The Turn of the Screw & Other Novels - 4 Books in One Edition. Генри Джеймс

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The Turn of the Screw & Other Novels - 4 Books in One Edition - Генри Джеймс

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dear woman so failed, in the event, to avail herself of any right of criticism that it was sensibly tempting, for an hour, to wonder if Kate Croy had been playing perfectly fair. Hadn’t she possibly, from motives of the highest benevolence, promptings of the finest anxiety, just given poor Susie what she would have called the straight tip? It must immediately be mentioned, however, that, quite apart from a remembrance of the distinctness of Kate’s promise, Milly, the next thing, found her explanation in a truth that had the merit of being general. If Susie, at this crisis, suspiciously spared her, it was really that Susie was always suspiciously sparing her — yet occasionally, too, with portentous and exceptional mercies. The girl was conscious of how she dropped at times into inscrutable, impenetrable deferences — attitudes that, though without at all intending it, made a difference for familiarity, for the ease of intimacy. It was as if she recalled herself to manners, to the law of court-etiquette — which last note above all helped our young woman to a just appreciation. It was definite for her, even if not quite solid, that to treat her as a princess was a positive need of her companion’s mind; wherefore she couldn’t help it if this lady had her transcendent view of the way the class in question were treated. Susan had read history, had read Gibbon and Froude and Saint–Simon; she had high-lights as to the special allowances made for the class, and, since she saw them, when young, as effete and overtutored, inevitably ironic and infinitely refined, one must take it for amusing if she inclined to an indulgence verily Byzantine. If one could only be Byzantine!— wasn’t that what she insidiously led one on to sigh? Milly tried to oblige her — for it really placed Susan herself so handsomely to be Byzantine now. The great ladies of that race — it would be somewhere in Gibbon — weren’t, apparently, questioned about their mysteries. But oh, poor Milly and hers! Susan at all events proved scarce more inquisitive than if she had been a mosaic at Ravenna. Susan was a porcelain monument to the odd moral that consideration might, like cynicism, have abysses. Besides, the Puritan finally disencumbered ——! What starved generations wasn’t Mrs. Stringham, in fancy, going to make up for?

      Kate Croy came straight to the hotel — came that evening shortly before dinner; specifically and publicly moreover, in a hansom that, driven apparently very fast, pulled up beneath their windows almost with the clatter of an accident, a “smash.” Milly, alone, as happened, in the great garnished void of their sitting-room, where, a little, really, like a caged Byzantine, she had been pacing through the queer, long-drawn, almost sinister delay of night, an effect she yet liked — Milly, at the sound, one of the French windows standing open, passed out to the balcony that overhung, with pretensions, the general entrance, and so was in time for the look that Kate, alighting, paying her cabman, happened to send up to the front. The visitor moreover had a shilling back to wait for, during which Milly, from the balcony, looked down at her, and a mute exchange, but with smiles and nods, took place between them on what had occurred in the morning. It was what Kate had called for, and the tone was thus, almost by accident, determined for Milly before her friend came up. What was also, however, determined for her was, again, yet irrepressibly again, that the image presented to her, the splendid young woman who looked so particularly handsome in impatience, with the fine freedom of her signal, was the peculiar property of somebody else’s vision, that this fine freedom in short was the fine freedom she showed Mr. Densher. Just so was how she looked to him, and just so was how Milly was held by her — held as by the strange sense of seeing through that distant person’s eyes. It lasted, as usual, the strange sense, but fifty seconds; yet in so lasting it produced an effect. It produced in fact more than one, and we take them in their order. The first was that it struck our young woman as absurd to say that a girl’s looking so to a man could possibly be without connections; and the second was that by the time Kate had got into the room Milly was in mental possession of the main connection it must have for herself.

      She produced this commodity on the spot — produced it, that is, in straight response to Kate’s frank “Well, what?” The inquiry bore of course, with Kate’s eagerness, on the issue of the morning’s scene, the great man’s latest wisdom, and it doubtless affected Milly a little as the cheerful demand for news is apt to affect troubled spirits when news is not, in one of the neater forms, prepared for delivery. She couldn’t have said what it was exactly that, on the instant, determined her; the nearest description of it would perhaps have been as the more vivid impression of all her friend took for granted. The contrast between this free quantity and the maze of possibilities through which, for hours, she had herself been picking her way, put on, in short, for the moment, a grossness that even friendly forms scarce lightened: it helped forward in fact the revelation to herself that she absolutely had nothing to tell. Besides which, certainly, there was something else — an influence, at the particular juncture, still more obscure. Kate had lost, on the way upstairs, the look — the look — that made her young hostess so subtly think and one of the signs of which was that she never kept it for many moments at once; yet she stood there, none the less, so in her bloom and in her strength, so completely again the “handsome girl” beyond all others, the “handsome girl” for whom Milly had at first gratefully taken her, that to meet her now with the note of the plaintive would amount somehow to a surrender, to a confession. She would never in her life be ill; the greatest doctor would keep her, at the worst, the fewest minutes; and it was as if she had asked just with all this practical impeccability for all that was most mortal in her friend. These things, for Milly, inwardly danced their dance; but the vibration produced and the dust kicked up had lasted less than our account of them. Almost before she knew it she was answering, and answering, beautifully, with no consciousness of fraud, only as with a sudden flare of the famous “will-power” she had heard about, read about, and which was what her medical adviser had mainly thrown her back on. “Oh, it’s all right. He’s lovely.”

      Kate was splendid, and it would have been clear for Milly now, had the further presumption been needed, that she had said no word to Mrs. Stringham. “You mean you’ve been absurd?”

      “Absurd.” It was a simple word to say, but the consequence of it, for our young woman, was that she felt it, as soon as spoken, to have done something for her safety.

      And Kate really hung on her lips. “There’s nothing at all the matter?”

      “Nothing to worry about. I shall take a little watching, but I shan’t have to do anything dreadful, or even, in the least, inconvenient. I can do in fact as I like.” It was wonderful for Milly how just to put it so made all its pieces fall at present quite properly into places.

      Yet even before the full effect came Kate had seized, kissed, blessed her. “My love, you’re too sweet! It’s too dear! But it’s as I was sure.” Then she grasped the full beauty. “You can do as you like?”

      “Quite. Isn’t it charming?”

      “Ah, but catch you,” Kate triumphed with gaiety, “not doing ——! And what shall you do?”

      “For the moment simply enjoy it. Enjoy”— Milly was completely luminous —“having got out of my scrape.”

      “Learning, you mean, so easily, that you are well.”

      It was as if Kate had but too conveniently put the words into her mouth. “Learning, I mean, so easily, that I am well.”

      “Only, no one’s of course well enough to stay in London now. He can’t,” Kate went on, “want this of you.”

      “Mercy, no — I’m to knock about. I’m to go to places.”

      “But not beastly ‘climates’— Engadines, Rivieras, boredoms?”

      “No; just, as I say, where I prefer. I’m to go in for pleasure.”

      “Oh, the duck!”— Kate, with her own shades of familiarity, abounded. “But what kind of pleasure?”

      “The

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