suddenly vanished.
Athenodorus, now deserted, carefully marked the spot with a handful of grass and leaves. The next day he asked the magistrate to have the spot dug up. There they found – intertwined with chains – the bones that were all that remained of a body that had long lain in the ground. Carefully, the skeletal relics were collected and given proper burial, at public expense. The tortured ancient was at rest. And the house in Athens was haunted no more.
ATMOSPHERE
A term used by psychics to describe a feeling for the environment they are in or the people they meet. Walking into a house with an unhappy atmosphere may leave them with an unsettled feeling, whereas meeting someone who is genuinely kind and honest and friendly creates a positive feeling or atmosphere.
We all pick up information from the environment we are in and from any person we meet for the first time. On a visual level we are influenced by the way a person looks and dresses and by the colours, shapes and styles around us. Sounds and smells influence us too, even before we consciously decide if we like what we see. Operating alongside our other senses is a kinaesthetic awareness, which registers an emotional reaction to the atmosphere that exists in an environment or in a person. In some people this awareness is more developed than others, and for clairsentients, who can sense and respond to the atmospheres created by places and people, it is highly attuned, giving detailed information about the physical, emotional and energetic nature of people and places.
Few of us have not felt at some time that a place is spooky or unfriendly or that we feel irritable or afraid for no reason. When this happens we are psychically tuning in to an atmosphere, and a person who readily senses an atmosphere in a place usually has that same knack when summing up people.
Clairsentients who work with environmental energy believe that everything that happens within an environment affects the way it feels. For example, there is a discernable difference between the feeling of a room used by people who respect and love each other and the feeling of a room in which people have been in bitter competition. Practitioners of the art of feng shui know a great deal about the need to balance environmental energy, and in feng shui the placing of objects such as mirrors and ornaments can help to regulate energy that is out of balance and create a healthier, more harmonious atmosphere in which to live and work.
Some clairsentients may be able to channel a form of healing energy, which can harmonize the feeling of a room, or they may, like feng shui experts, suggest colours, shapes, objects or spiritual practices to help transform the feeling or atmosphere of an environment.
AUBREY, JOHN [1626–1697]
One of the first known collectors of ghost stories, antiquarian and biographer John Aubrey’s compilation, Miscellanies, was published in 1696 and is packed with eye-witness accounts of ghostly sightings gathered from all points of Great Britain. Aubrey’s interest in the supernatural was reinforced by his own personal experiences. In Miscellanies, Aubrey writes about strange knocking sounds on the walls of his house a few days before his father died. ‘Three or four days before my father died’, he wrote, ‘as I was in my bed about nine o’clock in the morning, perfectly awake, I did hear three distinct knocks over the bed’s head, as if it had been with a ruler or ferula.’ This mysterious incident, when combined with his interviews of others who had encountered ghosts, utterly convinced Aubrey that the spirit world existed.
AUMAKUA
A family of guardian spirits from Hawaiian mythology, the aumakua are worshipped to ensure the wellbeing of the family. The aumakua are thought to have laws that must be followed, and transgressions are sometimes punished for decades. Many believe it is of vital importance to be on good terms with your family’s aumakua, or a soul may be abandoned before it reaches the land of the dead. Such abandoned souls haunt the living and remain in limbo until another aumakua takes pity on them and leads them to their new home.
Offspring of the aumakua can be born into families, and various legends tell of people born with supernatural powers, such as the ability to transform into animals.
According to lore the aumakua escort the souls of the dead to the afterlife in a ghostly procession, and if you have not rectified your sins against the aumakua before death, you have one chance to beg for pardon when the procession reaches its first stopping place. It is believed that the aumakua take the entire body to the next world, but if for any reason the body is not taken, the family must prepare the corpse for burial and its transformation into the aumakua form, which is that of a snake or shark.
AURA
The name given to a subtle envelope of vital energy that is thought to radiate round natural objects, including human beings, animals and plants. The colours and forms of each aura are believed to be characteristic of the person, animal or thing it surrounds and to fluctuate and shift according to mood and state of health.
The aura is normally invisible, but it can be seen by clairvoyants as a halo of light and colour. Two clairvoyants viewing the same aura might see different colours or interpret it in different ways. State of health and a person’s emotions show up as differences in colours and energy patterns or breaks in an aura. Physical illness seems related to the part of the aura that is closest to the body, often called the etheric body. Some psychics see the aura as a psychic screen for the projection of information, past, present and future.
Although the body does have a magnetic field – a biofield – there is no scientific evidence that auras exist. However, the belief that the human body emits radiations of a kind that in certain circumstances becomes visible has been encountered for centuries, and was present in ancient Egypt, India, Greece and Rome. In the sixteenth century, discourses on the astral body and its ‘fiery aura’ abound, and in the eighteenth century the theory of animal magnetism was developed by Anton Mesmer, who promoted a variety of scientific experiments to try to identify the phenomenon.
Just before World War I, Dr Walter Kilner from St Thomas’s Hospital in London developed a method to view auras, which he claimed appeared as a faint haze around the body, using an apparatus that rendered ultraviolet light visible. His theory of auric diagnosis of illness linked the appearance of an aura to a patient’s health. Kilner’s work was greeted with scepticism and interrupted by the outbreak of hostilities. In 1939, Semyon Davidovich Kirlian, a Russian electrician, developed a technique that he claimed recorded auras on film, but this technique remains to be verified. See Kirlian photography.
Auras, like parking places, are easy to find when you aren’t looking for them. So if you want to see an aura, you need to feel as relaxed and calm as possible. Breathe slowly and deeply for a few minutes. Then, instead of looking directly at someone, look straight past them and casually glance in their direction, allowing your eyes to lose focus. The idea is to trick your rational brain by deliberately putting a lot of your concentration on something else, but to keep a vague focus on the person whose aura you want to read.
With practise you may see a dim haze of energy around someone. Keep breathing deeply, and the aura may brighten to a colour. Don’t expect people to light up like Christmas trees and stay that way. Visions of auras tend to be lightning quick, but the more you practise the more natural it will feel and the more likely it is for colour to become noticeable.
AUTOMATIC WRITING
The most common form of automatism, automatic writing is writing that does not come from the conscious mind and is done in an altered state of consciousness. Some attribute it to spiritual beings who are
