my compositions, though having their origin in this Valley of Holyrood, should not only be extended into those exalted regions I have mentioned, but also that they should cross the Forth, astonish the long town of Kirkcaldy, enchant the skippers and colliers of the East of Fife, venture even into the classic arcades of St. Andrews, and travel as much farther to the north as the breath of applause will carry their sails. As for a southward direction, it is not to be hoped for in my fondest dreams. I am informed that Scottish literature, like Scottish whisky, will be presently laid under a prohibitory duty. But enough of this. If any reader is dull enough not to comprehend the advantages which, in point of circulation, a compact book has over a collection of fugitive numbers, let him try the range of a gun loaded with hailshot against that of the same piece charged with an equal weight of lead consolidated in a single bullet.
Besides, it was of less consequence that I should have published periodically, since I did not mean to solicit or accept of the contributions of friends, or the criticisms of those who may be less kindly disposed. Notwithstanding the excellent examples which might be quoted, I will establish no begging-box, either under the name of a lion’s head or an ass’s. What is good or ill shall be mine own, or the contribution of friends to whom I may have private access. Many of my voluntary assistants might be cleverer than myself, and then I should have a brilliant article appear among my chiller effusions, like a patch of lace on a Scottish cloak of Galashiels grey. Some might be worse, and then I must reject them, to the injury of the feelings of the writer, or else insert them, to make my own darkness yet more opaque and palpable. “Let every herring,” says our old-fashioned proverb, “hang by his own head.”
One person, however, I may distinguish, as she is now no more, who, living to the utmost term of human life, honoured me with a great share of her friendship—as, indeed, we were blood-relatives in the Scottish sense—Heaven knows how many degrees removed—and friends in the sense of Old England. I mean the late excellent and regretted Mrs. Bethune Baliol. But as I design this admirable picture of the olden time for a principal character in my work, I will only say here that she knew and approved of my present purpose; and though she declined to contribute to it while she lived, from a sense of dignified retirement, which she thought became her age, sex, and condition in life, she left me some materials for carrying on my proposed work which I coveted when I heard her detail them in conversation, and which now, when I have their substance in her own handwriting, I account far more valuable than anything I have myself to offer. I hope the mentioning her name in conjunction with my own will give no offence to any of her numerous friends, as it was her own express pleasure that I should employ the manuscripts which she did me the honour to bequeath me in the manner in which I have now used them. It must be added, however, that in most cases I have disguised names, and in some have added shading and colouring to bring out the narrative.
Much of my materials, besides these, are derived from friends, living or dead. The accuracy of some of these may be doubtful, in which case I shall be happy to receive, from sufficient authority, the correction of the errors which must creep into traditional documents. The object of the whole publication is to throw some light on the manners of Scotland as they were, and to contrast them occasionally with those of the present day. My own opinions are in favour of our own times in many respects, but not in so far as affords means for exercising the imagination or exciting the interest which attaches to other times. I am glad to be a writer or a reader in 1826, but I would be most interested in reading or relating what happened from half a century to a century before. We have the best of it. Scenes in which our ancestors thought deeply, acted fiercely, and died desperately, are to us tales to divert the tedium of a winter’s evening, when we are engaged to no party, or beguile a summer’s morning, when it is too scorching to ride or walk.
Yet I do not mean that my essays and narratives should be limited to Scotland. I pledge myself to no particular line of subjects, but, on the contrary, say with Burns —
“Perhaps it may turn out a sang,
Perhaps turn out a sermon.”
I have only to add, by way of postscript to these preliminary chapters, that I have had recourse to Moliere’s recipe, and read my manuscript over to my old woman, Janet MacEvoy.
The dignity of being consulted delighted Janet; and Wilkie, or Allan, would have made a capital sketch of her, as she sat upright in her chair, instead of her ordinary lounging posture, knitting her stocking systematically, as if she meant every twist of her thread and inclination of the wires to bear burden to the cadence of my voice. I am afraid, too, that I myself felt more delight than I ought to have done in my own composition, and read a little more oratorically than I should have ventured to do before an auditor of whose applause I was not so secure. And the result did not entirely encourage my plan of censorship. Janet did indeed seriously incline to the account of my previous life, and bestowed some Highland maledictions, more emphatic than courteous, on Christie Steele’s reception of a “shentlemans in distress,” and of her own mistress’s house too. I omitted for certain reasons, or greatly abridged, what related to herself. But when I came to treat of my general views in publication, I saw poor Janet was entirely thrown out, though, like a jaded hunter, panting, puffing, and short of wind, she endeavoured at least to keep up with the chase. Or, rather, her perplexity made her look all the while like a deaf person ashamed of his infirmity, who does not understand a word you are saying, yet desires you to believe that he does understand you, and who is extremely jealous that you suspect his incapacity. When she saw that some remark was necessary, she resembled exactly in her criticism the devotee who pitched on the “sweet word Mesopotamia” as the most edifying note which she could bring away from a sermon. She indeed hastened to bestow general praise on what she said was all “very fine;” but chiefly dwelt on what I, had said about Mr. Timmerman, as she was pleased to call the German philosopher, and supposed he must be of the same descent with the Highland clan of M’Intyre, which signifies Son of the Carpenter. “And a fery honourable name too—Shanet’s own mither was a M’Intyre.”
In short, it was plain the latter part of my introduction was altogether lost on poor Janet; and so, to have acted up to Moliere’s system, I should have cancelled the whole, and written it anew. But I do not know how it is. I retained, I suppose, some tolerable opinion of my own composition, though Janet did not comprehend it, and felt loath to retrench those Delilahs of the imagination, as Dryden calls them, the tropes and figures of which are caviar to the multitude. Besides, I hate rewriting as much as Falstaff did paying back—it is a double labour. So I determined with myself to consult Janet, in future, only on such things as were within the limits of her comprehension, and hazard my arguments and my rhetoric on the public without her imprimatur. I am pretty sure she will “applaud it done.” and in such narratives as come within her range of thought and feeling I shall, as I first intended, take the benefit of her unsophisticated judgment, and attend to it deferentially—that is, when it happens not to be in peculiar opposition to my own; for, after all, I say with Almanzor,—
“Know that I alone am king of me.”
The reader has now my who and my whereabout, the purpose of the work, and the circumstances under which it is undertaken. He has also a specimen of the author’s talents, and may judge for himself, and proceed, or send back the volume to the bookseller, as his own taste shall determine.
Chapter VI
Mr. Croftangry’s Account Of Mrs. Bethune Baliol.
The moon, were she earthly, no nobler. — Coriolanus.
When we set out on the jolly voyage of life, what a brave fleet there is around us, as, stretching our finest canvas to the breeze, all “shipshape and Bristol fashion,” pennons flying, music playing, cheering each other as we pass, we are rather amused than alarmed when some
