as often as we have gets thick-skinned about it. Only the young recruits are jumpy. Kat gives them a lesson. ‘That was a twelve-inch. You can hear that from the report – you’ll hear the burst in a minute.’
But the dull thud of the shell-bursts can’t be heard at this distance. Everything is swallowed up in the rumble of the front. Kat listens carefully. ‘There’ll be a show tonight.’
We all listen. The front is restless. ‘Tommy’s[90] already firing,’ says Kropp.
You can hear the guns clearly. It is the British batteries, to the right of our sector. They are starting an hour early. Ours never start until ten on the dot[91].
‘What’s up with them?’ calls out Muller. ‘Are their watches fast or something?’
‘There’ll be a show, I tell you. I can feel it in my bones.’ Kat shrugs his shoulders.
Three guns thunder out just beside us. The gun flash shoots away diagonally into the mist, the artillery roars and rumbles. We shiver, happy that we’ll be back in camp by tomorrow morning.
Our faces are no more flushed and no paler than they usually are; they are neither more alert nor more relaxed, and yet they are different. We feel as if something inside us, in our blood, has been switched on. That’s not just a phrase – it is a fact. It is the front, the awareness of the front, that has made that electrical contact. The moment we hear the whistle of the first shells, or when the air is torn by artillery fire, a tense expectancy suddenly gets into our veins, our hands and our eyes, a readiness, a heightened wakefulness, a strange suppleness of the senses. All at once the body is completely ready.
It often seems to me as if it is the disturbed and vibrating air that suddenly comes over us with silent force; or as if the front itself is sending out its own electricity to put those unconscious nerve endings on to the alert.
It is the same every time. When we set out we are just soldiers – we might be grumbling or we might be cheerful; and then we get to the first gun emplacements, and every single word that we utter takes on a new sound.
If Kat stands in front of the huts and says ‘There’s going to be a show’ then that is his own opinion, nothing else. But if he says it out here, then the same words are as sharp as a bayonet on a moonlit night, cutting straight through the normal workings of the brain, more immediate, and speaking directly to that unknown element that has grown inside us with a dark significance – ‘There’s going to be a show’. Perhaps it is our innermost and most secret life that gives a shudder, and then prepares to defend itself.
For me, the front is as sinister as a whirlpool. Even when you are a long way away from its centre, out in calm waters, you can still feel its suction pulling you towards it, slowly, inexorably, meeting little resistance.
But the power to defend ourselves flows back into us out of the earth and out of the air – and most of all it flows out of the earth. The earth is more important to the soldier than to anybody else. When he presses himself to the earth, long and violently, when he urges himself deep into it with his face and with his limbs, under fire and with the fear of death upon him, then the earth is his only friend, his brother, his mother, he groans out his terror and screams into its silence and safety, the earth absorbs it all and gives him another ten seconds of life, ten seconds to run, then takes hold of him again – sometimes for ever.
Earth – earth – earth – !
Earth, with your ridges and holes and hollows into which a man can throw himself, where a man can hide! Earth – in the agony of terror, the explosion of annihilation, in the death-roar of the shell-bursts you gave us that massive resurgence of reconquered life. The madness, the tempest of an existence that had practically been torn to shreds flowed back from you into our hands, and so we burrowed deep into you for safety, and in the speechless fear and relief of having survived the moment, our mouths bit deeply into you!
With the first rumble of shellfire, one part of our being hurls itself back a thousand years. An animal instinct awakens in us, and it directs and protects us. It is not conscious, it is far quicker, far more accurate and far more reliable than conscious thought. You can’t explain it. You are moving up, not thinking of anything, then suddenly you are in a hollow in the ground with shrapnel flying over your head; but you can’t remember having heard the shell coming or having thought about taking cover. If you had relied on thought, you would have been so many pieces of meat by now. It was something else, some prescient, unconscious awareness inside us, that threw us down and saved us without our realizing. But for this, there would long since have been not a single man left alive between Flanders[92] and the Vosges[93].
We set out as soldiers, and we might be grumbling or we might be cheerful – we reach the zone where the front line begins, and we have turned into human animals.
We move into a rather scrappy wood. We pass the field kitchens. Just beyond the wood we climb down from the trucks and they go back. They will be picking us up again before first light tomorrow.
Mist and smoke from the artillery is chest-high over the meadows. The moon is shining on it. Troops are moving on the roadway. The steel helmets give a dull reflection in the moonlight. Heads and rifles stick out from the white mists, nodding heads and swaying rifle barrels.
Further on, the mist clears. The heads turn into whole figures – tunics, trousers and boots come out of the mist as if from a pool of milk. They form into a column. The column marches, straight ahead, the figures become a wedge, and you can no longer make out individual men, just this dark wedge, pushing forwards, made even more strange by the heads and rifles bobbing along on the misty lake. A column – not men.
Light artillery and munition wagons move in from a side road. The backs of the horses shine in the moonlight and their movements are good to see – they toss their heads and their eyes flash. The guns and the wagons glide past against an indistinct background like a lunar landscape, while the steel-helmeted cavalrymen look like knights in armour from a bygone age[94] – somehow it is moving and beautiful.
We make for the equipment dump. Some of our men load the angled, sharpened iron uprights on to their shoulders, the rest stick straight iron bars through rolls of barbed-wire and carry them away. They are awkward and heavy loads.
The terrain gets more pitted. Reports come back to us from up ahead: ‘Watch where you’re going, there’s a deep shell hole on the left’ – ‘Mind the trench’ —
We keep our eyes wide open, and test the ground with our feet and with the bars before we put our weight down. The column stops suddenly; you bang your face into the barbed-wire roll that the man in front is carrying, and you swear.
A couple of shot-up trucks[95] are in the way. A new order comes: ‘Pipes and cigarettes out!’ We are close to the frontline trenches.
In the meantime it has gone completely dark. We skirt around a little copse and our sector is there before us.
There is an indistinct reddish glow from one end of the horizon to the other. It changes constantly, punctuated by flashes from the gun batteries. Verey lights[96] go up high above it, silver and red balls which burst with a shower of white, red and green stars. French rockets shoot up, the ones with silk parachutes that open in the air and let them drift down really slowly. They light up everything as clear as day, and their brightness
Tommy – прозвище солдат вооруженных сил Великобритании
on the dot – ровно, точно
Flanders – Фландрия или Фламандский регион Бельгии
Vosges – Вогезы (горный массив на северо-востоке Франции)
bygone age – ушедшая эпоха
shot-up trucks – подбитые повозки
Verey lights – сигнальные ракеты
