport brothers conducted one of the most popular and successful séance acts of the nineteenth century. Ira Erastas and William Henry Davenport added the spirit cabinet to the medium’s repertoire and their sophisticated performances amazed and mystified audiences all over America and Europe.
Ira Davenport was born in Buffalo, New York on 17 September 1839, and his brother William two years later, on 1 February 1841. Their father, a New York policeman, was interested in stories of rappings reported in nearby Rochester and decided to try a sitting at home with his family. Almost immediately they got results and Mr Davenport would later tell friends that the boys and their younger sister Elizabeth levitated about the room.
The family began to hold regular séances and at one in 1850 the family made contact with their spirit guide, an entity named John King. It was King who allegedly told the family to rent a hall and give public performances, and in 1855, the boys went on stage for the first time, aged 16 and 14. At first their act consisted of table tilting and rapping but soon the Davenport brothers began to introduce new phenomena, such as floating musical instruments playing under their own power and playful spirit hands that touched and pulled at audience members. By the end of the year the brothers had introduced escapes from complicated rope bindings and knots into their séances and, what would eventually become the signature for their act, the spirit cabinet.
The cabinet was a box, similar to a closet, which would be erected on stage. A sceptical member of the audience would be asked to bind and tie the brothers inside the cabinet, making it seemingly impossible for them to escape. However, as soon as the cabinet doors were closed, and the lights turned off, spirit music would play and disembodied hands would appear through apertures that had been left open on the exterior walls.
On occasion, a volunteer from the audience would be placed between the brothers in the cabinet. A few moments after the doors were closed the volunteer would be tossed out of the box with a tambourine on his head. When the doors were opened the Davenports would be found tied up, in exactly the same way they were before.
The act was billed as a séance and created a sensation. Although the brothers never admitted to being mediums - leaving that to the audience to decide - and critics labelled them mere stage magicians, spiritualists hailed their act as genuine proof of spirit phenomena.
In 1864 Southern preacher Jesse Bab-cock Ferguson joined the brothers to act as master of ceremonies. He travelled with them on their controversial but successful four-year tour of Europe, and claimed to know of no occasion when their phenomena were not genuinely paranormal.
William died suddenly in July 1877 on a trip to Australia and Ira, lost without his brother, retired from performing. During his retirement he was interviewed and befriended by the magician and anti-spiritualist Harry Houdini. According to Houdini, Ira confessed that the brothers were expert conjurers, not spiritualists, but had got carried away with the public’s enthusiasm for all things supernatural. Ira explained many of the brothers’ escape tricks, such as rubbing their hands with oil so that they could slip out of the ropes more easily, and employing as many as ten hidden accomplices at a time. The most important part of their escapes took place during the binding, when they managed to get plenty of slack into the ropes by twisting, flexing and contorting their limbs. Once they relaxed, the ropes could be easily slipped off.
Despite their natural ability many people remained convinced that they were spirit mediums and that Houdini’s testimony contradicted the signed statements of distinguished believers and reporters. Newspaper accounts, such as the one below, which appeared in the conservative London Post, gave them credit for producing miracles.
The musical instruments, bells, etc., were placed on the table; the Davenport Brothers were then manacled, hands and feet, and securely bound to the chairs by ropes. A chain of communication (though not a circular one) was formed, and the instant the lights were extinguished the musical instruments appeared to be carried about the room. The current of air, which they occasioned in their rapid transit, was felt upon the faces of all present.
The bells were loudly rung; the trumpets made knocks upon the floor, and the tambourine appeared running around the room, jingling with all its might. At the same time sparks were observed as if passing from south to west. Several persons exclaimed that they were touched by the instruments, which on occasion became so demonstrative that one gentleman received a knock on the nasal organ which broke the skin and caused a few drops of blood to flow.
With the media in awe of the brothers and convinced of their powers, it is hardly surprising that spectators were equally amazed and that the Davenports - who were never caught cheating once in their performing career - created a sensation.
DAVIS, Andrew JACKSON [1826–1910]
A nineteenth-century medium who was able to detail the creation and spiritual evolution of the world through trance revelations, Andrew Jackson Davis was born in Blooming Grove, Orange County, New York on 11 August 1826. Davis’s family was poor and he had little formal schooling, drifting from job to job. In 1843 he began work as a clairvoyant after discovering that under trance he could see through the body as if it were transparent and make astonishing medical diagnosis.
In March 1844 Davis went into a trance and wandered about 40 miles from his home into the Catskill Mountains, where he had a series of mystical visions of Galen, the Greek physician, and Emanuel Swe-denborg. Repeated visions convinced Davis that he was to serve as an oracle of divine truth, and he moved to New York City with S Silas Lyon, a botanic doctor who was to act as his mesmerist. Within a few months Davis selected Rev William Fishbough, a Universalist minister, to be his scribe and in November 1845 the three men began their work.
In their New York apartment Lyon would hypnotize Davis. After a few minutes Davis would go into shock and become rigid and cold, hardly breathing. Then Davis would begin talking and Fish-bough would write everything down. Typically there would be three witnesses watching the dictation. Edgar Allan Poe was frequently present. The most influential visitor was a professor of Hebrew at New York University, George Bush, and he endorsed the accuracy
